Person · Active since 1931
Credits Graph
Credit Chain
Alexander Nevsky, op. 78: VI. The Field of the Dead
Anna Reynolds, London Symphony Orchestra, André Previn
Cantata, BWV 44 "Sie werden euch in den Bann tun": III. Aria (alto) "Christen müssen auf der Erden"
Anna Reynolds, Münchener Bach-Orchester, Karl Richter
Documentary
Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton
In the Belly
Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton
Invocation
Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton
Kantate, BWV 111 "Was mein Gott will, das g'scheh allzeit": III. Rezitativ (Alto) "O Törichter! der sich von Gott entzieht"
Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Kurt Hausmann, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 111 "Was mein Gott will, das g'scheh allzeit": IV. Duett (Alto, Tenore) "So geh ich mit beherzten Schritten"
Peter Schreier, Anna Reynolds, Karl Kolbinger, Johannes Fink, Kurt Hausmann, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Herbert Duft, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alto) "Der Gnade unermeßlichs Wesen"
Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 13 "Meine Seufzer, meine Tränen": II. Recitativo (Alto) "Mein liebster Gott lässt mich annoch"
Anna Reynolds, Fritz Kiskalt, Herbert Duft, Johannes Fink, Kurt Hausmann, Günther Höller, Peter Jenne, Otto Büchner, Karl Kolbinger, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": IV. Recitativo (Alto) "Ich will, mein Gott, dir frei heraus bekennen"
Anna Reynolds, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Otto Büchner, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": V. Aria (Alto) "Christi Glieder, ach bedenket"
Anna Reynolds, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Otto Büchner, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute"
Anna Reynolds, Karl Kolbinger, Manfred Clement, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Werner Binder, Detlef Kühl, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an"
Peter Schreier, Anna Reynolds, Detlef Kühl, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Klette, Karl Kolbinger, Werner Binder, Paul Lachenmeier, Elmar Schloter, Pierre Thibaud, Hedwig Bilgram, Manfred Clement, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt!, behalte nur das Deine"
Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts"
Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen?": I. Aria (Alto) "Jesus Schläft, was soll ich hoffen?"
Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Kurt Hausmann, Günther Höller, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Hans-Martin Linde, Elmar Schloter, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen?": VI. Recitativo (Alto) "Wohl mir, mein Jesus spricht ein Wort"
Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Kurt Hausmann, Günther Höller, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Hans-Martin Linde, Elmar Schloter, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
La traviata: Atto I. “Dell'invito trascorsa è già l'ora”
Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Anna Moffo, Piero de Palma, Anna Reynolds, Vito Susca, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali
La traviata: Atto II, scena 2. “Alfredo! Voi?”
Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Anna Moffo, Piero de Palma, Anna Reynolds, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali
La traviata: Atto II, scena 2. “Avrem lieta di maschere la notte”
Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Reynolds, Vito Susca, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali
La traviata: Atto II, scena 2. “Noi siamo zingarelle”
Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Reynolds, Vito Susca, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali
Melodrama and Pantomime
Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton
Messiah, HWV 56: Part I. Recitative: “Then shall the eyes of the blind” (alto) / Duet: “He shall feed His flock” (soprano, alto)
Helen Donath, Anna Reynolds, London Philharmonic Orchestra, Karl Richter
Messiah, Part 1: "Behold, a virgin shall conceive"
Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock"
Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion"
Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 2: "He was despised"
Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 2: No. 23. Air alto: He was despised"
Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet..."
Academy of St. Martin in the Fields Chorus, Elly Ameling, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 3: No. 52. Air alto. "If God be for us"
Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..."
Academy of St. Martin in the Fields Chorus, Philip Langridge, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah: "O thou that tellest good tidings to Zion"
Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
Symphony no. 9 in D minor, op. 125 “Choral”: IV. (c) Allegro assai. “Freude, Freude!” –
Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini
Symphony no. 9 in D minor, op. 125 “Choral”: IV. (g) Allegro ma non tanto. “Freude, Tochter aus Elysium!” –
Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini
Symphony no. 9 in D minor, op. 125 “Choral”: IVb. Allegro assai “Freude, schöner Götterfunken” – Alla marcia – Allegro assai vivace “Froh, wie seine Sonnen” – Andante maestoso “Seid umschlungen, Millionen!” – Adagio ma non troppo, ma divoto
Gerd Feldhoff, Liselotte Rebmann, Anna Reynolds, Anton de Ridder, Koninklijk Concertgebouworkest, Eugen Jochum
Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo
Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Orchestra Chorus, Arthur Oldham, London Symphony Orchestra, Carlo Maria Giulini
The Prayer
Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton
The Storm
Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton
The Swallowing
Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton
The Vomiting
Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton
Alexander Nevsky
2021
Choral Symphony
2025
Die Meistersinger von Nürnberg
1991 · Philips
Kantaten Cantatas BWV 51 / BWV 93 / BWV 129
1989 · Archiv Produktion
Luisa Miller
1988 · London Records
Messiah
2000 · London Records
Messiah
1985 · Deutsche Grammophon
Messiah
1989 · Decca
Messiah
1996 · Deutsche Grammophon
Stabat Mater / Legenden
1989 · Deutsche Grammophon
Stabat Mater / Legends
1996 · Deutsche Grammophon
Symphonie nº9 "avec Chœurs"
1991 · EMI Classics
Symphony no. 1 / Symphony no. 2 “Resurrection”
1999 · BBC Music
Symphony no. 4 / Lieder eines fahrenden Gesellen / Das irdische Leben / Wer hat dies Liedlein erdacht?
2000 · BBC
Symphony no. 9, “Choral”
1993 · Philips
Anna Reynolds is a performer, active since 1931.
Our database contains 40 recordings and 15 releases credited to Anna Reynolds. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
Search more musicians · Learn about music credits · Powered by Notes.fm
