LAS 3 TORRES [OVI, NATANAEL CANO, JUNIOR H] album cover

ISRC

USWL12000525

LAS 3 TORRES [OVI, NATANAEL CANO, JUNIOR H]

Song: LAS 3 TORRES

NATANAEL CANO
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Last verified:

USWL12000525 is the International Standard Recording Code (ISRC) for the recording “LAS 3 TORRES [OVI, NATANAEL CANO, JUNIOR H] by NATANAEL CANO. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANTONIO HERRERA PEREZ, NATHANAHEL RUBEN CANO MONGE, OVIDIO CRESPO.

Format

USCountry
WL1Registrant
20Year (2020)
00525Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLAS 3 TORRES [OVI, NATANAEL CANO, JUNIOR H]

People also ask

What is the ISRC for "LAS 3 TORRES [OVI, NATANAEL CANO, JUNIOR H]" by NATANAEL CANO?
The ISRC for "LAS 3 TORRES [OVI, NATANAEL CANO, JUNIOR H]" by NATANAEL CANO is USWL12000525.
Who wrote "LAS 3 TORRES [OVI, NATANAEL CANO, JUNIOR H]"?
"LAS 3 TORRES [OVI, NATANAEL CANO, JUNIOR H]" was written by ANTONIO HERRERA PEREZ, NATHANAHEL RUBEN CANO MONGE, OVIDIO CRESPO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USWL12000525?

USWL12000525 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LAS 3 TORRES [OVI, NATANAEL CANO, JUNIOR H] by NATANAEL CANO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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