Person · Active since 1952
Jane Henschel is a musician in the Credits.fm index identified by 1 ISNI identifier. A musician is the person or group behind the codes — IPI numbers identify them as a songwriter or publisher, ISNI identifiers as a creative contributor, and their recordings each carry an ISRC.
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Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus)
London Symphony Chorus, Juliane Banse, David Wilson-Johnson, City of Birmingham Symphony Orchestra Chorus, Jane Henschel, Soile Isokoski, Christine Brewer, John Relyea, Birgit Remmert, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus)
London Symphony Chorus, Juliane Banse, David Wilson-Johnson, City of Birmingham Symphony Orchestra Chorus, Jane Henschel, Soile Isokoski, Christine Brewer, John Relyea, Birgit Remmert, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle
The Rake’s Progress, Act 2, Scene 2: “My love, am I to remain in here for ever?”
Jane Henschel, Saito Kinen Orchestra, Seiji Ozawa
The Rake’s Progress, Act 2, Scene 3: “As I was saying, both brothers..”
Jane Henschel, Saito Kinen Orchestra, Seiji Ozawa
The Rake’s Progress, Act 3, Epilogue: “Good people, just a moment”
Jane Henschel, Saito Kinen Orchestra, Seiji Ozawa
The Rake’s Progress, Act 3, Scene 1: “…ever - Sold! Annoyed!”
Jane Henschel, Saito Kinen Orchestra, Seiji Ozawa
Jane Henschel is a performer, active since 1952.
Our database contains 6 recordings and 5 releases credited to Jane Henschel. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
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