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BLOOD FROM A STONE album cover

ISRC

USYFZ1452210

BLOOD FROM A STONE

CIRCA SURVIVE
unmatchedNot yet matched in the MLC database
Released 2012-08-28

Last verified:

USYFZ1452210 is the International Standard Recording Code (ISRC) for the recording “BLOOD FROM A STONE” by CIRCA SURVIVE, released 2012-08-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by COLIN FRANGICETTO, STEVE CLIFFORD, ANTHONY GREEN, and others.

Format

USCountry
YFZRegistrant
14Year (2014)
52210Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

COLIN FRANGICETTOComposer
STEVE CLIFFORDComposer
ANTHONY GREENComposer
NICK BEARDComposer
BRENDAN EKSTROMComposer

MLC Song Code

BVD8PE
Verify on MLC Portal →
SourcesMusicBrainzMLCNotesCommunity4 sources

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People also ask

What is the ISRC for "BLOOD FROM A STONE" by CIRCA SURVIVE?
The ISRC for "BLOOD FROM A STONE" by CIRCA SURVIVE is USYFZ1452210.
Who wrote "BLOOD FROM A STONE"?
"BLOOD FROM A STONE" was written by COLIN FRANGICETTO, STEVE CLIFFORD, ANTHONY GREEN, NICK BEARD, BRENDAN EKSTROM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USYFZ1452210?

USYFZ1452210 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “BLOOD FROM A STONE” by CIRCA SURVIVE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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