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5 Varients on Dives and Lazarus
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsA Rumor
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsAch Ich Liebte, War So Glücklich (Nr. 6 Arie)
Christiane Eda-Pierre, Academy of St Martin in the Fields, Sir Colin Davis
via Academy of St Martin in the FieldsAcis and Galatea, HWV 49: Act I. Recitative. “Oh! Didst thou know the pains” - Aria. “As when the dove” (Galatea)
Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsAdagio and Fugue in C minor, KV 546
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsAh, non lasciarmi K486a/K⁶295a
Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsAlcina, HWV 34: Act 1, Scene 14. Aria. “Tornami a vagheggiar” (Morgana)
Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsAlcina, HWV 34: Act 2, Scene 8. Aria. “Ah! mio cor!” (Alcina)
Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsAlma grande e nobil core K578
Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsApollon musagète (1947 version): Second Tableau: II. Variation d'Apollon (Apollon et les Muses)
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsApollon musagète (1947 version): Second Tableau: III. Pas d'action (Apollo and the 3 Muses)
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsApollon musagète (1947 version): Second Tableau: IV. Variation of Calliope (the Alexandrine)
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsApollon musagète (1947 version): Second Tableau: V. Variation of Polyhymnia
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsApollon musagète (1947 version): Second Tableau: VI. Variation of Terpsichore
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsApollon musagète (1947 version): Second Tableau: VII. Variation of Apollo
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsApollon musagète (1947 version): Second Tableau: VIII. Pas de deux (Apollo and Terpsichore)
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsAria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen"
Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis
via Academy of St Martin in the FieldsAria for Tenor and Orchestra in D major, K. 416b / KV 435 (Erik Smith completion): "Müßt ich auch durch tausend Drachen"
Stuart Burrows, Academy of St Martin in the Fields, Sir Colin Davis
via Academy of St Martin in the FieldsArmida: Overture
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsArtemisia: Entro quest’anima
Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsAve verum corpus
Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, Peter White, George Guest
via Academy of St Martin in the FieldsBacchus and Ariadne from Six English Cantatas, 1755.: Aria: Ah Theseus, Theseus stay
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBacchus and Ariadne from Six English Cantatas, 1755.: Aria: Cease lovely Nymph to weep
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBacchus and Ariadne from Six English Cantatas, 1755.: Aria: Learn hence ye fond maidens
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBacchus and Ariadne from Six English Cantatas, 1755.: Recit: The jolly God who rules
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBacchus and Ariadne from Six English Cantatas, 1755.: Recitative: The faithless Theseus...
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBacchus and Ariadne from Six English Cantatas, 1755.: Recitative: With soft reluctance
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBallet Music in C major, K. 299b / KV Anh 10 "Les petits riens"
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBallet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA No. 11 Larghetto
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBallet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA No. 12 Gavotte. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBallet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA No. 16 Pantomime D.C. al fine
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBallet Music in C major, K. 299b / KV Anh 10 "Les petits riens": Ouverture. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBianca e Faliero: Overture
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBrandenburg Concerto no. 3 in G, BWV 1048: Allegro moderato
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsBrandenburg Concerto no. 4 in G major, BWV 1049: II. Andante - III. Presto
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCanon and Gigue: Gigue
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantata “Grabmusik”, K. 42/35a: IV. “Geliebte Seel', was redest du? … Betracht dies Herz” (Angel)
Barbara Hendricks, Justin Sillman, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": I. Ouverture
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Soprano, Basso) "Nu, Mieke, gib dein Guschel immer her"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Basso, Soprano) "Er hilft uns allen, alt und jung"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Basso) "Der Herr ist gut"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Basso) "Ach, Herr Schösser, geht nicht gar zu"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Basso) "Und unsre gnädge Frau"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Basso) "Du hast wohl recht"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Basso) "Das ist zu klug vor dich"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Basso) "Es nehme zehntausend Dukaten"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Basso) "Dein Wachstum sei feste"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Soprano, Basso) "Und damit sei es auch genug"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Basso, Soprano) "Mein Schatz, erraten!"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Duetto "Wir gehn nun, wo der Tudelsack"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCapriccio Italien, op. 45
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCapriol Suite: Pavane
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCello Concerto in C major, Hob. VIIb/1: I. Moderato
Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCello Concerto in C major, Hob. VIIb/1: II. Adagio
Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCello Concerto in C major, Hob. VIIb/1: III. Allegro molto
Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCello Concerto in D major, Hob. VIIb/2 op. 101: I. Allegro moderato
Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCello Concerto in D major, Hob. VIIb/2 op. 101: II. Adagio
Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCello Concerto in D major, Hob. VIIb/2 op. 101: III. Allegro
Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCello Concerto in G, RV 413: Allegro
Lynn Harrell, Academy of St Martin in the Fields, Pinchas Zukerman
via Academy of St Martin in the FieldsCello Concerto no. 1 in C major, Hob VIIb:1: I. Moderato
Iona Brown, Mstislav Rostropovich, Academy of St Martin in the Fields
via Academy of St Martin in the FieldsCello Concerto no. 1 in C major, Hob VIIb:1: I. Moderato
Iona Brown, Mstislav Rostropovich, Academy of St Martin in the Fields
via Academy of St Martin in the FieldsCello Concerto no. 1 in C major, Hob VIIb:1: II. Adagio
Iona Brown, Mstislav Rostropovich, Academy of St Martin in the Fields
via Academy of St Martin in the FieldsCello Concerto no. 1 in C major, Hob VIIb:1: III. Allegro molto
Iona Brown, Mstislav Rostropovich, Academy of St Martin in the Fields
via Academy of St Martin in the FieldsCello Concerto no. 2 in D major, Hob VIIb:2: I. Allegro moderato
Iona Brown, Mstislav Rostropovich, Academy of St Martin in the Fields
via Academy of St Martin in the FieldsCello Concerto no. 2 in D major, Hob VIIb:2: II. Adagio
Iona Brown, Mstislav Rostropovich, Academy of St Martin in the Fields
via Academy of St Martin in the FieldsCello Concerto no. 2 in D major, Hob VIIb:2: III. Rondo: Allegro
Iona Brown, Mstislav Rostropovich, Academy of St Martin in the Fields
via Academy of St Martin in the FieldsCello Concerto no. 2 in D major, Hob VIIb:2: III. Rondo: Allegro
Iona Brown, Mstislav Rostropovich, Academy of St Martin in the Fields
via Academy of St Martin in the FieldsCello Quintet, op. 37 no. 7: I. Andante con moto
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCello Quintet, op. 37 no. 7: II. Menuett
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCello Quintet, op. 37 no. 7: III. Grave
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsCello Quintet, op. 37 no. 7: IV. Rondo: Allegro con moto
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsChorale
Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Clarinet Concerto no. 10 in B-flat major: I. [Allegro]
Sabine Meyer, Academy of St Martin in the Fields, Iona Brown
via Academy of St Martin in the FieldsClarinet Concerto no. 10 in B-flat major: II. [Andante sostenuto]
Sabine Meyer, Academy of St Martin in the Fields, Iona Brown
via Academy of St Martin in the FieldsClarinet Concerto no. 10 in B-flat major: III. [Rondo (Poco allegro)]
Sabine Meyer, Academy of St Martin in the Fields, Iona Brown
via Academy of St Martin in the FieldsClarinet Quintet in A, K. 581: 2. Larghetto
Academy of St Martin in the Fields Chamber Ensemble, Iona Brown, Malcolm Latchem, Antony Pay, Stephen Shingles, Denis Vigay
via Academy of St Martin in the FieldsConcerto 2 in B flat: II. Largo
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto 2 in B flat: III. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto 2 in B flat: IV. –
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto 2 in B flat: V. –
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto 4 in F: II. Andante
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto 5 in D minor: I. –
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto 5 in D minor: III. Adagio
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto 5 in D minor: V. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for 2 oboes, bassoon, 2 horns & violin in F major, RV 569
Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for Flute no. 1 in G major, K. 285c/313: I. Allegro maestoso
James Galway, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for Flute no. 1 in G major, K. 285c/313: II. Adagio non troppo
James Galway, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for Flute no. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto
James Galway, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for Flute no. 2 in D major, K. 285d/314: I. Allegro aperto
James Galway, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for Flute no. 2 in D major, K. 285d/314: II. Adagio ma non troppo
James Galway, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto
James Galway, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for two trumpets, strings and continuo in C major, RV 537: I. Allegro
Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for two trumpets, strings and continuo in C major, RV 537: II. Largo
Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for two trumpets, strings and continuo in C major, RV 537: III. Allegro
Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto for Violin, Piano and Orchestra in D, KV App. 56/315: 1. Allegro (reconstruction and cadenzas: Philip Wilby)
Iona Brown, Howard Shelley, Academy of St Martin in the Fields, Iona Brown
via Academy of St Martin in the FieldsConcerto for Violin, Piano and Orchestra in D, KV App. 56/315: 2. Andantino cantabile (reconstruction and cadenzas: Philip Wilby)
Iona Brown, Howard Shelley, Academy of St Martin in the Fields, Iona Brown
via Academy of St Martin in the FieldsConcerto for Violin, Piano and Orchestra in D, KV App. 56/315: 3. Allegretto – Allegro (reconstruction and cadenzas: Philip Wilby)
Iona Brown, Howard Shelley, Academy of St Martin in the Fields, Iona Brown
via Academy of St Martin in the FieldsConcerto grosso in A major, op. 6 no. 11, HWV 329
Trevor Connah, Thurston Dart, Andrew Davis, Hugh Maguire, Academy of St Martin in the Fields, Sir Neville Marriner
via Academy of St Martin in the FieldsConcerto Grosso in a Minor (Larghetto Affettuoso)
Trevor Connah, Kenneth Heath, Sir Neville Marriner, Academy of St Martin in the Fields
via Academy of St Martin in the FieldsConcerto grosso in A minor, op. 6 no. 4, HWV 322
Trevor Connah, Thurston Dart, Andrew Davis, Sir Neville Marriner, Academy of St Martin in the Fields
via Academy of St Martin in the FieldsDream 0 (Pt. 2)
Max Richter, Grace Davidson, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Dream 0 (Pt. 4)
Max Richter, Grace Davidson, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Dream 0 (Pt. 5)
Max Richter, Grace Davidson, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Dream 0 (Pt. 6)
Max Richter, Grace Davidson, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Dream 11 / Moth-Like Stars (Pt. 4)
Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Dream 11 / Moth-Like Stars (Pt. 7)
Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Path 3 / Whose Name Is Written on Water (Pt. 1)
Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Patterns / Solo (Pt. 1)
Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Patterns / Solo (Pt. 2)
Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Patterns / Solo (Pt. 3)
Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Return (Pt. 1)
Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Return (Pt. 2)
Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj
Other members of Academy of St Martin in the Fields, The Lyric Quartet
Amanda Smith
Andrew McGee
Carmel Kaine
Celia Nicklin
David Daniels
David Takeno
Denis Vigay
Duncan Ferguson
Edmund Coxon
Elizabeth Layton
Ernest Scott
Fiona Bonds
Fiona Simon
Harriet Davies
Jacqueline Hartley
Jeremy Williams
John Constable
John Steer
Jonathan Carney
Jonathan Tunnell
Julian Tear
Leslie Pearson
Mark David
Martin Burgess
Martin Loveday
Matthew Ward
Michael Cox
Nancy Johnson
Neil Black
Nicholas Ward
Patricia Calnan
Pauls Ezergalis
Philippa Ibbotson
Richard Studt
Robert Atchison
Rodney Slatford
Roger Smith
Simon Streatfeild
Sir Andrew Davis
Susan Dent
Susan Dorey
William Schofield
Nick Barr is a performer. Nick Barr is a member of Academy of St Martin in the Fields and The Lyric Quartet, and credits from those groups are included in this catalog.
Our database contains 731 recordings and 1 release credited to Nick Barr. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
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