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Essential Rossini

UPC · Release

Essential Rossini

Gioachino Rossini

00028947221326
23 tracks

Last verified: July 19, 2026

00028947221326 is the Universal Product Code (UPC barcode) for the release “Essential Rossini” by Gioachino Rossini. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include GBF079541001, GBF077940713, NLA509108009.

Format

0Indicator
002GS1 prefix
8947Company prefix
22132Product
6Check digit
Indicator:
Packaging-level digit (0 = base item, 1-8 = larger packs).
GS1 prefix:
Country/region prefix assigned by GS1.
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit.

Credit Chain

UPCEssential Rossini
ISRC23 recordings
ISWC13 works
IPI1 songwriter

Track List (23)

#Track TitleArtist(s)ISWC
Guglielmo Tell: Overture1Guglielmo Tell: OvertureOrchestra del Teatro alla Scala di Milano, Riccardo ChaillyT-306.482.271-1
Guglielmo Tell: Atto I, Scena VIII. “Pas de six”2Guglielmo Tell: Atto I, Scena VIII. “Pas de six”National Philharmonic Orchestra, Riccardo Chailly—
Guglielmo Tell: Resta immobile3Guglielmo Tell: Resta immobileDmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin—
Semiramide: Overture4Semiramide: OvertureLondon Symphony Orchestra, Piero GambaT-306.482.271-1
Semiramide: “Bel raggio lusinghier di speme”5Semiramide: “Bel raggio lusinghier di speme”Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli—
Il barbiere di Siviglia: Sinfonia6Il barbiere di Siviglia: SinfoniaAcademy of St Martin in the Fields, Neville MarrinerT-306.482.271-1
Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte)7Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte)Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”8The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”Sherrill Milnes, London Philharmonic Orchestra, Silvio VarvisoT-900.095.253-4
Una voce poco fa from "The Barber of Seville"9Una voce poco fa from "The Barber of Seville"Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson—
Il barbiere di Siviglia: “La calunnia è un venticello”10Il barbiere di Siviglia: “La calunnia è un venticello”Nicolaï Ghiaurov, Orchestra Rossini di Napoli, Silvio Varviso—
La scala di seta: Overture11La scala di seta: OvertureMinnesota Orchestra, Antal Doráti—
La Danza12La DanzaLuciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard BonyngeT-072.616.559-8
La gazza ladra: Overture2-1La gazza ladra: OvertureOrchestra Filarmonica della Scala, Riccardo ChaillyT-306.482.271-1
La donna del lago: “Tanti affetti”2-2La donna del lago: “Tanti affetti”Marilyn Horne, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Henry Lewis—
La Cenerentola: Sinfonia (Ouverture)2-3La Cenerentola: Sinfonia (Ouverture)London Symphony Orchestra, Claudio AbbadoT-304.872.410-9
La Cenerentola: Nacqui all'affanno / Non più mesta2-4La Cenerentola: Nacqui all'affanno / Non più mestaGloria Banditelli, Cecilia Bartoli, Alessandro Corbelli, Coro del Teatro Comunale di Bologna, Fernanda Costa, Enzo Dara, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly—
Inflammatus et accensus from "Stabat Mater"2-5Inflammatus et accensus from "Stabat Mater"Heinz Mende, Philharmonia Chorus, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini—
Stabat Mater: Cuius animam2-6Stabat Mater: Cuius animamLuciano Pavarotti, London Symphony Orchestra, István KertészT-801.799.562-0
Il Signor Bruschino: Overture2-7Il Signor Bruschino: OvertureOrchestre symphonique de Montréal, Charles DutoitT-315.038.116-7
String Sonata no. 5 in E-flat major: I. Allegro vivace2-8String Sonata no. 5 in E-flat major: I. Allegro vivaceAcademy of St Martin in the Fields, Sir Neville Marriner—
L'italiana in Algeri: Overture2-9L'italiana in Algeri: OvertureLondon Symphony Orchestra, Claudio AbbadoT-301.972.539-0
L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella)2-10L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella)Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis—
Le siège de Corinthe: Overture2-11Le siège de Corinthe: OvertureAcademy of St Martin in the Fields, Sir Neville Marriner—
Guglielmo Tell: Overture
Guglielmo Tell: Overture
Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
T-306.482.271-1
Guglielmo Tell: Atto I, Scena VIII. “Pas de six”
Guglielmo Tell: Atto I, Scena VIII. “Pas de six”
National Philharmonic Orchestra, Riccardo Chailly
—
Guglielmo Tell: Resta immobile
Guglielmo Tell: Resta immobile
Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin
—
Semiramide: Overture
Semiramide: Overture
London Symphony Orchestra, Piero Gamba
T-306.482.271-1
Semiramide: “Bel raggio lusinghier di speme”
Semiramide: “Bel raggio lusinghier di speme”
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
—
Il barbiere di Siviglia: Sinfonia
Il barbiere di Siviglia: Sinfonia
Academy of St Martin in the Fields, Neville Marriner
T-306.482.271-1
Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte)
Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte)
Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner
—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
T-900.095.253-4
Una voce poco fa from "The Barber of Seville"
Una voce poco fa from "The Barber of Seville"
Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson
—
Il barbiere di Siviglia: “La calunnia è un venticello”
Il barbiere di Siviglia: “La calunnia è un venticello”
Nicolaï Ghiaurov, Orchestra Rossini di Napoli, Silvio Varviso
—
La scala di seta: Overture
La scala di seta: Overture
Minnesota Orchestra, Antal Doráti
—
La Danza
La Danza
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
T-072.616.559-8
La gazza ladra: Overture
La gazza ladra: Overture
Orchestra Filarmonica della Scala, Riccardo Chailly
T-306.482.271-1
La donna del lago: “Tanti affetti”
La donna del lago: “Tanti affetti”
Marilyn Horne, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Henry Lewis
—
La Cenerentola: Sinfonia (Ouverture)
La Cenerentola: Sinfonia (Ouverture)
London Symphony Orchestra, Claudio Abbado
T-304.872.410-9
La Cenerentola: Nacqui all'affanno / Non più mesta
La Cenerentola: Nacqui all'affanno / Non più mesta
Gloria Banditelli, Cecilia Bartoli, Alessandro Corbelli, Coro del Teatro Comunale di Bologna, Fernanda Costa, Enzo Dara, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
—
Inflammatus et accensus from "Stabat Mater"
Inflammatus et accensus from "Stabat Mater"
Heinz Mende, Philharmonia Chorus, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini
—
Stabat Mater: Cuius animam
Stabat Mater: Cuius animam
Luciano Pavarotti, London Symphony Orchestra, István Kertész
T-801.799.562-0
Il Signor Bruschino: Overture
Il Signor Bruschino: Overture
Orchestre symphonique de Montréal, Charles Dutoit
T-315.038.116-7
String Sonata no. 5 in E-flat major: I. Allegro vivace
String Sonata no. 5 in E-flat major: I. Allegro vivace
Academy of St Martin in the Fields, Sir Neville Marriner
—
L'italiana in Algeri: Overture
L'italiana in Algeri: Overture
London Symphony Orchestra, Claudio Abbado
T-301.972.539-0
L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella)
L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella)
Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis
—
Le siège de Corinthe: Overture
Le siège de Corinthe: Overture
Academy of St Martin in the Fields, Sir Neville Marriner
—

Additional database matches (3)

Track TitleArtist(s)ISWC
La DanzaLuciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard BonyngeT-011.774.406-5
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)Thomas Allen, Academy of St Martin in the Fields, Neville Marriner—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)Thomas Allen, Academy of St Martin in the Fields, Neville Marriner—
La Danza
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
T-011.774.406-5
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-011.774.406-5T-304.872.410-9T-306.482.271-1T-801.799.562-0T-801.799.562-0T-900.095.253-4T-011.774.406-5T-072.616.559-8T-301.972.539-0T-304.872.410-9
+3 more
T-306.482.271-1T-315.038.116-7T-900.095.253-4

Songwriters/Publishers (IPI)

00158729629

Creative Contributors (ISNI)

000000005513068X000000006309353200000000736622840000000106617448000000010854832700000001086022740000000109293928000000010940677700000001094265240000000109443949
+20 more
00000001103795930000000110495973000000011063348300000001107454690000000110801651000000011087783200000001144618930000000114502261000000011468669700000001147146510000000114719778000000011492763000000001150728570000000116585187000000011660555500000001179847100000000118337515000000011845100000000001194564790000000119514974
SourcesMLCMusicBrainz✓2 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCEssential Rossi…ISRCGuglielmo Tell:…ISRCGuglielmo Tell:…ISRCGuglielmo Tell:…ISRCSemiramide: Ove…ISRCSemiramide: “Be…

People also ask

What is UPC 00028947221326?+
UPC 00028947221326 is the Universal Product Code (barcode) for "Essential Rossini" by Gioachino Rossini.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 00028947221326?+
UPC 00028947221326 contains 23 tracks, each with its own ISRC.

What is UPC 00028947221326?

00028947221326 is a Universal Product Code (UPC) assigned to Essential Rossini by Gioachino Rossini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Gioachino Rossini

00028947221326 is the Universal Product Code (UPC barcode) for the release “Essential Rossini” by Gioachino Rossini. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include GBF079541001, GBF077940713, NLA509108009.

Track List (23)

#Track TitleArtist(s)ISWC
Guglielmo Tell: Overture1Guglielmo Tell: OvertureOrchestra del Teatro alla Scala di Milano, Riccardo ChaillyT-306.482.271-1
Guglielmo Tell: Atto I, Scena VIII. “Pas de six”2Guglielmo Tell: Atto I, Scena VIII. “Pas de six”National Philharmonic Orchestra, Riccardo Chailly—
Guglielmo Tell: Resta immobile3Guglielmo Tell: Resta immobileDmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin—
Semiramide: Overture4Semiramide: OvertureLondon Symphony Orchestra, Piero GambaT-306.482.271-1
Semiramide: “Bel raggio lusinghier di speme”5Semiramide: “Bel raggio lusinghier di speme”Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli—
Il barbiere di Siviglia: Sinfonia6Il barbiere di Siviglia: SinfoniaAcademy of St Martin in the Fields, Neville MarrinerT-306.482.271-1
Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte)7Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte)Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”8The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”Sherrill Milnes, London Philharmonic Orchestra, Silvio VarvisoT-900.095.253-4
Una voce poco fa from "The Barber of Seville"9Una voce poco fa from "The Barber of Seville"Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson—
Il barbiere di Siviglia: “La calunnia è un venticello”10Il barbiere di Siviglia: “La calunnia è un venticello”Nicolaï Ghiaurov, Orchestra Rossini di Napoli, Silvio Varviso—
La scala di seta: Overture11La scala di seta: OvertureMinnesota Orchestra, Antal Doráti—
La Danza12La DanzaLuciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard BonyngeT-072.616.559-8
La gazza ladra: Overture2-1La gazza ladra: OvertureOrchestra Filarmonica della Scala, Riccardo ChaillyT-306.482.271-1
La donna del lago: “Tanti affetti”2-2La donna del lago: “Tanti affetti”Marilyn Horne, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Henry Lewis—
La Cenerentola: Sinfonia (Ouverture)2-3La Cenerentola: Sinfonia (Ouverture)London Symphony Orchestra, Claudio AbbadoT-304.872.410-9
La Cenerentola: Nacqui all'affanno / Non più mesta2-4La Cenerentola: Nacqui all'affanno / Non più mestaGloria Banditelli, Cecilia Bartoli, Alessandro Corbelli, Coro del Teatro Comunale di Bologna, Fernanda Costa, Enzo Dara, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly—
Inflammatus et accensus from "Stabat Mater"2-5Inflammatus et accensus from "Stabat Mater"Heinz Mende, Philharmonia Chorus, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini—
Stabat Mater: Cuius animam2-6Stabat Mater: Cuius animamLuciano Pavarotti, London Symphony Orchestra, István KertészT-801.799.562-0
Il Signor Bruschino: Overture2-7Il Signor Bruschino: OvertureOrchestre symphonique de Montréal, Charles DutoitT-315.038.116-7
String Sonata no. 5 in E-flat major: I. Allegro vivace2-8String Sonata no. 5 in E-flat major: I. Allegro vivaceAcademy of St Martin in the Fields, Sir Neville Marriner—
L'italiana in Algeri: Overture2-9L'italiana in Algeri: OvertureLondon Symphony Orchestra, Claudio AbbadoT-301.972.539-0
L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella)2-10L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella)Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis—
Le siège de Corinthe: Overture2-11Le siège de Corinthe: OvertureAcademy of St Martin in the Fields, Sir Neville Marriner—
Guglielmo Tell: Overture
Guglielmo Tell: Overture
Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
T-306.482.271-1
Guglielmo Tell: Atto I, Scena VIII. “Pas de six”
Guglielmo Tell: Atto I, Scena VIII. “Pas de six”
National Philharmonic Orchestra, Riccardo Chailly
—
Guglielmo Tell: Resta immobile
Guglielmo Tell: Resta immobile
Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin
—
Semiramide: Overture
Semiramide: Overture
London Symphony Orchestra, Piero Gamba
T-306.482.271-1
Semiramide: “Bel raggio lusinghier di speme”
Semiramide: “Bel raggio lusinghier di speme”
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
—
Il barbiere di Siviglia: Sinfonia
Il barbiere di Siviglia: Sinfonia
Academy of St Martin in the Fields, Neville Marriner
T-306.482.271-1
Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte)
Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte)
Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner
—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
T-900.095.253-4
Una voce poco fa from "The Barber of Seville"
Una voce poco fa from "The Barber of Seville"
Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson
—
Il barbiere di Siviglia: “La calunnia è un venticello”
Il barbiere di Siviglia: “La calunnia è un venticello”
Nicolaï Ghiaurov, Orchestra Rossini di Napoli, Silvio Varviso
—
La scala di seta: Overture
La scala di seta: Overture
Minnesota Orchestra, Antal Doráti
—
La Danza
La Danza
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
T-072.616.559-8
La gazza ladra: Overture
La gazza ladra: Overture
Orchestra Filarmonica della Scala, Riccardo Chailly
T-306.482.271-1
La donna del lago: “Tanti affetti”
La donna del lago: “Tanti affetti”
Marilyn Horne, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Henry Lewis
—
La Cenerentola: Sinfonia (Ouverture)
La Cenerentola: Sinfonia (Ouverture)
London Symphony Orchestra, Claudio Abbado
T-304.872.410-9
La Cenerentola: Nacqui all'affanno / Non più mesta
La Cenerentola: Nacqui all'affanno / Non più mesta
Gloria Banditelli, Cecilia Bartoli, Alessandro Corbelli, Coro del Teatro Comunale di Bologna, Fernanda Costa, Enzo Dara, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
—
Inflammatus et accensus from "Stabat Mater"
Inflammatus et accensus from "Stabat Mater"
Heinz Mende, Philharmonia Chorus, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini
—
Stabat Mater: Cuius animam
Stabat Mater: Cuius animam
Luciano Pavarotti, London Symphony Orchestra, István Kertész
T-801.799.562-0
Il Signor Bruschino: Overture
Il Signor Bruschino: Overture
Orchestre symphonique de Montréal, Charles Dutoit
T-315.038.116-7
String Sonata no. 5 in E-flat major: I. Allegro vivace
String Sonata no. 5 in E-flat major: I. Allegro vivace
Academy of St Martin in the Fields, Sir Neville Marriner
—
L'italiana in Algeri: Overture
L'italiana in Algeri: Overture
London Symphony Orchestra, Claudio Abbado
T-301.972.539-0
L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella)
L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella)
Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis
—
Le siège de Corinthe: Overture
Le siège de Corinthe: Overture
Academy of St Martin in the Fields, Sir Neville Marriner
—

Additional database matches (3)

Track TitleArtist(s)ISWC
La DanzaLuciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard BonyngeT-011.774.406-5
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)Thomas Allen, Academy of St Martin in the Fields, Neville Marriner—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)Thomas Allen, Academy of St Martin in the Fields, Neville Marriner—
La Danza
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
T-011.774.406-5
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
—