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ISRC

USY3P1905235

Requiem: VII. Libera me: No. 4, Libera me, Domine

Song: Messa da requiem: VIIa. Libera me: Libera me, Domine

Metropolitan Opera ChorusAilyn PérezMetropolitan Opera OrchestraYannick Nézet-Séguin

Last verified:

USY3P1905235 is the International Standard Recording Code (ISRC) for the recording "Requiem: VII. Libera me: No. 4, Libera me, Domine" by Metropolitan Opera Chorus, Ailyn Pérez, Metropolitan Opera Orchestra, Yannick Nézet-Séguin. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
Y3PRegistrant
19Year (2019)
05235Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Requiem: VII. Libera me: No. 4, Libera me, Domine" by Metropolitan Opera Chorus?
The ISRC for "Requiem: VII. Libera me: No. 4, Libera me, Domine" by Metropolitan Opera Chorus, Ailyn Pérez, Metropolitan Opera Orchestra, Yannick Nézet-Séguin is USY3P1905235.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USY3P1905235?

USY3P1905235 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Requiem: VII. Libera me: No. 4, Libera me, Domine" by Metropolitan Opera Chorus, Ailyn Pérez, Metropolitan Opera Orchestra, Yannick Nézet-Séguin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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