UPC · Release
Beethoven: The Cello Sonatas
Mischa Maisky & Martha Argerich
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00028943993425 is the Universal Product Code (UPC barcode) for the release “Beethoven: The Cello Sonatas” by Mischa Maisky & Martha Argerich, released 1994-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC.
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Track List (52)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Theme. Allegretto | — | ||
| 2 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation I | — | ||
| 3 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation II | — | ||
| 4 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation III | — | ||
| 5 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IV | — | ||
| 6 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation V | — | ||
| 7 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VI | — | ||
| 8 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VII | — | ||
| 9 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VIII | — | ||
| 10 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IX | — | ||
| 11 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. Adagio | — | ||
| 12 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi Andante | — | ||
| 13 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. Allegro | — | ||
| 14 | Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - I. Adagio sostenuto | — | ||
| 15 | Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - I. Allegro | — | ||
| 16 | Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - I. Adagio - Presto | — | ||
| 17 | Sonata for Cello and Piano No. 1 in F Major, Op. 5 No. 1 - II. Rondo. Allegro vivace | — | ||
| 18 | Sonata for Cello and Piano No. 2 in G Minor, Op. 5 No. 2 - Ia. Adagio sostenuto e espressivo | — | ||
| 19 | Sonata for Cello and Piano No. 2 in G Minor, Op. 5 No. 2 - Ib. Allegro molto più tosto presto | — | ||
| 20 | Sonata for Cello and Piano No. 2 in G Minor, Op. 5 No. 2 - II. Rondo. Allegro | — | ||
| 21 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. Andante | — | ||
| 22 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation I | — | ||
| 23 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation II | — | ||
| 24 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation III | — | ||
| 25 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IV | — | ||
| 26 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivace | — | ||
| 27 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. Adagio | — | ||
| 28 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppo | — | ||
| 2-1 | Cello Sonata No. 3 in A Major, Op. 69 - I. Allegro ma non tanto | — | ||
| 2-2 | Cello Sonata No. 3 in A Major, Op. 69 - II. Scherzo. Allegro molto | — | ||
| 2-3 | Cello Sonata No. 3 in A Major, Op. 69 - III. Adagio cantabile | — | ||
| 2-4 | Cello Sonata No. 3 in A Major, Op. 69 - IV. Allegro vivace | — | ||
| 2-5 | Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 - I. Andante | — | ||
| 2-6 | Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 - II. Allegro vivace | — | ||
| 2-7 | Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 - III. Adagio | — | ||
| 2-8 | Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 - IV. Allegro vivace | — | ||
| 2-9 | Sonata for Cello and Piano No. 5 in D Major, Op. 102 No. 2 - I. Allegro con brio | — | ||
| 2-10 | Sonata for Cello and Piano No. 5 in D Major, Op. 102 No. 2 - II. Adagio con molto sentimento d'affetto | — | ||
| 2-11 | Sonata for Cello and Piano No. 5 in D Major, Op. 102 No. 2 - III. Allegro - Allegro fugato | — | ||
| 2-12 | 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 - Thema. Allegretto | — | ||
| 2-13 | 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 - Variation I | — | ||
| 2-14 | 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 - Variation II | — | ||
| 2-15 | 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 - Variation III | — | ||
| 2-16 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IV | — | ||
| 2-17 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation V | — | ||
| 2-18 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VI | — | ||
| 2-19 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VII | — | ||
| 2-20 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VIII | — | ||
| 2-21 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IX | — | ||
| 2-22 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation X. Allegro | — | ||
| 2-23 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XI. Adagio | — | ||
| 2-24 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XII. Allegro | — |
Additional database matches (52)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66: Thema. Allegretto | Martha Argerich, Mischa Maisky | T-061.792.500-4 |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 1: Variation I | Martha Argerich, Mischa Maisky | — |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 3: Variation III | Martha Argerich, Mischa Maisky | — |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 4: Variation IV | Martha Argerich, Mischa Maisky | — |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 5: Variation V | Martha Argerich, Mischa Maisky | T-912.658.196-2 |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 6: Variation VI | Martha Argerich, Mischa Maisky | — |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 7: Variation VII | Martha Argerich, Mischa Maisky | — |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 8: Variation VIII | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-i. Adagio sostenuto | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | T-007.303.107-8 |
| Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-iii. Adagio - Presto - Tempo primo | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: II. Allegro vivace | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-i. Adagio sostenuto e espressivo | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | T-800.132.125-2 |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 2: Variation II | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 3: Variation III | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 5: Variation V. Si prenda il tempo un poco più vivace | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 6: Variation VI. Adagio | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 7: Variation VII. Allegro ma non troppo | Martha Argerich, Mischa Maisky | — |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 9: Variation IX | Martha Argerich, Mischa Maisky | — |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 10: Variation X. Adagio | Martha Argerich, Mischa Maisky | — |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 11: Variation XI. Poco adagio quasi andante | Martha Argerich, Mischa Maisky | — |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 12: Variation XII. Allegro | Martha Argerich, Mischa Maisky | — |
| Sonata for Piano and Cello no. 3 in A major, op. 69: I. Allegro ma non tanto | Martha Argerich, Mischa Maisky | T-318.567.058-6 |
| Sonata for Piano and Cello no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Martha Argerich, Mischa Maisky | T-329.454.787-4 |
| Sonata for Piano and Cello no. 3 in A major, op. 69: III. Adagio cantabile | Martha Argerich, Mischa Maisky | T-001.397.158-8 |
| Sonata for Piano and Cello no. 3 in A major, op. 69: IV. Allegro vivace | Martha Argerich, Mischa Maisky | T-909.238.805-1 |
| Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante | Martha Argerich, Mischa Maisky | — |
| Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Allegro vivace | Martha Argerich, Mischa Maisky | — |
| Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: III. Adagio | Martha Argerich, Mischa Maisky | — |
| Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | Martha Argerich, Mischa Maisky | — |
| Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — |
| Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - attacca | Martha Argerich, Mischa Maisky | — |
| Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | Martha Argerich, Mischa Maisky | — |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Thema: Allegretto | Martha Argerich, Mischa Maisky | — |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation I | Martha Argerich, Mischa Maisky | — |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation II | Martha Argerich, Mischa Maisky | — |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation III | Martha Argerich, Mischa Maisky | T-912.658.196-2 |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation IV | Martha Argerich, Mischa Maisky | — |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation V | Martha Argerich, Mischa Maisky | T-912.658.196-2 |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation VI | Martha Argerich, Mischa Maisky | — |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation VII | Martha Argerich, Mischa Maisky | T-912.658.196-2 |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation VIII | Martha Argerich, Mischa Maisky | T-921.242.859-6 |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation IX | Martha Argerich, Mischa Maisky | T-912.658.196-2 |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation X: Allegro | Martha Argerich, Mischa Maisky | — |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — |
| Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XII: Allegro | Martha Argerich, Mischa Maisky | — |
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What is UPC 00028943993425?
00028943993425 is a Universal Product Code (UPC) assigned to Beethoven: The Cello Sonatas by Mischa Maisky & Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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