“Bid the Virtues”

“O dive custos”

“Quanto dolce è quell’ ardore”: Allegro

“Quanto dolce è quell’ ardore”: Largo

“Quanto dolce è quell’ ardore”: Recitatif

“Sound the trumpet”

Adoramus te, Christe, a 6

Aria "Ach bleib bei uns Herr Jesu Christ" de la cantate, BWV 6

Aria "Ach Herr! Was ist ein Menschenkind?" de la cantate, BWV 110

Aria "Gott Versorget alles Leben" de la cantate, BWV 187

Aria: Kreuz Und Krone Sind Verbunden BWV 12

Baletti, op. 1, Pièces instrumentales: Gigha (Allegro)

Baletti, op. 1, Pièces instrumentales: Largo

Baletti, op. 1, Pièces instrumentales: Largo

Baletti, op. 1, Pièces instrumentales: Sarabanda

Canzon prima

Canzon quinta

Canzon sesta

Canzon terza

Chaconne extraite de l’op. 2

Christe adoramus te, a 5 (per stromenti)

Concerto en do Majeur, RV 443: I. Allegro

Concerto en do Majeur, RV 443: II. Largo

Concerto en do Majeur, RV 443: III. Allegro molto

Concerto en ré Majeur, RV 781: I. Allegro

Concerto en ré Majeur, RV 781: II. Grave

Concerto en ré Majeur, RV 781: III. Allegro

Concerto en sol mineur, RV 156: I. Allegro

Concerto en sol mineur, RV 156: II. Adagio

Concerto en sol mineur, RV 156: III. Allegro

Concerto for Harpsichord, Two Recorders, Strings and Continuo in F major, BWV 1057: I. No Tempo Marking

Concerto for Harpsichord, Two Recorders, Strings and Continuo in F major, BWV 1057: II. Andante

Concerto for Harpsichord, Two Recorders, Strings and Continuo in F major, BWV 1057: III. Allegro assai

Concerto for Oboe, Violin, Two Transverse Flutes and Continuo in B-flat major, TWV 54:B1: I. Largo

Concerto for Oboe, Violin, Two Transverse Flutes and Continuo in B-flat major, TWV 54:B1: II. Allegro

Concerto for Oboe, Violin, Two Transverse Flutes and Continuo in B-flat major, TWV 54:B1: III. Dolce

Concerto for Oboe, Violin, Two Transverse Flutes and Continuo in B-flat major, TWV 54:B1: IV. Allegro

Concerto for Recorder, Transverse Flute, Strings and Continuo in E minor, TWV 52:e1: I. Largo

Concerto for Recorder, Transverse Flute, Strings and Continuo in E minor, TWV 52:e1: II. Allegro

Concerto for Recorder, Transverse Flute, Strings and Continuo in E minor, TWV 52:e1: III. Largo

Concerto for Recorder, Transverse Flute, Strings and Continuo in E minor, TWV 52:e1: IV. Presto

Concerto for Violin, Oboe, Strings and Continuo in C minor, BWV 1060a: I. Allegro

Concerto for Violin, Oboe, Strings and Continuo in C minor, BWV 1060a: II. Adagio

Concerto for Violin, Oboe, Strings and Continuo in C minor, BWV 1060a: III. Allegro

Concerto, RV 537 premier Allegro

Concerto, RV 537, deuxième Allegro (troisième mouvement)

Cupararee or graysin

Die Kunst der Fuge, BWV 1080: Canon alla Decima in Contrapunto alla Terza

Die Kunst der Fuge, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta

Die Kunst der Fuge, BWV 1080: Canon alla Ottava

Die Kunst der Fuge, BWV 1080: Canon per Augmentationem in contrario Motu

Die Kunst der Fuge, BWV 1080: Contrapunctus I

Die Kunst der Fuge, BWV 1080: Contrapunctus II

Die Kunst der Fuge, BWV 1080: Contrapunctus III

Die Kunst der Fuge, BWV 1080: Contrapunctus IV

Die Kunst der Fuge, BWV 1080: Contrapunctus IX, a 4 alla Duodecima

Die Kunst der Fuge, BWV 1080: Contrapunctus V

Die Kunst der Fuge, BWV 1080: Contrapunctus VI, a 4 in Stylo Francese

Die Kunst der Fuge, BWV 1080: Contrapunctus VII, a 4 per Augmentationem et Diminutionem

Die Kunst der Fuge, BWV 1080: Contrapunctus VIII, a 3

Die Kunst der Fuge, BWV 1080: Contrapunctus X, a 4 alla Decima

Die Kunst der Fuge, BWV 1080: Contrapunctus XI, a 4

Die Kunst der Fuge, BWV 1080: Contrapunctus XII, a 4 – Inversus

Die Kunst der Fuge, BWV 1080: Contrapunctus XII, a 4 – Rectus

Die Kunst der Fuge, BWV 1080: Contrapunctus XIII, a 3 – Inversus

Die Kunst der Fuge, BWV 1080: Contrapunctus XIII, a 3 – Rectus

Die Kunst der Fuge, BWV 1080: Fuga a 3 Soggetti

Gloria en ré Majeur, RV 589: Cum Sancto Spiritu

Gloria en ré Majeur, RV 589: Domine Deus

Gloria en ré Majeur, RV 589: Domine Deus, Agnus Dei

Gloria en ré Majeur, RV 589: Domine fili unigenite

Gloria en ré Majeur, RV 589: Et in terra pax

Gloria en ré Majeur, RV 589: Gloria in excelsis Deo

Gloria en ré Majeur, RV 589: Gratias agimus tibi, Adagio. Propter magnam gloriam tuam

Gloria en ré Majeur, RV 589: Laudamus te

Gloria en ré Majeur, RV 589: Qui sedes a dexteram patris

Gloria en ré Majeur, RV 589: Qui tollis peccata mundi

Gloria en ré Majeur, RV 589: Quoniam tu solus sanctus

In cælis hodie jubilant sancti

La forza dell’amore paterno: Ferma, Regina, Ascolta… morirò (Antioco)

La forza dell’amore paterno: Lasso, che feci (Antioco)

La forza dell’amore paterno: O morire, o libertà (Antioco)

La forza dell’amore paterno: Presto, corri ad armarti!… Non vedi che giove (Antioco)

La Susanna: Da chi spero aita, o cieli

La Susanna: Overture

Le gare dell’amore eroico: Overture

Medea in Atene: “Alati corsieri”, aria

Medea in Atene: “Amare e tacere”, recitativo ed aria

Medea in Atene: “Da gl’antri di morte”, aria

Médée, cantate (Premier livre): Récitatif – “L’amour dans ses fers”, Air tendre

Médée, cantate (Premier livre): Récitatif – Fort vite – “Cruelle fille des enfers”, invocation

Médée, cantate (Premier livre): Récitatif – Prélude – “Courons à la vengeance”, Air

Médée, cantate (Premier livre): Récitatif – Prélude – “Volés démons”, Air

Médée, cantate: “Ingrat, ta cruelle inconstance”, air

Médée, cantate: Prélude – Récitatif – “Tirans des rivages funèbres”, air

Médée, cantate: Récitatif – “Beautés fuyez”, air

Médée, cantate: Récitatif – Mesuré (gravement)

Messa e salmi concertati: Credo, a 7

Messa e salmi concertati: Gloria, a 6

Messa e salmi concertati: Kyrie, a 5