12 études d’exécution transcendante, S. 139: I. Preludio. Presto

12 études d’exécution transcendante, S. 139: II. Molto vivace

12 études d’exécution transcendante, S. 139: III. Paysage. Poco adagio

12 études d’exécution transcendante, S. 139: IV. Mazeppa. Allegro

12 études d’exécution transcendante, S. 139: IX. Ricordanza. Andantino

12 études d’exécution transcendante, S. 139: V. Feux follets. Allegretto

12 études d’exécution transcendante, S. 139: VI. Vision. Lento

12 études d’exécution transcendante, S. 139: VII. Eroica. Allegro

12 études d’exécution transcendante, S. 139: VIII. Wilde Jagd. Presto furioso

12 études d’exécution transcendante, S. 139: X. Allegro agitato molto

12 études d’exécution transcendante, S. 139: XI. Harmonies du soir. Andantino

12 études d’exécution transcendante, S. 139: XII. Chasse‐neige. Andante con moto

Bagatelle sans tonalité, S. 216a: Allegro mosso

Bagatelles, op. 126: No. 1 in G major – Andante con moto cantabile e compiacevole

Bagatelles, op. 126: No. 2 in G minor – Allegro

Bagatelles, op. 126: No. 3 in E-flat major – Andante cantabile e grazioso

Bagatelles, op. 126: No. 4 in B minor – Presto

Bagatelles, op. 126: No. 5 in G major – Quasi allegretto

Bagatelles, op. 126: No. 6 in E-flat major – Presto, Andante amabile e con moto

Ballade no. 2 in B minor, S. 171: Allegro moderato

Barcarolle in F-sharp major, op. 60

Berceuse in D-flat major, op. 57

Burleske in D minor, TRV 145

Estampes, L. 100: I. Pagodes

Estampes, L. 100: II. La soirée dans Grenade

Estampes, L. 100: III. Jardins sous la pluie

Etudes, Book 2, L. 136: IX. Pour les notes répétées

Etudes, Book 2, L. 136: VII. Pour les degrés chromatiques

Etudes, Book 2, L. 136: VIII. Pour les agréments

Etudes, Book 2, L. 136: X. Pour les sonorités opposées

Etudes, Book 2, L. 136: XI. Pour les arpèges composés

Etudes, Book 2, L. 136: XII. Pour les accords

Iberia, Cahier 1: I. Evocación

Iberia, Cahier 1: II. El puerto

Iberia, Cahier 1: III. El Corpus en Sevilla

Iberia, Cahier 2: I. Rondeña

Iberia, Cahier 2: II. Almeria

Iberia, Cahier 2: III. Triana

Iberia, Cahier 3: I. El Albaicín

Iberia, Cahier 3: II. El Polo

Iberia, Cahier 3: III. Lavapiés

Iberia, Cahier 4: I. Málaga

Iberia, Cahier 4: II. Jérez

Iberia, Cahier 4: III. Eritaña

Images, Book 1, L. 110: I. Reflets dans l’eau

Images, Book 1, L. 110: II. Hommage à Rameau

Images, Book 1, L. 110: III. Mouvement

Isoldes Liebestod, S. 447: Sehr langsam

L’isle joyeuse, L. 106

Mephisto Walzer no. 1, S. 514: Allegro vivace. Quasi presto

Nocturne in E minor, op. 72 No. 1

Nocturne No. 20 in C-sharp minor, op. posth.

Nocturne No. 21 in C minor, op. posth.

Nocturnes, op. 15: I. Andante cantabile in F major

Nocturnes, op. 15: II. Larghetto in F-sharp major

Nocturnes, op. 15: III. Lento in G minor

Nocturnes, op. 27: I. Larghetto in C-sharp minor

Nocturnes, op. 27: II. Lento sostenuto in D-flat major

Nocturnes, op. 32: I. Andante sostenuto in B major

Nocturnes, op. 32: II. Lento in A-flat major

Nocturnes, op. 37: I. Andante sostenuto in G minor

Nocturnes, op. 37: II. Andantino in G major

Nocturnes, op. 48: I. Lento in C minor

Nocturnes, op. 48: II. Andantino in F-sharp minor

Nocturnes, op. 55: I. Andante in F minor

Nocturnes, op. 55: II. Lento sostenuto in E-flat major

Nocturnes, op. 62: I. Andante in B major

Nocturnes, op. 62: II. Lento in E major

Nocturnes, op. 9: I. Larghetto in B-flat minor

Nocturnes, op. 9: II. Andante in E-flat major

Nocturnes, op. 9: III. Allegretto in B major

Pavane pour une infante défunte, M. 19

Piano Concerto in D major for the Left Hand, M. 82: Ia. Lento

Piano Concerto in D major for the Left Hand, M. 82: Ib. Più lento

Piano Concerto in D major for the Left Hand, M. 82: IIa. Allegro

Piano Concerto in D major for the Left Hand, M. 82: IIb. Più vivo ed accelerando

Piano Concerto in G major, M. 83: I. Allegramente

Piano Concerto in G major, M. 83: II. Adagio assai

Piano Concerto in G major, M. 83: III. Presto

Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro ma non troppo

Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato

Piano Concerto no. 2 in B-flat major, op. 83: III. Andante

Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto

Piano Sonata in B minor, S. 178: I. Lento assai

Piano Sonata in B minor, S. 178: II. Andante sostenuto

Piano Sonata in B minor, S. 178: III. Allegro energico

Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro

Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: II. Scherzo (Assai vivace – Presto – Prestissimo – Tempo 1)

Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto

Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo – Allegro risoluto

Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso

Piano Sonata no. 3 in F minor, op. 5: II. Andante espressivo

Piano Sonata no. 3 in F minor, op. 5: III. Scherzo. Allegro energico – Trio

Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo. Andante molto

Piano Sonata no. 3 in F minor, op. 5: V. Finale. Allegro moderato ma rubato

Polonaise in F-sharp minor, op. 44

Préludes, op. 28: No. 1 in C major – Agitato

Préludes, op. 28: No. 10 in C-sharp minor – Allegro molto

Préludes, op. 28: No. 11 in B major – Vivace

Préludes, op. 28: No. 12 in G-sharp minor – Presto