FALL BACK (FEAT. KOOL G RAP) [FEAT. KOOL G RAP] album cover

ISRC

USZEG1600221

FALL BACK (FEAT. KOOL G RAP) [FEAT. KOOL G RAP]

BIG L
unmatchedNot yet matched in the MLC database

Last verified:

USZEG1600221 is the International Standard Recording Code (ISRC) for the recording "FALL BACK (FEAT. KOOL G RAP) [FEAT. KOOL G RAP]" by BIG L. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by S. ELITE, SHOMAN, LAMONT COLEMAN, and others.

Format

USCountry
ZEGRegistrant
16Year (2016)
00221Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

S. ELITEComposer
SHOMANComposer
LAMONT COLEMANComposer
N. WILSONComposer

MLC Song Code

SourcesNotes

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People also ask

What is the ISRC for "FALL BACK (FEAT. KOOL G RAP) [FEAT. KOOL G RAP]" by BIG L?
The ISRC for "FALL BACK (FEAT. KOOL G RAP) [FEAT. KOOL G RAP]" by BIG L is USZEG1600221.
Who wrote "FALL BACK (FEAT. KOOL G RAP) [FEAT. KOOL G RAP]"?
"FALL BACK (FEAT. KOOL G RAP) [FEAT. KOOL G RAP]" was written by S. ELITE, SHOMAN, LAMONT COLEMAN, N. WILSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USZEG1600221?

USZEG1600221 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FALL BACK (FEAT. KOOL G RAP) [FEAT. KOOL G RAP]" by BIG L. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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