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  3. Paschal de l’Estocart
Paschal de l’Estocart is a person, active since 1539.

Paschal de l’Estocart

Person · Active since 1539

Paschal de l’Estocart is a musician in the Credits.fm index identified by 1 ISNI identifier. A musician is the person or group behind the codes — IPI numbers identify them as a songwriter or publisher, ISNI identifiers as a creative contributor, and their recordings each carry an ISRC.

ISNI

0000 0001 1059 1981
SourcesMusicBrainz

Verified on

  • MusicBrainz artist record
  • ISNI.org identity 0000000110591981

Credits Graph

Credit Chain

MusicianPaschal de l’Estocart
ISNI0000 0001 1059 1981
PD

Paschal de l’Estocart

Estocart, Paschal de l’

Performer

ISNI: 0000 0001 1059 1981
3Recordings
1Releases

Are you Paschal de l’Estocart? Claim this profile →

Credits

1

Celuy qui pense pouvoir

Paschal de l'Estocart

Performer
2

L’eau va vite

Paschal de l'Estocart

Performer
3

O qui pourra avoir

Paschal de l'Estocart

Performer

Discography (1)

Deux cœurs aimants: Sacrae Cantiones (1582): Chansons, Ode, Psalms and Motets with 3 to 7 voices

Deux cœurs aimants: Sacrae Cantiones (1582): Chansons, Ode, Psalms and Motets with 3 to 7 voices

2007 · Ramée

Who is Paschal de l’Estocart?

Paschal de l’Estocart is a performer, active since 1539.

Our database contains 3 recordings and 1 release credited to Paschal de l’Estocart. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.

People also ask

What identifiers does Paschal de l’Estocart have?+
Paschal de l’Estocart is identified by ISNI 0000 0001 1059 1981. IPI numbers identify a songwriter or publisher across collection societies; ISNI identifies a creative contributor across registries.
How many recordings is Paschal de l’Estocart credited on?+
The index links Paschal de l’Estocart to 3 recordings, each carrying its own ISRC. Credits come from the MLC, MusicBrainz (CC0), and Spotify.
Is Paschal de l’Estocart in a group?+
No group memberships are catalogued for Paschal de l’Estocart.

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