Person
Credits Graph
"For Several Friends," Suite in B flat major: Ayre
Trio Settecento
via Trio Settecento"For Several Friends," Suite in B flat major: Courante
Trio Settecento
via Trio Settecento"For Several Friends," Suite in B flat major: Fantazie
Trio Settecento
via Trio Settecento"For Several Friends," Suite in B flat major: Jigg
Trio Settecento
via Trio Settecento"For Several Friends," Suite in B flat major: Pavan
Trio Settecento
via Trio Settecento"For Several Friends," Suite in B flat major: Saraband
Trio Settecento
via Trio Settecento"The Little Consort," Suite in G minor/major: Alman
Trio Settecento
via Trio Settecento"The Little Consort," Suite in G minor/major: Ayre
Trio Settecento
via Trio Settecento"The Little Consort," Suite in G minor/major: Corant
Trio Settecento
via Trio Settecento"The Little Consort," Suite in G minor/major: Corant
Trio Settecento
via Trio Settecento"The Little Consort," Suite in G minor/major: Corant
Trio Settecento
via Trio Settecento"The Little Consort," Suite in G minor/major: Pavane
Trio Settecento
via Trio Settecento"The Little Consort," Suite in G minor/major: Saraband
Trio Settecento
via Trio SettecentoAir (From "The Virtuous Wife")
Trio Settecento
via Trio SettecentoAllemande
Trio Settecento
via Trio SettecentoBallet Royal de Flore: Entrée pour les Galants et les Dames
Trio Settecento
via Trio SettecentoBallet Royal de Flore: Entrée pour Vertumne
Trio Settecento
via Trio SettecentoBallet Royal de Flore: Entrée pur les Jardiniers et quatre Galants
Trio Settecento
via Trio SettecentoBallet Royal de Flore: Menuet pour les mêmes
Trio Settecento
via Trio SettecentoCanone: Ut relevet miserum
Trio Settecento
via Trio SettecentoCantata: All’ombra di sospetto, RV 178: I. Recit: All’ombra di sospetto
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleCantata: All’ombra di sospetto, RV 178: II. Aria: Avezzo non è il core
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleCantata: All’ombra di sospetto, RV 178: III. Recit: O quanti amanti, ò quanti
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleCantata: All’ombra di sospetto, RV 178: IV. Aria: Mentiti contenti
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleCantata: Lungi dal vago volto, RV 680: I. Recit: Lungi dal vago volto
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleCantata: Lungi dal vago volto, RV 680: II. Aria: Augelletti, voi col canto
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleCantata: Lungi dal vago volto, RV 680: III. Recit: Allegrezza mio core
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleCantata: Lungi dal vago volto, RV 680: IV. Aria: Mi stringerai si, si
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleCaptain Hume’s Lamentation
Trio Settecento
via Trio SettecentoCello Sonata in B-flat, opus XIV, #4; RV 45: I. Largo
Chicago Baroque Ensemble
via Chicago Baroque EnsembleCello Sonata in B-flat, opus XIV, #4; RV 45: II. Allegro
Chicago Baroque Ensemble
via Chicago Baroque EnsembleCello Sonata in B-flat, opus XIV, #4; RV 45: III. Largo
Chicago Baroque Ensemble
via Chicago Baroque EnsembleCello Sonata in B-flat, opus XIV, #4; RV 45: IV. Allegro
Chicago Baroque Ensemble
via Chicago Baroque EnsembleChaconne
Trio Settecento
via Trio SettecentoConcerto in D minor for Strings, RV 128: I. Allegro non molto
Chicago Baroque Ensemble
via Chicago Baroque EnsembleConcerto in D minor for Strings, RV 128: II. Largo
Chicago Baroque Ensemble
via Chicago Baroque EnsembleConcerto in D minor for Strings, RV 128: III. Allegro
Chicago Baroque Ensemble
via Chicago Baroque EnsembleConcerto in G major for Flute and Strings, RV 436: I. Allegro
Chicago Baroque Ensemble
via Chicago Baroque EnsembleConcerto in G major for Flute and Strings, RV 436: II. Largo
Chicago Baroque Ensemble
via Chicago Baroque EnsembleConcerto in G major for Flute and Strings, RV 436: III. Allegro
Chicago Baroque Ensemble
via Chicago Baroque EnsembleDance for the Chinese Man and Woman (From "The Fairy Queen")
Trio Settecento
via Trio SettecentoFugue in G minor, BWV 1026
Trio Settecento
via Trio SettecentoGavotte
Trio Settecento
via Trio SettecentoHornpipe From Abdelazer, "Hole in the Wall"
Trio Settecento
via Trio SettecentoHornpipe on a Ground (From "The Married Beau")
Trio Settecento
via Trio SettecentoJohn Come Kiss Me Now
Trio Settecento
via Trio SettecentoLa Guitare
Trio Settecento
via Trio SettecentoMotet: Longe mala, umbrae, terrores, RV 629: I. Aria: Longe mala, umbrae, terrores
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleMotet: Longe mala, umbrae, terrores, RV 629: II. Recit: Recedite, nubes et fulgura
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleMotet: Longe mala, umbrae, terrores, RV 629: III. Aria: Descende, o coeli ros
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleMotet: Longe mala, umbrae, terrores, RV 629: IV. Alleluia
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleMotet: Nulla in mundo pax sincera, RV 630: I. Aria: Nulla in mundo pax sincera
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleMotet: Nulla in mundo pax sincera, RV 630: II. Recit: Blando colore
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleMotet: Nulla in mundo pax sincera, RV 630: III. Aria: Spirat anguis
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleMotet: Nulla in mundo pax sincera, RV 630: IV. Alleluia
Patrice Michaels Bedi, Chicago Baroque Ensemble
via Chicago Baroque EnsembleNobleman
Trio Settecento
via Trio SettecentoOverture (From "Bonduca")
Trio Settecento
via Trio SettecentoPavane in B-flat
Trio Settecento
via Trio SettecentoPrelude
Trio Settecento
via Trio SettecentoQuatrième Concert: L’Indiscrette
Trio Settecento
via Trio SettecentoQuatrième Concert: La Pantomime
Trio Settecento
via Trio SettecentoQuatrième Concert: La Rameau
Trio Settecento
via Trio SettecentoSarabande
Trio Settecento
via Trio SettecentoSellenger’s Rownde
Trio Settecento
via Trio SettecentoSicilienne
Trio Settecento
via Trio SettecentoSinfonia in D minor
Trio Settecento
via Trio SettecentoSlow Air (From "Distressed Innocence")
Trio Settecento
via Trio SettecentoSonata a due in D minor
Trio Settecento
via Trio SettecentoSonata da camera, op. 6 no. 2 in F major: I. Andante
Trio Settecento
via Trio SettecentoSonata da camera, op. 6 no. 2 in F major: II. Allegro
Trio Settecento
via Trio SettecentoSonata da camera, op. 6 no. 2 in F major: III. Aria
Trio Settecento
via Trio SettecentoSonata en Sol majeur: Adagio
Trio Settecento
via Trio SettecentoSonata en Sol majeur: Allegro ma non troppo
Trio Settecento
via Trio SettecentoSonata en Sol majeur: Ciaccona
Trio Settecento
via Trio SettecentoSonata en Sol majeur: Largo
Trio Settecento
via Trio SettecentoSonata in C major, op. 1 no. 5: I. Vivace
Trio Settecento
via Trio SettecentoSonata in C major, op. 1 no. 5: II. solo
Trio Settecento
via Trio SettecentoSonata in C major, op. 1 no. 5: III. Largo - Allegro
Trio Settecento
via Trio SettecentoSonata in C major, op. 1 no. 5: IV. Adagio - Allegro
Trio Settecento
via Trio SettecentoSonata in C Major, op. 5 no. 3: I. Adagio
Trio Settecento
via Trio SettecentoSonata in C Major, op. 5 no. 3: II. Allegro
Trio Settecento
via Trio SettecentoSonata in C Major, op. 5 no. 3: III. Adagio
Trio Settecento
via Trio SettecentoSonata in C Major, op. 5 no. 3: IV. Allegro
Trio Settecento
via Trio SettecentoSonata in C Major, op. 5 no. 3: V. Allegro
Trio Settecento
via Trio SettecentoSonata in D major: I. Adagio
Trio Settecento
via Trio SettecentoSonata in D major: I. Allegro
Trio Settecento
via Trio SettecentoSonata in D major: II. Allegro - Adagio - Allegro - Adagio
Trio Settecento
via Trio SettecentoSonata in D major: II. Larghetto
Trio Settecento
via Trio SettecentoSonata in D major: III. Allegro
Trio Settecento
via Trio SettecentoSonata in D minor
Trio Settecento
via Trio SettecentoSonata in D minor op. 2 no. 2: I. Andante - Largo
Trio Settecento
via Trio SettecentoSonata in D minor op. 2 no. 2: II. Presto - Largo
Trio Settecento
via Trio SettecentoSonata in D minor op. 2 no. 2: III. Aria d’inventione
Trio Settecento
via Trio SettecentoSonata in D minor, op. 2 no. 12: I. Passagallo (Largo)
Trio Settecento
via Trio SettecentoSonata in D minor, op. 2 no. 12: II. Capriccio Cromatico (Allegro, ma non presto)
Trio Settecento
via Trio SettecentoSonata in D minor, op. 2 no. 12: III. Adagio - Ciaccona (Allegro, ma non presto)
Trio Settecento
via Trio SettecentoSonata in E minor, BWV 1023: I. Solo - Adagio ma non tanto
Trio Settecento
via Trio SettecentoSonata in E minor, BWV 1023: II. Allemanda
Trio Settecento
via Trio SettecentoSonata in E minor, BWV 1023: III. Gigue
Trio Settecento
via Trio SettecentoSonata in G minor "Devil's Trill": I. Larghetto affectuoso
Rachel Barton Pine, John Mark Rozendaal, David Schrader
Sonata in G minor "Devil’s Trill": II. Tempo giusto della Scuola Tartinista
Rachel Barton Pine, John Mark Rozendaal, David Schrader
Sonata in G minor "Devil’s Trill": III. Sogni Dellautore: Andante
Rachel Barton Pine, John Mark Rozendaal, David Schrader
Sonata in G minor, HWV 364a: I. Larghetto
Trio Settecento
via Trio SettecentoOther members of Chicago Baroque Ensemble, Trio Settecento
John Mark Rozendaal is a performer. John Mark Rozendaal is a member of Chicago Baroque Ensemble and Trio Settecento, and credits from those groups are included in this catalog.
Our database contains 180 recordings and 3 releases credited to John Mark Rozendaal. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
Search more musicians · Learn about music credits · Powered by Notes.fm