12 Violin Concertos, op. 4 "La stravaganza": Concerto no. 11 in D major, RV 204: 2. Largo

A new Ground in E minor

Acis und Galatea, K. 566: Act I. Aria: Wo such ich sie, die holde Nymph?

Acis und Galatea, K. 566: Act I. Coro: O beglückter Schäferstand

Acis und Galatea, K. 566: Act I. Coro: Wohl uns!

Acis und Galatea, K. 566: Act I. Duetto: Wohl uns!

Acis und Galatea, K. 566: Act I. Recitative: Ach, Schäferin, wend, Galatea / Aria: Lieb in ihr Aug verkrochen

Acis und Galatea, K. 566: Act I. Recitative: Bleib' Schäfer, bleib! / Aria: Schäfer, was suchst du so ängstlich

Acis und Galatea, K. 566: Act I. Recitative: Du grünes Feld, bebuschter Hügel / Aria: Still, du kleiner Wipfelchor

Acis und Galatea, K. 566: Act I. Recitative: O fühltest du die Qualen der Entfernung / Aria: Wie's Täubchen klagt

Acis und Galatea, K. 566: Act II. Aria: Bedenk doch, o Schäfer

Acis und Galatea, K. 566: Act II. Aria: Strebst du nach der zarten Schönen

Acis und Galatea, K. 566: Act II. Coro: Arme Hirten!

Acis und Galatea, K. 566: Act II. Coro: Galatea, klag nicht mehr

Acis und Galatea, K. 566: Act II. Largo (Handel: Concerto grosso, op. 6 no. 7: Einleitung)

Acis und Galatea, K. 566: Act II. Recitative: Das Ungeheu'r weckt meine Wut / Aria: Die Liebe ruft

Acis und Galatea, K. 566: Act II. Recitative: Ich ras, ich schmelz, ich brenne! / Aria: Du röter als die Kirsche

Acis und Galatea, K. 566: Act II. Recitative: Schönste, was eilst du von hinnen / Aria: Fleh nicht mehr zur stolzen Schönheit!

Acis und Galatea, K. 566: Act II. Recitative: Wohlan! So nütz ich meine Göttermacht / Aria: Herz, du Sitz verliebten Grams

Adagio & Fugue in C minor, K. 546: I. Adagio

Adagio & Fugue in C minor, K. 546: II. Fugue

Alceste: Act IV. Song "Enjoy the Sweet Elysian Grove"

Balletto primo e secondo from “Toccate d’intavolatura di cimbalo et organo”

Cantata "Ichhabe Genug", BWV 82a: Aria: Ich Habe Genug

Cantata "Ichhabe Genug", BWV 82a: Aria: Schlummert Ein, Ihr Matten Augen

Cantata "Vergnügte Ruh, Beliebte Seelenlust", BWV 170: Aria: Vergnügte Ruh, Beliebte Seelenlust

Cantata "Was Mir Behagt, Ist Nur Die Muntre Jagd!", BWV 208: Aria: Schafe Können Sicher Weiden

Chaconne in G minor, HWV 435

Chromatische Fantasie und Fuge BWV 903

Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: I. Ouverture - Allegro

Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: II. Air. Lentement

Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: III. Allegro

Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: IV. Allegro

Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: V. Allegro moderato

Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: II. Allegro

Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: III. Largo e staccato

Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: IV. Andante

Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: V. Allegro

Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: I. Largo

Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: II. Allegro

Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: III. Aria. Larghetto e piano

Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: IV. Largo

Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: V. Allegro

Concerto a cinque, Op. 9 No. 2 for Solo Oboe and Strings in D minor: II. Adagio

Concerto grosso after Corelli's "La follia" in D minor: Theme & 25 Variations Upon the Sarabanda

Concerto Grosso in C minor, op. 6 no. 3: II. Allegro

Concerto Grosso in C minor, op. 6 no. 3: III. Grave

Concerto Grosso in F major, op. 6 no. 12: I. Preludio: Adagio

Concerto Grosso in F major, op. 6 no. 12: II. Allegro

Concerto in D major, BWV 972 (from Vivaldi, RV230): I. (Allegro)

Concerto in D major, BWV 972 (from Vivaldi, RV230): II. Larghetto

Concerto in D major, BWV 972 (from Vivaldi, RV230): III. Allegro

Concerto No. 1 in F major, BWV 1046: III. Allegro

Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II

Concerto no. 10 in E major, RV 271 "L'amoroso": I. Allegro

Concerto no. 10 in E major, RV 271 "L'amoroso": II. Cantabile

Concerto no. 10 in E major, RV 271 "L'amoroso": III. Allegro

Concerto no. 11 in E minor, RV 277 "Il favorito": I. Allegro

Concerto no. 11 in E minor, RV 277 "Il favorito": II. Andante

Concerto no. 11 in E minor, RV 277 "Il favorito": III. Allegro

Concerto no. 2 in C major, RV 189: I. Larghetto - Allegro non molto

Concerto no. 2 in C major, RV 189: II. Largo

Concerto no. 2 in C major, RV 189: III. Allegro molto

Concerto no. 3 in C minor, RV 202: I. Allegro non molto

Concerto no. 3 in C minor, RV 202: II. Largo

Concerto no. 3 in C minor, RV 202: III. Allegro non molto

Concerto no. 4 in F major, RV 286: I. Largo molto e spiccato

Concerto no. 4 in F major, RV 286: II. Largo

Concerto no. 4 in F major, RV 286: III. Allegro non molto

Concerto no. 7 in C major, RV 183: I. Allegro non molto

Concerto no. 7 in C major, RV 183: II. Largo

Concerto no. 7 in C major, RV 183: III. Allegro

Concerto per flauto no. 10 in F major: Allemanda. Allegro

Concerto per flauto no. 10 in F major: Gavotta. Allegro

Concerto per flauto no. 10 in F major: Giga. Allegro

Concerto per flauto no. 10 in F major: Preludio. Largo

Concerto per flauto no. 10 in F major: Sarabanda. Largo

Concerto per flauto no. 4 in F major: Adagio

Concerto per flauto no. 4 in F major: Adagio

Concerto per flauto no. 4 in F major: Allegro

Concerto per flauto no. 4 in F major: Allegro

Concerto per flauto no. 4 in F major: Vivace

Concerto per flauto no. 7 in D minor: Corrente. Allegro

Concerto per flauto no. 7 in D minor: Giga. Allegro

Concerto per flauto no. 7 in D minor: Preludio. Vivace

Concerto per flauto no. 7 in D minor: Sarabanda. Largo

Concerto per flauto no. 8 in E minor: Allemanda. Allegro

Concerto per flauto no. 8 in E minor: Giga. Allegro

Concerto per flauto no. 8 in E minor: Preludio. Largo

Concerto per flauto no. 8 in E minor: Sarabanda. Largo

Diferencias sobre “El Canto del Caballero”

Domine Fili Unigenite

Ein musikalischer Spass, K. 522: I. Allegro

Ein musikalischer Spass, K. 522: II. Menuetto (Maestoso) & Trio

Ein musikalischer Spass, K. 522: III. Adagio cantabile

Ein musikalischer Spass, K. 522: IV. Presto

Esther: Act I, Scene 2: Air "Tune Your Harps"

Fantasia (and unfinished Fugue) in C minor, BWV 906

Französische Ouvertüre (Partita) h-Moll BWV 831: Bourrée I/II

Französische Ouvertüre (Partita) h-Moll BWV 831: Courante

Französische Ouvertüre (Partita) h-Moll BWV 831: Echo

Französische Ouvertüre (Partita) h-Moll BWV 831: Gavotte I/II

Französische Ouvertüre (Partita) h-Moll BWV 831: Gigue

Französische Ouvertüre (Partita) h-Moll BWV 831: Ouverture

Französische Ouvertüre (Partita) h-Moll BWV 831: Passepied I/II

Französische Ouvertüre (Partita) h-Moll BWV 831: Sarabande

French Suite no. 6 in E major, BWV 817: Allemande

French Suite no. 6 in E major, BWV 817: Bourrée

French Suite no. 6 in E major, BWV 817: Courante

French Suite no. 6 in E major, BWV 817: Gavotte

French Suite no. 6 in E major, BWV 817: Gigue

French Suite no. 6 in E major, BWV 817: Menuet

French Suite no. 6 in E major, BWV 817: Polonaise

French Suite no. 6 in E major, BWV 817: Prélude

French Suite no. 6 in E major, BWV 817: Sarabande

Gloria in D major, RV 589: XII. Cum Sancto Spiritu (chorus)

Goldberg-Variationen, BWV 988: Aria

Goldberg-Variationen, BWV 988: Aria da Capo

Goldberg-Variationen, BWV 988: Variatio I. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio II. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio III. a 1 Clav. Canone all’ Unisuono

Goldberg-Variationen, BWV 988: Variatio IV. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio IX. Canone alla Terza. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio V. a 1 ô vero 2 Clav.

Goldberg-Variationen, BWV 988: Variatio VI. a 1 Clav. Canone alla Seconda

Goldberg-Variationen, BWV 988: Variatio VII. a 1 ô vero 2 Clav. al tempo di Giga

Goldberg-Variationen, BWV 988: Variatio VIII. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio X. Fughetta a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio XI. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XII. Canone alla Quarta. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio XIII. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XIV. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XIX. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio XV. Canone alla Quinta. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio XVI. Ouverture. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio XVII. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XVIII. Canone alla Sexta. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio XX. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XXI. Canone alla Settima. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio XXII. a 1 Clav. alla breve

Goldberg-Variationen, BWV 988: Variatio XXIII. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XXIV. Canone all'Ottava. a 1 Clav.

Goldberg-Variationen, BWV 988: Variatio XXIX. a 1 ô vero 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XXV. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XXVI. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XXVII. Canone alla Nona. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XXVIII. a 2 Clav.

Goldberg-Variationen, BWV 988: Variatio XXX. Quodlibet. a 1 Clav.

Ground upon the Sarabanda theme of the 7.th Sonata: Sarabanda. Largo

Il trionfo del Tempo e del Disinganno: Part I. Aria "Urne voi"

Italienisches Konzert F-Dur BWV 971: Allegro

Jephtha: Act II, Scene II. Air "His Mighty Arm"

Jephtha: Act II, Scene II. Recitative "Heav'n Smiles Once More"

Jephtha: Act III, Scene I. Air "Waft Her, Angels"

Konzert für Englischhorn, Streicher und Basso continuo, BWV 54: I. Larghetto

L'Allegro, il Penseroso, ed il Moderato: Part III. Duet "As Steals the Morn"

Mass in B minor, BWV 232: Agnus Dei

Mass in B minor, BWV 232: Qui Sedes

Menuet in C major, K. 485a: Menuet & Trio

Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)

Messiah, HWV 56: Alternative Arias: Air. “How beautiful are the feet” (1741)

Messiah, HWV 56: Alternative Arias: Air. “How beautiful are the feet” (1750)

Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)

Messiah, HWV 56: Alternative Arias: Air. “Their sound is gone out into all lands” (1743)

Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)

Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1743)

Messiah, HWV 56: Alternative Arias: Arioso. “But lo, the angel of the Lord came upon them” (1743)

Messiah, HWV 56: Part the First: Accompanied recitative. “And lo, the angel of the Lord came upon them”

Messiah, HWV 56: Part the First: Accompanied recitative. “And suddenly there was with the angel”

Messiah, HWV 56: Part the First: Accompanied recitative. “Comfort ye my people”

Messiah, HWV 56: Part the First: Accompanied recitative. “For behold, darkness shall cover the earth”

Messiah, HWV 56: Part the First: Accompanied recitative. “Thus Saith the Lord of Hosts”

Messiah, HWV 56: Part the First: Air & Chorus. “O thou that tellest good tidings to Zion”

Messiah, HWV 56: Part the First: Air. “But who may abide the day of His coming?”

Messiah, HWV 56: Part the First: Air. “Ev’ry valley shall be exalted”

Messiah, HWV 56: Part the First: Air. “Rejoice greatly, O daughter of Zion”

Messiah, HWV 56: Part the First: Air. “The people that walked in darkness”

Messiah, HWV 56: Part the First: Chorus. “And he shall purify”

Messiah, HWV 56: Part the First: Chorus. “And the Glory of the Lord shall be revealed”

Messiah, HWV 56: Part the First: Chorus. “For unto us a child is born”

Messiah, HWV 56: Part the First: Chorus. “Glory to God in the highest”

Messiah, HWV 56: Part the First: Chorus. “His yoke is easy, His burthen is light”

Messiah, HWV 56: Part the First: Duet. “He shall feed His flock like a shepherd”

Messiah, HWV 56: Part the First: Pifa. Larghetto e mezzo piano

Messiah, HWV 56: Part the First: Recitative. “And the angel said unto them”

Messiah, HWV 56: Part the First: Recitative. “Behold, a virgin shall conceive”

Messiah, HWV 56: Part the First: Recitative. “Then shall the eyes of the blind be open’d”

Messiah, HWV 56: Part the First: Recitative. “There were shepherds abiding in the field”

Messiah, HWV 56: Part the First: Sinfony. Grave – Allegro moderato

Messiah, HWV 56: Part the Second: Accompanied recitative. “All they that see Him laugh Him to scorn”

Messiah, HWV 56: Part the Second: Accompanied recitative. “He was cut off out of the land of the living”

Messiah, HWV 56: Part the Second: Accompanied recitative. “Thy rebuke hath broken His heart”

Messiah, HWV 56: Part the Second: Air. “But Thou didst not leave His soul in hell”

Messiah, HWV 56: Part the Second: Air. “He was despised”

Messiah, HWV 56: Part the Second: Air. “Thou art gone up on high”

Messiah, HWV 56: Part the Second: Air. “Thou shalt break them with a rod of iron”

Messiah, HWV 56: Part the Second: Air. “Why do the nations so furiously rage together?”

Messiah, HWV 56: Part the Second: Arioso. “Behold, and see, if there be any sorrow”

Messiah, HWV 56: Part the Second: Chorus. “All we, like sheep, have gone astray”

Messiah, HWV 56: Part the Second: Chorus. “And with His stripes we are healed”