UPC · Release
Les grands airs de ténor
José Carreras, Plácido Domingo, Luciano Pavarotti
Last verified:
00028945921228 is the Universal Product Code (UPC barcode) for the release “Les grands airs de ténor” by José Carreras, Plácido Domingo, Luciano Pavarotti, released 1998-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include DEF059130800, DEF058730403, DEF057930720.
Format
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
Track List (14)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La traviata: Atto III. “Ah, non più!” … “Ah! Gran Dio! Morir sì giovine” | John Keenan, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | — | |
| 2 | La Bohème: Atto I. “Che gelida manina!” (Rodolfo) | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | — | |
| 3 | Tosca: Atto III. "E lucevan le stelle" | José Carreras, Berliner Philharmoniker, Herbert von Karajan | T9100679478 | |
| 4 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5 | L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara) | Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — | |
| 6 | Carmen : Acte II. « La fleur que tu m’avais jetée » (Don José) | Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | T-928635311-5 | |
| 7 | Lohengrin. "In fernem Land" (Lohengrin) | Jess Thomas, Berliner Philharmoniker, Walter Born | — | |
| 8 | Die Entführung aus dem Serail: Aufzug II. "Wenn der Freude Tränen fließen" | Fritz Wunderlich, Bayerisches Staatsorchester, Eugen Jochum | — | |
| 9 | Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-306483079-7 | |
| 10 | Rigoletto: Atto III, scena 1, Canzone: “La donna è mobile” (Duca) | Carlo Bergonzi, Dietrich Fischer-Dieskau, Ivo Vinco, Orchestra del Teatro alla Scala, Rafael Kubelík | T0014553775 | |
| 11 | La Damnation de Faust: Invocation à la Nature | Stuart Burrows, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12 | Aida: Atto I. Romanza: “Se quel guerrier io fossi! … Celeste Aida” (Radamès) | Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado | T9000653769 | |
| 13 | Paillasse. "Recitar... Vesti la giubba" (Canio) | Roberto Benaglio, Carlo Bergonzi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 14 | Eugène Onéguine. "Kuda, kuda" (Lenski) | Neil Shicoff, Staatskapelle Dresden, James Levine | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005000838-2 |
| L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | T-902504007-7 |
| La traviata: Atto II. “Lunge da lei” … “De’ miei bollenti spiriti” | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Creative Contributors (ISNI)
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What is UPC 00028945921228?
00028945921228 is a Universal Product Code (UPC) assigned to Les grands airs de ténor by José Carreras, Plácido Domingo, Luciano Pavarotti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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