ISRC

ZADGR1300088

AS LONG AS I AM HERE

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ZADGR1300088 is the International Standard Recording Code (ISRC) for the recording “AS LONG AS I AM HERE”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROSS LEARMONTH, MARCO GOMEZ, GERHARDT VENTER, and others.

Format

ZACountry
DGRRegistrant
13Year (2013)
00088Designation
Country:
ISO 3166-1 alpha-2 country code (ZA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ROSS LEARMONTHComposerLyricist
DAVID GRESHAM MUSIC OriginalPublisherIPI: 00127399158
MARCO GOMEZComposerLyricist
DAVID GRESHAM MUSIC OriginalPublisherIPI: 00127399158
GERHARDT VENTERComposerLyricist
DAVID GRESHAM MUSIC OriginalPublisherIPI: 00127399158
DIRK BISSHOFFComposerLyricist
DAVID GRESHAM MUSIC OriginalPublisherIPI: 00127399158

Who publishes this song?

DAVID GRESHAM MUSICOriginalPublisher
IPI: 00127399158

Credits Graph

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People also ask

What is the ISRC for "AS LONG AS I AM HERE"?
The ISRC for "AS LONG AS I AM HERE" is ZADGR1300088.
Who wrote "AS LONG AS I AM HERE"?
"AS LONG AS I AM HERE" was written by ROSS LEARMONTH, MARCO GOMEZ, GERHARDT VENTER, DIRK BISSHOFF.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ZADGR1300088?

ZADGR1300088 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “AS LONG AS I AM HERE”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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