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DLALA album cover

ISRC

ZB88P2200165

DLALA

KABZA DE SMALL;MDU A.K.A TRP;SIPZZY;LAYLA;SPRINGLESMDU A.K.A TRP FEAT. KABZA DE SMALLSPIZZYLAYLA & SPRINGLES
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ZB88P2200165 is the International Standard Recording Code (ISRC) for the recording "DLALA" by KABZA DE SMALL;MDU A.K.A TRP;SIPZZY;LAYLA;SPRINGLES, MDU A.K.A TRP FEAT. KABZA DE SMALL, SPIZZY, LAYLA & SPRINGLES. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KABELO MOTHA, KEITH MDUDUZI MANGENA, LAYLA, and others.

Format

ZBCountry
88PRegistrant
22Year (2022)
00165Designation
Country:
ISO 3166-1 alpha-2 country code (ZB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "DLALA" by KABZA DE SMALL;MDU A.K.A TRP;SIPZZY;LAYLA;SPRINGLES?
The ISRC for "DLALA" by KABZA DE SMALL;MDU A.K.A TRP;SIPZZY;LAYLA;SPRINGLES, MDU A.K.A TRP FEAT. KABZA DE SMALL, SPIZZY, LAYLA & SPRINGLES is ZB88P2200165.
Who wrote "DLALA"?
"DLALA" was written by KABELO MOTHA, KEITH MDUDUZI MANGENA, LAYLA, SPRINGLES SPRINGLES, SPIZZY SPIZZY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ZB88P2200165?

ZB88P2200165 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DLALA" by KABZA DE SMALL;MDU A.K.A TRP;SIPZZY;LAYLA;SPRINGLES, MDU A.K.A TRP FEAT. KABZA DE SMALL, SPIZZY, LAYLA & SPRINGLES. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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