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Would You Like to Ride album cover

ISRC

USZEG1100067

Would You Like to Ride

Song: WOULDN'T YOU LIKE TO RIDE

Kanye WestMalik Yusef
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Last verified:

USZEG1100067 is the International Standard Recording Code (ISRC) for the recording "Would You Like to Ride" by Kanye West, Malik Yusef. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MALIK YUSEF EL SHABAZZ JONES, SONNY CHARLES, KANYE OMARI WEST, and others.

Format

USCountry
ZEGRegistrant
11Year (2011)
00067Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWould You Like to Ride
IPIMALIK YUSEF EL SHABAZZ JONES

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Songwriter profiles

MALIK YUSEF EL SHABAZZ JONESIPISONNY CHARLESIPIKANYE OMARI WESTIPILONNIE RASHID LYNNIPI

People also ask

What is the ISRC for "Would You Like to Ride" by Kanye West?
The ISRC for "Would You Like to Ride" by Kanye West, Malik Yusef is USZEG1100067.
Who wrote "Would You Like to Ride"?
"Would You Like to Ride" was written by MALIK YUSEF EL SHABAZZ JONES, SONNY CHARLES, KANYE OMARI WEST, LONNIE RASHID LYNN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USZEG1100067?

USZEG1100067 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Would You Like to Ride" by Kanye West, Malik Yusef. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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