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HEY LOVE FEAT SAMUEL CHRISTIAN SINGLE album cover

ISRC

USZXT1125496

HEY LOVE FEAT SAMUEL CHRISTIAN SINGLE

Song: HEY LOVE

NAPPY ROOTS
unmatchedNot yet matched in the MLC database

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USZXT1125496 is the International Standard Recording Code (ISRC) for the recording “HEY LOVE FEAT SAMUEL CHRISTIAN SINGLE” by NAPPY ROOTS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MELVIN ADAMS, WILLIAM RAHSAAN HUGHES, BRIAN K SCOTT, and others.

Format

USCountry
ZXTRegistrant
11Year (2011)
25496Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHEY LOVE FEAT SAMUEL CHRISTIAN SINGLE
IPIMELVIN ADAMS

People also ask

What is the ISRC for "HEY LOVE FEAT SAMUEL CHRISTIAN SINGLE" by NAPPY ROOTS?
The ISRC for "HEY LOVE FEAT SAMUEL CHRISTIAN SINGLE" by NAPPY ROOTS is USZXT1125496.
Who wrote "HEY LOVE FEAT SAMUEL CHRISTIAN SINGLE"?
"HEY LOVE FEAT SAMUEL CHRISTIAN SINGLE" was written by MELVIN ADAMS, WILLIAM RAHSAAN HUGHES, BRIAN K SCOTT, RONALD WILSON, SLEEPY BROWN, VITO BANGA, RAY MURRAY, RICO RENARD WADE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USZXT1125496?

USZXT1125496 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HEY LOVE FEAT SAMUEL CHRISTIAN SINGLE” by NAPPY ROOTS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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