“Can She Excuse”

“Come Again”

“Flow My Tears”

“Go Cristall Teares”

“I Saw My Lady Weepe”

“Now, o Now I Needs Must Part”

“Sorrow Stay”

A Dream

Almande

Amarilli Mia Bella

Amazones

Aria

Aria 20

Avrilla mia

Bassoon Concerto in B-flat major, K. 191: I. Allegro

Bassoon Concerto in B-flat major, K. 191: II. Andante ma adagio

Bassoon Concerto in B-flat major, K. 191: III. Rondo: Tempo di menuetto

Canzone spirituela sopra la nina nana

Captain Piper his Galiard

Cello Suite no. 1 in G major, BWV 1007: I. Prélude

Cello Suite no. 1 in G major, BWV 1007: II. Allemande

Cello Suite no. 1 in G major, BWV 1007: III. Courante

Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande

Cello Suite no. 1 in G major, BWV 1007: V. Menuet I & VI. Menuet II

Cello Suite no. 1 in G major, BWV 1007: VII. Gigue

Coral, violino solo e basso

Courant 17

Courant e variatio contrapunct

Daphne

Die getreue Alceste: Act I, Scene 2: “Non ha fortuna il pianto mio”

Die getreue Alceste: Act I: Sinfonia pour la tempête

Eileen Aroon With Variations

Ercole amante: Atto I: Sinfonia

Ercole sul Termodonte, RV 710: Act II, Scene 1: “Onde chiare che sussurrate”

Ercole sul Termodonte, RV 710: Act III, Scene 8: “Scenderò, volerò, griderò”

Ercole sul Termodonte, RV 710: Sinfonia: I. Allegro

Ercole sul Termodonte, RV 710: Sinfonia: II. [Andante]

Ercole sul Termodonte, RV 710: Sinfonia: III. Allegro

Esther, HWV 50b, Act II Scene 3: Duet “Who Calls My Parting Soul from Death?” (Esther, Ahasuerus)

Fortune

Fortune

Frog Galliard

Hercules, HWV 60, Act II Scene 8: Duet “Joys of Freedom” (Dejanira, Iole)

Io che dal ciel cader

Je vous revois : Duet (From Act I, Les Fêtes d’Hébé, ou Les Talens liriques)

Joseph and His Brethren, HWV 59, Act III Scene 2: Air “Prophetic Raptures Swell My Breast” (Asenath)

Jupiter : Modérément (From Première Suite, Pièces de viole)

L’Antiope: Act III, Final Scene: “Vieni, corri, volami in braccio”

L’Antiope: Act III, Scene 15: “Sdegni, furori barbari”

L’Eraclito amoroso

La lettera amorosa

La Ménetou : Rondeau. Gracieusement, Sans lenteur (From Septième Ordre, Second Livre de pièces de clavecin)

La Portugaise : Marqué et d’aplomb (From Première Suite, Pièces de viole)

La Rêveuse (From Quatrième livre des pièces a I. et III. violes)

La Sylva : Très tendrement (From Première Suite, Pièces de viole)

Lachrimæ

Lachrimæ amantis

Lachrimæ antiquæ

Lachrimæ antiquæ novæ

Lachrimæ coactæ

Lachrimæ gementes

Lachrimæ tristes

Lachrimæ veræ

Le Dodo, ou L’Amour au berceau (pièce‐croisée) : Rondeau. Sur le mouvement des berçeuses (From Quinzième Ordre, Troisième Livre de pièces de clavecin)

Les Amazones: Marche – Récits: “Venez, troupe guerrière” – “Puisque tout est tranquille” / Duo: “Combattons, courrons à la gloire”

Les Baricades mïstérieuses : Rondeau. Vivement (From Sixième Ordre, Second Livre de pièces de clavecin)

Les Gentils Airs – ou Airs connus, ajustée en duo, pour basson seul accompagné d’un clavecin: La Furstemberg

Les Gentils Airs – ou Airs connus, ajustée en duo, pour basson seul accompagné d’un clavecin: Les Sauvages (Arr. Jean-Philippe Rameau)

Les Gentils Airs – ou Airs connus, ajustée en duo, pour basson seul accompagné d’un clavecin: Tamborin (Arr. Jean-Philippe Rameau)

Les Gouts-Reunis, ou Noveaux Concerts: Treizième concert: Air Agreablement

Les Gouts-Reunis, ou Noveaux Concerts: Treizième concert: Chaconne Legere

Les Gouts-Reunis, ou Noveaux Concerts: Treizième concert: Sarabande Tendrement

Les Gouts-Reunis, ou Noveaux Concerts: Treizième concert: Vivement

Les Voix humaines : Lentement

Lo schiavo di sua moglie: Act I, Scene 5: “Non posso far”

Lo schiavo di sua moglie: Act I, Scene 8: “Lasciatemi morir, stelle crudeli”

M. Bucton his Galiard

M. George Whitehead his Almand

M. Giles Hobies Galiard

M. Henry Noel his Galiard

M. John Langtons Pavan

M. Nicholas Gryffith his Galiard

M. Thomas Collier his Galiard with two trebles

Marthésie, première reine des amazones: Act I, Scene 1: “Faible fierté, gloire impuissante”

Marthésie, première reine des amazones: Act III, Scene 5: “Ô mort ! Ô triste mort”

Marthésie, première reine des amazones: Act V, Final Scene: “Quel coup me réservait la colère céleste ?”

Mascarada e variatio

Mellancoly Galliard

Mentre che fra doglie e pene

Mes jours s’en vont finir

Mistress Nichols Almand

Mitilene, regina delle amazzoni: “Che farai misero core”

Mitilene, regina delle amazzoni: “Lieti fiori, erbe odorose”

Mitilene, regina delle amazzoni: “Sdegno all’armi, alle vendette”

Mitilene, regina delle amazzoni: Act III, Scene 19: “Muove il piè, furia d’Averno”

Mitilene, regina delle amazzoni: Duetto: “Io piango” / “Io peno”

Occasional Oratorio, HWV 62, Part I: No. 8. Soprano air “Fly from the Threat’ning Vengeance, Fly!”

Ode for the Birthday of Queen Anne, HWV 74: Alto Solo with Solo Trumpet “Eternal Source of Light Divine”

Passacaille in C major

Præludium

Prélude (From Suite in D minor, Pièces de clavecin)

Preludium

Premier Prélude in C major (From L’Art de toucher le clavecin)

Sans frayeur dans ce bois, H. 467

Sarabande grave : Lentement (From Suite in D minor, Pièces de clavecin)

Saul, HWV 53, Act I Scene 5: Air “Oh Lord, Whose Mercies Numberless” (David)

Semele, HWV 58, Act I Scene 2: Duet “You’ve Undone Me” (Ino, Athamas)

Semele, HWV 58, Act II Scene 1: Air “Hence, Iris, Hence Away” (Juno)

Semele, HWV 58, Act II Scene 4: Air “But Hark, the Heav’nly Sphere Turns Round” (Ino)

Semele, HWV 58, Act II Scene 4: Duet “Prepare, Then, Ye Immortal Choir” (Semele, Ino)

Semele, HWV 58, Act III Scene 4: Air “No, No, I’ll Take No Less” (Semele)

Semele, HWV 58, Act III Scene 8: Air “Despair No More Shall Wound Me” (Athamas)

Semper Dowland semper dolens

Semper Dowland, Semper dolens

Serenade in C minor, K. 388: I. Allegro

Serenade in C minor, K. 388: II. Andante

Serenade in C minor, K. 388: III. Menuetto in canone

Serenade in C minor, K. 388: IV. Allegro

Sir Henry Umptons Funerall

Sir John Souch his Galiard

Solomon, HWV 67, Act III: No. 59. Air “Will the Sun Forget to Streak” (Queen of Sheba)

Sonata 20

Sonata 21

Sonata 24

Sonata 25

Sonata 27

Sonata 28

Sonata in C major for Bassoon and Continuo, FaWV N:C 1: Allegro

Sonata in C major for Bassoon and Continuo, FaWV N:C 1: Allegro assai

Sonata in C major for Bassoon and Continuo, FaWV N:C 1: Andante

Sonata in C major for Bassoon and Continuo, FaWV N:C 1: Largo

Sonata in E minor for Bassoon and Continuo, op. 50 no. 1: Allemanda: Allegro

Sonata in E minor for Bassoon and Continuo, op. 50 no. 1: Andante-Staccato

Sonata in E minor for Bassoon and Continuo, op. 50 no. 1: Aria: Affetvos

Sonata in E minor for Bassoon and Continuo, op. 50 no. 1: Gavotta: Presto

Sonata in F minor, TWV 41, F1: Allegro

Sonata in F minor, TWV 41, F1: Andante

Sonata in F minor, TWV 41, F1: Triste

Sonata in F minor, TWV 41, F1: Vivace

Sonata in G major for Bassoon and Continuo, op. 50 no. 2: Allemanda: Allegro

Sonata in G major for Bassoon and Continuo, op. 50 no. 2: Giga

Sonata in G major for Bassoon and Continuo, op. 50 no. 2: Largo

Sonata in G major for Bassoon and Continuo, op. 50 no. 2: Largo

Sonata in G Minor (Devil’s Trill) III. Andante/Allegro

Sonate et suite « a due »: Allemande

Sonate et suite « a due »: Ballett

Sonate et suite « a due »: Courant

Sonate et suite « a due »: Gigue

Sonate et suite « a due »: Sarabanda

Sonate et suite « a due »: Sonata

Suite in D minor (From Pièces de théorbe et de luth): Allemande « La Royale »

Suite in D minor (From Pièces de théorbe et de luth): Chaconne

Suite in D minor (From Pièces de théorbe et de luth): Courante I

Suite in D minor (From Pièces de théorbe et de luth): Gavotte

Suite in D minor (From Pièces de théorbe et de luth): Mascarade. Rondeau

Suite in D minor (From Pièces de théorbe et de luth): Sarabande

Suite in D minor, HWV 437: III. Sarabande

Suite in G minor, BWV 995: I. Prélude

Suite in G minor, BWV 995: II. Allemande

Suite in G minor, BWV 995: III. Courante

Suite in G minor, BWV 995: IV. Sarabande

Suite in G minor, BWV 995: V. Gavotte I & VI. Gavotte II en rondeau

Suite in G minor, BWV 995: VII. Gigue

Suitte d’un goût étranger: XIV. L’Amériquaine

Susanna, HWV 66, Act III Scene 2: Duet “To My Chaste Susanna’s Praise” (Joacim, Susanna)

That’s so You

The Choice of Hercules, HWV 69, Part II Scene 2: No. 15. Air “Yet, Can I Hear That Dulcet Lay” (Hercules)

The Earle of Essex Galiard

The King of Denmarke, His Galliard

The King of Denmarks Galiard

The Triumph of Time and Truth, HWV 71, Act III: No. 58. Air “Guardian Angels, Oh, Protect me” (Beauty)

Theodora, HWV 68, Part 1 Scene 4: Air “As With Rosy Steps the Morn” (Irene)

Theodora, HWV 68, Part II Scene 2: Air “With Darkness Deep, as Is My Woe” (Theodora)

Theodora, HWV 68, Part II Scene 5: Duet “To Thee Thy Glorious Son of Worth” (Theodora, Didymus)

What If a Day