''Deh, torna mio bene'', Air & Variations, op. 164

Aftenstemning (Alt skoven sig fordunkler) (Evening: The woods are dimly listening), CNW 359

Blomsterstøv fra blomsterbæger (Flower pollen from profusion) from To skolesange, CNW 343

Concerto pour soprano colorature & orchestre: I. Andante

Concerto pour soprano colorature & orchestre: II. Allegro

Den danske sang er en ung, blond pige (The Danish song is a fair young maiden), CNW 271

Der er et yndigt land (A fair and lovely land), CNW 351

Det bødes der for i lange år (You suffer throughout an age of pain), CNW 357

Fædrelandssang (Du danske mand! af al din magt) (Danish Patriot Song: “Sing, Danish man, with all your might”), CNW 288

Faust: Act III. “Les grands seigneurs… Ah ! Je ris de me voir si belle”

Frühlingsstimmen-Walzer (''Voix du printemps''), op. 410

Hérodiade: Act I. “Celui dont la parole efface toutes peines… Il est doux, il est bon”

Hjemve (Underlige aftenlufte!) (Homesickness: “Odd and unknown evening breezes”), CNW 205

Il barbiere di Siviglia: Act I. “Un voce poco fa”

Jeg bærer med smil min byrde (I take with a smile my burden), CNW 212

Kantate ved Aarhus Landsudstillings åbningshøjtidelighed: Danmark, du kornblonde datter (Denmark, ye corn-golden daughter), CNW 342

Kantate ved Aarhus Landsudstillings åbningshøjtidelighed: Skummende lå havet (Forming high, the waters rushed heavily ashore), CNW 360

Kom, Gudsengel, stille død (Come, God’s angel, silent Death), CNW 350

La maja y el ruiseñor (extrait de « Goyescas »)

Le nozze di Figaro: Act II. “Porgi, amor”

Le Rossignol et la rose (extrait de ''Parysatis'')

Les Filles de Cadix

Manon Lescaut: Act II. “In quelle trine morbide”

Manon: Act II. “Allons, il le faut !… Adieu notre petite table”

Nu er for stakket tid forbi (It’s over for a short respite) from To skolesange, CNW 344

Påskeliljen (Påskeblomst! en dråbe stærk) (The Daffodil: “Easter bloom! A potent drink”), CNW 361

Requiem for Nietzsche: Part Five: 11. Asgaardsreien

Requiem for Nietzsche: Part Four: 9. Ecce homo - 10. Weimar

Requiem for Nietzsche: Part One: 1. Prelude in the desert - 2. Basel

Requiem for Nietzsche: Part Three: 6. The moment - 7. Gondola song - 8. Jena

Requiem for Nietzsche: Part Two: 3. The Friends - 4. Sils Maria - 5. The third temptation

Roméo et Juliette: Act II. “Je vais donc usurper les droits de la nature… Un pouvoir inconnu m’entraîne”

Roméo et Juliette: Act IV. “Dieu ! Quel frisson court dans mes veines ?… Viens ! Ô liqueur mystérieuse !… Amour, ranime mon courage“

Salavieï (Le rossignol)

Salomé: Scene 4: “Ah ! Tu n’as pas voulu…”

Sangen til Danmark (Som en rejselysten flåde) (The Song to Denmark: “There’s a fleet of floating islands”), CNW 237

Serenade (Gerne vi lytter, når strængene bringer) (Serenade: “Gladly we listen when music may carry”), CNW 349

Sidskensang (Du er, min tro, en underlig pog) (Siskin Song: “You are, in truth, a curious pet”), CNW 348

Symphony no. 2, FS 29, op. 16 "The Four Temperaments": I. Allegro collerico

Symphony no. 2, FS 29, op. 16 "The Four Temperaments": II. Allegro comodo e flemmatico

Symphony no. 2, FS 29, op. 16 "The Four Temperaments": III. Andante malincolico

Symphony no. 2, FS 29, op. 16 "The Four Temperaments": IV. Allegro sanguineo

Symphony no. 3, FS 60, op. 27 "Sinfonia espansiva": I. Allegro espansivo

Symphony no. 3, FS 60, op. 27 "Sinfonia espansiva": II. Andante pastorale

Symphony no. 3, FS 60, op. 27 "Sinfonia espansiva": III. Allegretto un poco

Symphony no. 3, FS 60, op. 27 "Sinfonia espansiva": IV. Finale: Allegro

Thaïs: Act II. “Ah ! Je suis seule… Dis‐moi que je suis belle”

Til snapsen i “Bel Canto” (Endskønt jeg ganske sikkert ved) (To the Schnapps in “Bel Canto”; Although I’m more convinced than not), CNW 360

Villanelle ''J'ai vu passer l'hirondelle''

Vocalise en forme de habanera

Vocalise, op. 34 no. 14