Akhnaten, Act II: Akhnaten and Nefertiti album cover

ISRC

USY3P1904493

Akhnaten, Act II: Akhnaten and Nefertiti

Song: AKHNATEN (ACT II: YEARS 5 TO 15 - THEBES AND AKHETATEN - SCENE 1: TEMPLE)

Zachary JamesJ’Nai BridgesAnthony Roth CostanzoKaren Kamensekthe Metropolitan Opera Orchestra
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USY3P1904493 is the International Standard Recording Code (ISRC) for the recording “Akhnaten, Act II: Akhnaten and Nefertiti by Zachary James, J’Nai Bridges, Anthony Roth Costanzo, Karen Kamensek, the Metropolitan Opera Orchestra. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
Y3PRegistrant
19Year (2019)
04493Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Akhnaten, Act II: Akhnaten and Nefertiti" by Zachary James?
The ISRC for "Akhnaten, Act II: Akhnaten and Nefertiti" by Zachary James, J’Nai Bridges, Anthony Roth Costanzo, Karen Kamensek, the Metropolitan Opera Orchestra is USY3P1904493.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USY3P1904493?

USY3P1904493 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Akhnaten, Act II: Akhnaten and Nefertiti by Zachary James, J’Nai Bridges, Anthony Roth Costanzo, Karen Kamensek, the Metropolitan Opera Orchestra. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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