MILES TO GO album cover

ISRC

USX9P2048184

MILES TO GO

ADAM HOLZMAN MICHAEL WILLIAM GILBERTMICHAEL WILLIAM GILBERTMICHAEL WILLIAM GILBERT & ADAM HOLZMANMICHAEL WILLIAM GILBERT ADAM HOLZMANADAM HOLZMAN

Last verified:

USX9P2048184 is the International Standard Recording Code (ISRC) for the recording “MILES TO GO by ADAM HOLZMAN MICHAEL WILLIAM GILBERT, MICHAEL WILLIAM GILBERT, MICHAEL WILLIAM GILBERT & ADAM HOLZMAN, MICHAEL WILLIAM GILBERT ADAM HOLZMAN, ADAM HOLZMAN. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
X9PRegistrant
20Year (2020)
48184Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "MILES TO GO" by ADAM HOLZMAN MICHAEL WILLIAM GILBERT?
The ISRC for "MILES TO GO" by ADAM HOLZMAN MICHAEL WILLIAM GILBERT, MICHAEL WILLIAM GILBERT, MICHAEL WILLIAM GILBERT & ADAM HOLZMAN, MICHAEL WILLIAM GILBERT ADAM HOLZMAN, ADAM HOLZMAN is USX9P2048184.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USX9P2048184?

USX9P2048184 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MILES TO GO by ADAM HOLZMAN MICHAEL WILLIAM GILBERT, MICHAEL WILLIAM GILBERT, MICHAEL WILLIAM GILBERT & ADAM HOLZMAN, MICHAEL WILLIAM GILBERT ADAM HOLZMAN, ADAM HOLZMAN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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