(Love) Right Now

Affirmation

Canzoni et Sonate: Canzon VIII a 8, C 202

Canzoni et Sonate: Sonata XVIII a 14, C 211

Ch’io mi scordi di te?, K. 505: Aria. Non temer, amato bene

Ch’io mi scordi di te?, K. 505: Recitative. Ch’io mi scordi di te?

Cor mundum crea in me

Cosi fan tutte, K. 588, Act I Scene 11: Aria. Come scoglio

Cosi fan tutte, K. 588, Act I Scene 11: Recitative. Temerari, sortite

De profundis clamavi

Die Entführung aus dem Serail, K. 384, Act II Scene 2: Aria. Traurigkeit ward mir zum Lose

Die Entführung aus dem Serail, K. 384, Act II Scene 2: Recitative. Welcher Wechsel herrscht

Falling

Idomeneo, re di Creta, K. 366, Act II Scene 2: Aria. Se il padre perdei

Idomeneo, re di Creta, K. 366, Act III Scene 10: Aria. D’Oreste, d’Aiace

Idomeneo, re di Creta, K. 366, Act III Scene 10: Recitative. Oh smania! Oh furie!

Joy

La clemenza di Tito, K. 621, Act II Scene 15: Aria. Non più di fiori

La clemenza di Tito, K. 621, Act II Scene 15: Recitative. Ecco il punto, o Vitellia

La Sidon, Sonata a 3

Lachrymae, Reflections on a song by John Dowland, op. 48a: [1] Allegretto, andante mol

Lachrymae, Reflections on a song by John Dowland, op. 48a: [10] L’istesso tempo

Lachrymae, Reflections on a song by John Dowland, op. 48a: [2] Animato

Lachrymae, Reflections on a song by John Dowland, op. 48a: [3] Tranquillo

Lachrymae, Reflections on a song by John Dowland, op. 48a: [4] Allegro con moto

Lachrymae, Reflections on a song by John Dowland, op. 48a: [5] Largamente

Lachrymae, Reflections on a song by John Dowland, op. 48a: [6] Appassionato

Lachrymae, Reflections on a song by John Dowland, op. 48a: [7] Alla Valse moderato

Lachrymae, Reflections on a song by John Dowland, op. 48a: [8] Allegro marcia

Lachrymae, Reflections on a song by John Dowland, op. 48a: [9] Lento

Lachrymae, Reflections on a song by John Dowland, op. 48a: A tempo semplice

Lachrymae, Reflections on a song by John Dowland, op. 48a: Lento

Le nozze di Figaro, K. 492, Act IV Scene 10: Aria. Deh vieni, non tardar

Le nozze di Figaro, K. 492, Act IV Scene 10: Recitative. Giunse alfin il momento

Mr. Brownskin

Omnes sancti angeli

Piano Concerto “No. 6” in D major, op. 61a: I. Allegro ma non troppo

Piano Concerto “No. 6” in D major, op. 61a: II. Larghetto

Piano Concerto “No. 6” in D major, op. 61a: III. Rondo

Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato

Piano Concerto no. 4 in G major, op. 58: II. Andante con moto

Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace

Poetry: How does it feel???

Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso Continuo: Ach Herr, straf mich nicht in deinem Zorn, SWV 24

Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso Continuo: Alleluja! Lobet den Herrn, SWV 38

Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso Continuo: Ich danke dem Herrn von ganzem Herzen, SVW 34

Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso Continuo: Warum toben die Heiden, SWV 23

Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso Continuo: Wohl dem, der den Herren fürchtet, SWV 30

Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso Continuo: Zion spricht: Der Herr hat mich verlassen, SWV 46

Run Away

Sacrae Symphoniae: Canzon in echo duodecimi toni a 10, C 180

Sacrae Symphoniae: Canzon primi toni a 8, C 170

Sacrae Symphoniae: Canzon quarti toni a 15, C 185

Sacrae Symphoniae: Canzon septimi toni a 8, C 171

Salve a duo: I. Salve Regina. Largo

Salve a duo: II. Mater misericordiae. Andante

Salve a duo: III. Ad te clamamus. Largo

Salve a duo: IV. Eia ergo. Allegro

Salve a duo: V. Et Jesum. Andante

Salve a duo: VI. O Clemens. Largo

Salve cœlestis Pater

Salve Regina

Seraphim

Sonata a 2 cornetti

Sonata a 3

Sonata a 5

Sonata a 7 instrom.

Sonata a quattro in F minor, op. 1 no. 4 (Imitatio in Salve Regina, Mater Misericordiae): I. Andante

Sonata a quattro in F minor, op. 1 no. 4 (Imitatio in Salve Regina, Mater Misericordiae): II. Adagio

Sonata a quattro in F minor, op. 1 no. 4 (Imitatio in Salve Regina, Mater Misericordiae): III. Allegro

Sonata secunda a 6

Stabat Mater: I. Stabat Mater dolorosa. Grave

Stabat Mater: II. Cujus animam gementem. Andante amoroso

Stabat Mater: III. O quam tristis et afflicta. Larghetto

Stabat Mater: IV. Quae moerebat et dolebat. Allegro

Stabat Mater: IX. Sancta mater, istud agas. Tempo giusto

Stabat Mater: V. Quis est homo. Largo

Stabat Mater: VI. Vidit suum dulcem natum. Tempo giusto

Stabat Mater: VII. Eja mater fons amoris. Andantino

Stabat Mater: VIII. Fac ut ardeat cor meum. Allegro

Stabat Mater: X. Fac ut portem Christi mortem. Largo

Stabat Mater: XI. Inflammatus et accensus. Allegro ma non troppo

Stabat Mater: XII. Quando corpus morietur. Largo assai - Amen. Presto assai

String Octet in C major, op. 7: I. Très modéré

String Octet in C major, op. 7: II. Très fougueux

String Octet in C major, op. 7: III. Lentement

String Octet in C major, op. 7: IV. Moins vite, animé, mouvement de valse bien rythmée

String Octet in C major, op. 7: Même temps

String Octet in C major, op. 7: Moins vite

String Octet in C major, op. 7: Mouvement

String Octet in C major, op. 7: Plus vite

String Octet in C major, op. 7: Premier Mouvement

String Octet in C major, op. 7: Très marqué

String Octet in C major, op. 7: Un peu moins vite

Sugar (Honeyicetea)

Symphoniarum sacrarum tertia pars: Komm, Heiliger Geist, Herre Gott, SWV 417

Symphoniarum sacrarum tertia pars: Saul, Saul, was verfolgst du mich?, SWV 415

Symphoniarum sacrarum tertia pars: Siehe, es erschien der Engel des Herren Joseph im Traum, SWV 403

Symphoniarum sacrarum tertia pars: Vater unser, der du bist im Himmel, SWV 411

Symphony No. 35 in D major, K. 385 “Haffner”: I. Allegro con spirito

Trio Sonata in C major, RV 82: 1. Allegro non molto (quasi andante)

Trio Sonata in C major, RV 82: II. Larghetto

Trio Sonata in C major, RV 82: III. Allegro