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  1. Home
  2. ISWCs
  3. T-010176577-8

ISWC · Musical Work

T-010176577-8

Unter dem Doppeladler, op. 159

3 recordings

Last verified: July 27, 2026

T-010176577-8 is the International Standard Musical Work Code (ISWC) for the musical composition "Unter dem Doppeladler, op. 159". ISWCs are ISO 15707 identifiers managed by CISAC; they identify the underlying song — its melody, lyrics, and arrangement — rather than any single recording. One composition can have many recordings (ISRCs). This work has 3 known recordings (ISRCs) indexed on Credits.fm.

Format

TPrefix
010176577Work number
8Check digit
Prefix:
"T" = musical work; "W" = work in progress.
Work number:
9-digit unique work number assigned by CISAC.
Check digit:
ISO 7064 Mod 11-2 check digit that validates the rest of the code.

Credit Chain

ISRC3 recordings
ISWCUnter dem Doppeladler, op. 159

What other identifiers does this connect to?

Songwriters/Publishers (IPI)

00032981579

Creative Contributors (ISNI)

0000 0001 2347 9198
SourcesMusicBrainzMusicBrainzMLC via NotesNotes CreditsCISAC✓5 sources

Verified on

  • CISAC ISWC registry search

Identifier Graph

ISWCUnter dem Doppe…ISRCDEF057302880ISRCGBVUD0801337ISRCZA42A1500119

People also ask

What is ISWC T-010176577-8?+
ISWC T-010176577-8 identifies the musical composition "Unter dem Doppeladler, op. 159". ISWCs are defined by ISO 15707 and managed by CISAC to uniquely identify the underlying song — the melody, lyrics, and arrangement.
How many recordings use ISWC T-010176577-8?+
ISWC T-010176577-8 has 3 recordings (ISRCs) associated with it. Each recording is a distinct version — such as the original, a remix, a live performance, or a cover — that shares the same underlying composition.
How is an ISWC different from an ISRC?+
An ISWC identifies a musical work (the underlying composition — melody, lyrics, arrangement). An ISRC identifies a specific sound recording of that work. One ISWC can have many ISRCs — for example, the original recording, a remix, a live version, and a cover would each have their own ISRC but share the same ISWC.

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What is ISWC T-010176577-8?

T-010176577-8 is an International Standard Musical Work Code (ISWC) that uniquely identifies the musical composition "Unter dem Doppeladler, op. 159". ISWCs are defined by ISO 15707 and managed by CISAC. Unlike ISRCs which identify recordings, an ISWC identifies the underlying song — the melody, lyrics, and arrangement.

This work has 3 recordings (ISRCs) associated with it. Each recording represents a distinct version — such as the original, a remix, a live performance, or a cover — that shares the same underlying composition.

Learn more about ISWCs · Powered by Notes.fm

Which releases contain this work? (2)

Karajan - 1970s, Vol. 2

Herbert von Karajan

000289479167272013-01-01

Complete Philips Recordings

John Williams (4)

0289487164562025-01-01

Recordings (3)

1
Martial Moments, No. 2: Old Comrades / Under the Double Eagle / Sylvia / Namur / With Sword and Lance / Semper Fidelis / The Washington Post / Light o Foot

Reginald Dixon

GBVUD0801337
On release:The Wonderful World of Reginald Dixon(5014797167872)Early Years(5034504281325)Early Years(885686861899)
2
Under the Double Eagle

John Williams, The Boston Pops Orchestra

ZA42A1500119
On release:Pops on the March(028942080423)Complete Philips Recordings(028948515905)
3
Unter dem Doppeladler

Berliner Philharmonisches Bläserensemble, Herbert von Karajan

DEF057302880
On release:Radetzky-Marsch: Preußische und österreichische Märsche mit Herbert von Karajan(028942907423)Preußische & Österreichische Märsche(028943934626)Marches(028943969024)Alte Kameraden - Preußische und österreichische Märsche(028944299991)Radetzky–Marsch: Mit Pauken & Trompeten(028945938820)Herbert von Karajan Complete Recordings on Deutsche Grammophon and Decca(028947981602)Complete Recordings on Deutsche Grammophon(4988005499455)Märsche - Prussian and Austrian Marches(4988031248812)

Who are the artists on this work?

Berliner Philharmonisches BläserensembleHerbert von Karajan

MLC Song Code

U0231R
Verify on MLC Portal →