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"""POSSENTE AMOR MI CHIAMA"""
John McCarthy, Ambrosian Opera Chorus, Ricardo Cassinelli, John Gibbs, Luciano Pavarotti, Christian du Plessis, London Symphony Orchestra, Richard Bonynge
"""RIGOLETTO / ACT 1: """"QUESTA O QUELLA...PARTITE? CRUDELE!"""""""
John McCarthy, Ambrosian Opera Chorus, Ricardo Cassinelli, Sherrill Milnes, Luciano Pavarotti, Kiri Te Kanawa, London Symphony Orchestra, Richard Bonynge
Alleluia · Communions
The Choir of the Carmelite Priory, John McCarthy
Antiphon · Ave Verum
The Choir of the Carmelite Priory, John McCarthy
Antiphonal Psalmody
The Choir of the Carmelite Priory, John McCarthy
Antiphons
The Choir of the Carmelite Priory, John McCarthy
Ave Maria
Montserrat Caballé, Ambrosian Opera Chorus, John McCarthy, Royal Philharmonic Orchestra
Bless This House
Norma Procter, The John McCarthy Chorus, The Romantic Strings
via John McCarthy ChorusCarmen : Acte I, Nº 1. Introduction « Sur la place chacun passe » (Les Soldats, Moralès)
Patrick Criswell, John McCarthy, Ambrosian Singers, Stuart Harling, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I, Nº 2. Marche et Chœur des Gamins « Avec la garde montante » (Chœur des Gamins)
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I, Nº 5. Scène « Carmen, sur tes pas, nous nous pressons tous » (Les Jeunes Gens, Les Cigarières, Don José)
Patrick Criswell, John McCarthy, Ambrosian Singers, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I, Nº 7. Chœur « Au secours ! » (Les Cigarières, Zuniga, Les Soldats)
Patrick Criswell, John McCarthy, Ambrosian Singers, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I. “Voici la cloche qui sonne, mon lieutenant ” … “La cloche a sonné”
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I. « Allons ! Allons ! » (Zuniga, Chœur des Gamins)
Patrick Criswell, John McCarthy, Ambrosian Singers, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I. « Mais nous ne voyons pas la Carmencita. » (Les Soldats, Les Jeunes Gens)
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I. « Quand je vous aimerai ? » / Nº 4: Havanaise « L’amour est un oiseau rebelle » (Carmen, Chœur)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I. « Regardez donc cette petite » (Moralès, Les Soldats, Micaëla)
Patrick Criswell, John McCarthy, Ambrosian Singers, Ileana Cotrubaș, Stuart Harling, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José)
Patrick Criswell, John McCarthy, Ambrosian Singers, Richard Amner, Teresa Berganza, Plácido Domingo, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte II, Nº 13. Couplet (Air du Toréador) « Votre toast… je peux vous le rendre » (Escamillo, tout le monde, Pastia, Zuniga, Carmen) / Nº 13 bis. Chœur « Toréador, en garde » (Chœur, Frasquita, Pastia, Dancaïre, Remendado)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Robert Lloyd, George Main, Sherrill Milnes, Alicia Nafé, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte II, Nº 17. Finale « Holà ! Carmen ! Holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Les Bohémiens)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, Robert Lloyd, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte II. « Suis‐nous à travers la campagne » (Frasquita, Mercédès, Dancaïre, Remendado, Les Bohémiens, Les Bohémiennes)
Patrick Criswell, John McCarthy, Ambrosian Singers, Yvonne Kenny, Alicia Nafé, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte II. « Tout est bien alors » (Carmen, Zuniga) / Nº 12. Chœur et Ensemble « Vivat ! vivat le toréro ! » (Chœur, Zuniga, Mercédès, Frasquita, Escamillo, Carmen, Andrès, Pastia)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Jean Lainé, Robert Lloyd, George Main, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre”
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte III, Nº 18. Introduction « Ecoute, compagnon, écoute » (Les Contrebandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, Yvonne Kenny, Alicia Nafé, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte III, Nº 20. Morceau d’ensemble « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, Les Bohémiennes, Les Bohémiens, Dancaïre, Remendado)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Alicia Nafé, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte III, Nº 23. Finale « Holà, José ! » (Carmen, Escamillo, Dancaïre, Don José, Les Contrebandiers, Les Contrebandières)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, Sherrill Milnes, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte III, Nº 24. Chœur « À deux cuartos » (Des Marchandes, Des Marchands, Un Soldat, Andrès, Un Bohémien)
Patrick Criswell, John McCarthy, Ambrosian Singers, Richard Amner, Leslie Fyson, Jean Lainé, Shirley Minty, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte III. « Halte ! Quelqu’un est là qui cherche à se cacher. » (Remendado, Carmen, Dancaïre, Don José, Micaëla, Chœur)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Ileana Cotrubaș, Plácido Domingo, Sherrill Milnes, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte IV, Nº 26. Duo final « C’est toi ? » / « C’est‐moi ! » (Carmen, Don José, Chœur)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Don Carlo: Act II: Nei giardin del bello (Veil Song)
John McCarthy, Ambrosian Opera Chorus, Shirley Verrett, Delia Wallis, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini
Don Carlo: Atto II, Scena I. “Dio, che nell'alma infondere amor”
John McCarthy, Ambrosian Singers, Plácido Domingo, Simon Estes, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini
Don Carlo: Atto II, Scena II, No. 5. Scena e romanza: "Non pianger, mia compagna" (Elisabetta, Rodrigo, Coro, Filippo)
John McCarthy, Montserrat Caballé, Sherrill Milnes, Ruggero Raimondi, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
Gospel Tone
The Choir of the Carmelite Priory, John McCarthy
Gradual : Flores apparuerunt
The Choir of the Carmelite Priory, John McCarthy
Hippolyte et Aricie : « Quelle plainte en ces lieux m'appelle »
John McCarthy, Dame Janet Baker, St. Anthony Singers, English Chamber Orchestra, Sir Anthony Lewis
Hymns
The Choir of the Carmelite Priory, John McCarthy
Il barbiere di Siviglia: Atto I. N. 1 Introduzione: “Piano, pianissimo” (Fiorello, coro, conte)
John McCarthy, Luigi Alva, Ambrosian Opera Chorus, Renato Cesari, London Symphony Orchestra, Claudio Abbado
Il barbiere di Siviglia: Atto I. N. 9 Finale I: “Alto là! Che cosa accadde” (Figaro, Bartolo, conte, Rosina, Berta, Basilio, ufficiale, coro)
John McCarthy, Luigi Alva, Ambrosian Opera Chorus, Teresa Berganza, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Hermann Prey, Luigi Roni, London Symphony Orchestra, Claudio Abbado
Il barbiere di Siviglia: Atto I. Stretta del finale I: “Ma signor ”… “Mi par d'esser con la testa” (Bartolo, coro, Berta, Basilio, Rosina, conte, Figaro, ufficiale)
John McCarthy, Luigi Alva, Ambrosian Opera Chorus, Teresa Berganza, Enzo Dara, Stefania Malagú, Paolo Montarsolo, Hermann Prey, Luigi Roni, London Symphony Orchestra, Claudio Abbado
Il trovatore: Atto II, Scena I. "Vedi! La fosche notturne spoglie" (gypsies)
John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Zubin Mehta
In a Persian Market
John McCarthy, The Ambrosian Singers, London Promenade Orchestra, Alexander Faris
Laudes seu Acclamationes
The Choir of the Carmelite Priory, John McCarthy
Le nozze di Figaro: Atto quarto: Finale (concl.) "Gente, gente, all'armi"
John McCarthy, Aldo Baldin, The Ambrosian Singers, Aγνή Mπάλτσα, Barbara Hendricks, Neil Jenkins, Robert Lloyd, Donald Maxwell, Felicity Palmer, Cathryn Pope, Lucia Popp, Ruggero Raimondi, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Les Biches, FP 36: Chanson dansée
John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Georges Prêtre
Les Biches, FP 36: Jeu
John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Georges Prêtre
Les Biches, FP 36: Petite chanson dansée
John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Georges Prêtre
Madama Butterfly: Atto II. Coro a bocca chiusa
John McCarthy, Ambrosian Opera Chorus, Philharmonia Orchestra, Giuseppe Sinopoli
Marian Antiphons
The Choir of the Carmelite Priory, John McCarthy
Nabucco: “Va, pensiero, sull'ali dorate” … “Oh, chi piange?” (coro, Zaccaria)
John McCarthy, Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado
One Night in Bangkok (12″ version)
Murray Head
Requiem, op. 48: VII. In Paradisum
John Mc Carthy, Ambrosian Singers, Siegmund Nimsgern, Lucia Popp, Philharmonia Orchestra, Sir Andrew Davis
Responsories
The Choir of the Carmelite Priory, John McCarthy
Rigoletto: Atto I. "Ch'io gli parli" (Monterone)
John McCarthy, Ambrosian Opera Chorus, Ricardo Cassinelli, John Gibbs, Clifford Grant, Sherrill Milnes, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Rigoletto: Atto I. "Gran nuova! Gran nuova!" (Marullo)
John McCarthy, Ambrosian Opera Chorus, Ricardo Cassinelli, John Gibbs, Sherrill Milnes, Luciano Pavarotti, Christian du Plessis, London Symphony Orchestra, Richard Bonynge
Rigoletto: Atto I. "Gualtier Maldè…Caro nome" (Gilda)
John McCarthy, Ambrosian Opera Chorus, Ricardo Cassinelli, John Gibbs, Christian du Plessis, Joan Sutherland, London Symphony Orchestra, Richard Bonynge
Rigoletto: Atto I. "Gualtier Maldè…Caro nome" (Gilda)
John McCarthy, Ambrosian Opera Chorus, Ricardo Cassinelli, John Gibbs, Christian du Plessis, Joan Sutherland, London Symphony Orchestra, Richard Bonynge
Rigoletto: Atto I. "Zitti, zitti" (Coro)
John McCarthy, Ambrosian Opera Chorus, Ricardo Cassinelli, John Gibbs, Sherrill Milnes, Christian du Plessis, Joan Sutherland, London Symphony Orchestra, Richard Bonynge
Rigoletto: Atto II. "Duca, duca!" (Coro)
John McCarthy, Ambrosian Opera Chorus, Ricardo Cassinelli, John Gibbs, Luciano Pavarotti, Christian du Plessis, London Symphony Orchestra, Richard Bonynge
Rigoletto: Atto II. "Mio padre!…Tutte le feste al tempio" (Gilda)
John McCarthy, Ambrosian Opera Chorus, Sherrill Milnes, Joan Sutherland, London Symphony Orchestra, Richard Bonynge
Rigoletto: Atto II. "Povero Rigoletto!" (Marullo)
John McCarthy, Ambrosian Opera Chorus, Ricardo Cassinelli, Josephte Clément, John Gibbs, Sherrill Milnes, Christian du Plessis, London Symphony Orchestra, Richard Bonynge
Suo Gân
James Rainbird, The Ambrosian Junior Choir, John McCarthy
Symphony no. 3: 5th Movement: Lustig Im Tempo Und Keck Im Ausdruck
Helen Watts, Boys From Wandsworth School, Ambrosian Chorus, John McCarthy, London Symphony Orchestra, Georg Solti
The Man Who Knew Too Much: Cantata – The Storm Clouds
John McCarthy, Ambrosian Singers, Claire Henry, Royal Philharmonic Orchestra, Elmer Bernstein
The Nutcracker, op. 71: Act I, Scene 2: 9. Waltz of the Snowflakes
John McCarthy, The Ambrosian Singers, Philharmonia Orchestra, John Lanchbery
The Planets, Suite for orchestra & female chorus, op. 32, H. 125: VII. “Neptune, the Mystic”
Royal Philharmonic Orchestra, Vernon Handley, The Ambrosian Singers, John McCarthy
The Twelve Days of Christmas
Beecham Choral Society, John McCarthy, Peter Knight, Royal Philharmonic Orchestra
The Wassail Song (Here We Come A‐Caroling)
Ambrosian Singers, John McCarthy
We Wish You a Merry Christmas
Traditionnel
via John McCarthy ChorusWhat Child Is This
Traditionnel
via John McCarthy Chorusナニユエニイエスハ : Traditional: I Wonder as I Wander
Jessye Norman, Ambrosian Singers, John McCarthy
John McCarthy is a performer, active since 1919. John McCarthy is a member of John McCarthy Chorus, and credits from that group are included in this catalog.
Our database contains 73 recordings and 5 releases credited to John McCarthy. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
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