A Child of Our Time: Part 1: “I Have No Money for My Bread”

A Child of Our Time: Part 1: “Man Has Measured the Heavens”

A Child of Our Time: Part 2: “My Dreams Are All Shattered”

A Child of Our Time: Part 2: “O My Son!”

A Child of Our Time: Part 2: “The Boy Becomes Desperate in His Agony”

A Child of Our Time: Part 3: “I Would Know My Shadow and My Light”

A Child of Our Time: Part 3: “The Soul of Man”

Adagio (Elegy) for String Quartet After “Katerina’s Aria” From Scene 3 of the Opera “Lady MacBeth of the Mtsensk District”, op. 29

Allegretto (Polka) for String Quartet

Allegretto (Polka) for String Quartet

An Alpine Symphony, op. 64: Am Wasserfall (At the Waterfall)

An Alpine Symphony, op. 64: Auf blumigen Weisen (On Flowering Meadows)

An Alpine Symphony, op. 64: Auf dem Gipfel (On the Summit)

An Alpine Symphony, op. 64: Auf dem Gletscher (On the Glacier)

An Alpine Symphony, op. 64: Auf der Alm (On the Alpine Pasture)

An Alpine Symphony, op. 64: Ausklang (Final Sounds)

An Alpine Symphony, op. 64: Der Anstieg (The Ascent)

An Alpine Symphony, op. 64: Die Sonne verdüstert sich allmählich (The Sun Gradually Darkens)

An Alpine Symphony, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen (Straying through Thicket and Undergrowth)

An Alpine Symphony, op. 64: Eintritt in den Wald (Entry into the Wood)

An Alpine Symphony, op. 64: Elegie (Elegy)

An Alpine Symphony, op. 64: Erscheinung (Apparition)

An Alpine Symphony, op. 64: Gefahrvolle Augenblicke (Dangerous Moments)

An Alpine Symphony, op. 64: Gewitter und Sturm, Absteig (Thunder and Storm, Descent)

An Alpine Symphony, op. 64: Nacht (Night)

An Alpine Symphony, op. 64: Nacht (Night)

An Alpine Symphony, op. 64: Nebel steigen auf (Mists Rise)

An Alpine Symphony, op. 64: Sonnenaufgang (Sunrise)

An Alpine Symphony, op. 64: Sonnenuntergang (Sunset)

An Alpine Symphony, op. 64: Stille vor dem Sturm (Calm before the Storm)

An Alpine Symphony, op. 64: Vision (Vision)

An Alpine Symphony, op. 64: Wanderung neben dem Bache (Wandering by the Stream)

Andante Festivo (1924)

Appalachia: [Introduction I.] Molto moderato – Tranquillo –

Appalachia: [Introduction II.] Poco più vivo ma moderato –

Appalachia: [Theme.] Andante –

Appalachia: [Variation I.] Un poco più – Moderato –

Appalachia: [Variation II.] Più vivo –

Appalachia: [Variation III.] Molto moderato – Poco più mosso – Lento – Moderato (molto ritmico) –

Appalachia: [Variation IV.] Con moto – Un poco più tranquillo –

Appalachia: [Variation IX.] Allegro alla marcia – Adagio –

Appalachia: [Variation V.] Giocoso. Allegro moderato – Meno mosso. Più tranquillo –

Appalachia: [Variation VI.] Lento e molto tranquillo – Misterioso. Più mosso – Un poco meno –

Appalachia: [Variation VII.] Andante con grazia – Calando –

Appalachia: [Variation VIII.] Lento sostenuto e tranquillo – Un poco più – Tempo I –

Appalachia: [Variation X.] Marcia. Molto lento maestoso –

BBC Radio 4 Theme

Belshazzar’s Feast: And in that same hour, as they feasted

Belshazzar’s Feast: Babylon was a great city

Belshazzar’s Feast: If I forget thee, O Jerusalem

Belshazzar’s Feast: Praise ye the God of gold

Belshazzar’s Feast: The trumpeters and pipers are silent

Belshazzar’s Feast: Then sing aloud to God our strength

Belshazzar’s Feast: Then sing aloud to God our strength (reprise)

Belshazzar’s Feast: Thus in Babylon the mighty city

Belshazzar’s Feast: Thus spake Isaiah

Book I: Fuga I, a 4 voci, BWV 846

Book I: Fuga IV, a 5 voci, BWV 849

Book I: Fuga V, a 4 voci, BWV 850

Book I: Fuga XII, a 4 voci, BWV 857

Book I: Fuga XIV, a 4 voci, BWV 859

Book I: Fuga XVII, a 4 voci, BWV 862

Book I: Fuga XVIII, a 4 voci, BWV 863

Book I: Fuga XX, a 4 voci, BWV 865

Book I: Fuga XXII, a 5 voci, BWV 867

Book I: Fuga XXIII, a 4 voci, BWV 868

Book I: Fuga XXIV, a 4 voci, BWV 869

Book II: Fuga II, a 4 voci, BWV 871

Book II: Fuga IX, a 4 voci, BWV 878

Book II: Fuga V, a 4 voci, BWV 874

Book II: Fuga VII, a 4 voci, BWV 876

Book II: Fuga VIII, a 4 voci, BWV 877

Book II: Fuga XVI, a 4 voci, BWV 885

Book II: Fuga XVII, a 4 voci, BWV 886

Book II: Fuga XXII, a 4 voci, BWV 891

Book II: Fuga XXIII, a 4 voci, BWV 892

By The Sleepy Lagoon

Capriccio in E minor, Op. 81 No. 3: Andante con moto - Allegro fugato, assai vivace

Cello Concerto in E minor, op. 85: I. Adagio - Moderato

Cello Concerto in E minor, op. 85: II. Lento - Allegro molto

Cello Concerto in E minor, op. 85: III. Adagio

Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo

Cello Concerto: I. Moderato – Allegro non troppo – Poco animato – Più mosso – 12:04 Più lento – Allegro e inquieto – Più vivo – Meno mosso – Allegro marziale – Più lento – Animato – Tempo I – Vivo

Cello Concerto: II. Lento con granole espressione – Poco largamente – Tempo I – 9:51 Poco più largamente – Tempo I e sempre tranquillo

Cello Concerto: III. Allegro vivo – Meno mosso, ma sempre con movimento – Poco più mosso – Più mosso (Tempo I) – Molto ritmico – Più lento e misterioso – Poco più tranquillo – Più mosso – Più mosso – Vivo e marcato – Marcatissimo

Concerto for Cello and Orchestra: Con moto tranquillo – Becoming slower and slower –

Concerto for Cello and Orchestra: I. Introduction -

Concerto for Cello and Orchestra: I. Moderato

Concerto for Cello and Orchestra: II. Allegro appassionato

Concerto for Cello and Orchestra: II. Episodes -

Concerto for Cello and Orchestra: III. Cantilena -

Concerto for Cello and Orchestra: III. Tema ed improvvisazioni: Lento – Con moto – Lo stesso tempo – Poco meno mosso –

Concerto for Cello and Orchestra: III. Tema ed improvvisazioni: Rapsodicamente – A tempo [Moderato], ma un po’ più lento – Adagio

Concerto for Cello and Orchestra: III. Tema ed improvvisazioni: Risoluto, tempo giusto. Brioso – Meno mosso – Allegro molto –

Concerto for Cello and Orchestra: IV. Finale

Concerto for Cello and Orchestra: Meno mosso – Becoming slower –

Concerto for Cello and Orchestra: Quietly

Concerto for Cello and Orchestra: Rather slower, very quietly – Tempo I – Rather slower –

Concerto for Cello and Orchestra: Slow – Not quick; quietly –

Concerto for Cello and Orchestra: Slow – Quicker – Rather slower – Rather quicker – Very slow – Very quietly –

Concerto for Cello and Orchestra: With animation – Becoming slower –

Concerto for Large Symphony Orchestra: I. Allegro

Concerto for Large Symphony Orchestra: II. Largo

Concerto for Large Symphony Orchestra: III. Vivo (giocoso)

Concerto for Large Symphony Orchestra: IV. Allegro non troppo

Concerto for Violin, Cello and Orchestra: Quietly -

Concerto for Violin, Cello and Orchestra: Slowly and Quietly – Molto tranquillo, rather quicker – Rather slower – [Cadenza.] Quicker – Rather slower –

Concerto for Violin, Cello and Orchestra: Tempo I – Rather quicker, tranquillo – Quicker – Rather slower – Rather more lively –

Concerto for Violin, Cello and Orchestra: Very quietly – Molto tranquillo, tempo I – Very quietly, slow

Concerto for Violin, Cello and Orchestra: With moderate speed – Rather quicker – Rather quieter – Quicker – Quietly – Rather slower, molto tranquillo – Vigorously –

Concerto no. 1 for Violoncello and Orchestra: I

Concerto no. 1 for Violoncello and Orchestra: II

Concerto no. 1 for Violoncello and Orchestra: III

Concerto no. 2 for Violoncello and Orchestra

Constants, op. 110: I. Introduction –

Constants, op. 110: II. Lament –

Constants, op. 110: III. Canticle

Crisantemi: Andante mesto

Cypresses B. 152, 12. Allegro Animato

Cypresses, B. 152: I. Moderato

Cypresses, B. 152: II. Allegro ma non troppo

Cypresses, B. 152: III. Andante con moto

Cypresses, B. 152: IV. Poco adagio

Cypresses, B. 152: IX. Moderato

Cypresses, B. 152: V. Andante

Cypresses, B. 152: VI. Andante moderato

Cypresses, B. 152: VII. Andante con moto

Cypresses, B. 152: VIII. Lento

Cypresses, B. 152: X. Andante maestoso

Cypresses, B. 152: XI. Allegro scherzando

Das Wohltemperierte Klavier: Book 1, BWV 846-869 : J.S. Bach: Das Wohltemperierte Klavier: Book 1, BWV 846-869 - Fugue In G Minor, BWV 861

Duo in E-flat major for Viola and Cello, WoO32 "Eyeglass": I. Allegro

Duo in E-flat major for Viola and Cello, WoO32 "Eyeglass": II. Minuetto

Grave

Hamabdil, Hebrew Melody in G minor

Jeux interdits (Spanish Romance)

Partita for Cello and Piano, op. 35: I. Elegy

Partita for Cello and Piano, op. 35: II. Scherzo

Partita for Cello and Piano, op. 35: III. Theme and Variations: Theme

Partita for Cello and Piano, op. 35: III. Theme and Variations: Variation I: Allegro inquieto

Partita for Cello and Piano, op. 35: III. Theme and Variations: Variation II: Ostinato

Partita for Cello and Piano, op. 35: III. Theme and Variations: Variation III: March

Partita for Cello and Piano, op. 35: III. Theme and Variations: Variation IV: Appassionato

Partita for Cello and Piano, op. 35: III. Theme and Variations: Variation V: Waltz

Partita for Cello and Piano, op. 35: III. Theme and Variations: Variation VI: Chorale

Prayer for a great man

Sonata for Cello and Piano in A major, op. 64: I. Moderato – Allegro deciso e appassionato

Sonata for Cello and Piano in A major, op. 64: II. Lento serioso

Sonata for Cello and Piano in A major, op. 64: III. Allegro con fuoco

Sonata for Cello and Piano in A major: I. Allegro

Sonata for Cello and Piano in A major: II. Andante sostenuto

Sonata for Cello and Piano in A major: III. Maestoso

Sonata for Cello and Piano in A minor: I. Tempo moderato

Sonata for Cello and Piano in A minor: II. Adagio

Sonata for Cello and Piano in A minor: III. Allegro

Sonata for Cello and Piano in C major: I. Adagio – Allegro appassionato

Sonata for Cello and Piano in C major: II. Adagio

Sonata for Cello and Piano in C major: III. Allegro molto

Sonata for Cello and Piano in C minor, op. 6: I. Allegro ma non troppo

Sonata for Cello and Piano in C minor, op. 6: II. Adagio

Sonata for Cello and Piano in C minor, op. 6: III. Allegro appassionato

Sonata for Cello and Piano in D major

Sonata for Cello and Piano in E-flat major: I. Moderato

Sonata for Cello and Piano in E-flat major: II. Poco lento

Sonata for Cello and Piano in E-flat major: III. Molto vivace ma non troppo

Sonata for Cello and Piano in G minor, op. 60: I. Andante moderato

Sonata for Cello and Piano in G minor, op. 60: II. Vivace flessibile

Sonata for Cello and Piano in G minor, op. 60: III. Adagio

Sonata for Cello and Piano in G minor: I. Moderato e sostenuto

Sonata for Cello and Piano in G minor: II. Poco largamente – Non troppo lento

Sonata for Cello and Piano in G minor: III. Con moto e marcato

Sonata for Cello and Piano no. 2, op. 96 no. 1: I. Moderato

Sonata for Cello and Piano no. 2, op. 96 no. 1: II. Adagio

Sonata for Cello and Piano no. 2, op. 96 no. 1: III. Allegro

Sonata for Cello and Piano: I. Allegro – Molto vivo

Sonata for Cello and Piano: I. Moderato

Sonata for Cello and Piano: II. Allegretto leggero – Lento

Sonata for Cello and Piano: II. Vivace, molto leggiero

Sonata for Cello and Piano: III. Adagio

Sonata for Cello and Piano: III. Feroce

Sonata for Cello and Piano: IV. Allegro

Sonata for Cello and Piano: IV. Andante

Sonata for Piano and Cello, op. 6: I. Moderato quasi allegretto

Sonata for Piano and Cello, op. 6: II. Lento

Sonata for Piano and Cello, op. 6: III. Molto brioso

Sonata for Solo Cello: I. Fantasia

Sonata for Solo Cello: II. Tema pastorale con variazioni

Sonata for Solo Cello: III. Toccata

Sonata no. 1 for Cello and Piano, H 277: I. Poco allegro

Sonata no. 1 for Cello and Piano, H 277: II. Lento

Sonata no. 1 for Cello and Piano, H 277: III. Allegro con brio

Sonata no. 2 for Cello and Piano, H 286: I. Allegro

Sonata no. 2 for Cello and Piano, H 286: II. Largo

Sonata no. 2 for Cello and Piano, H 286: III. Allegro commodo

Sonata no. 3 for Cello and Piano, H 340: I. Poco andante

Sonata no. 3 for Cello and Piano, H 340: II. Andante

Sonata no. 3 for Cello and Piano, H 340: III. Allegro (ma non presto) – Poco vivo

Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso

Symphony for Cello and Orchestra, op. 68: II. Presto inquieto

Symphony for Cello and Orchestra, op. 68: III. Adagio – Cadenza ad lib