Fidelio

UPC · Release

Fidelio

Beethoven, Gundula Janowitz, Lucia Popp and 8 more

00028947442028
20 tracks

Last verified:

00028947442028 is the Universal Product Code (UPC barcode) for the release Fidelio by Beethoven, Gundula Janowitz, Lucia Popp, René Kollo, Hans Sotin, Dietrich Fischer‐Dieskau, Manfred Jungwirth, Adolf Dallapozza, Wiener Philharmoniker, Wiener Staatsopernchor, Leonard Bernstein. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include DEF057830301, DEF057830312, DEF057830313.

Format

0Indicator
002GS1 prefix
8947Company prefix
44202Product
8Check digit
Indicator:
Packaging-level digit (0 = base item, 1-8 = larger packs).
GS1 prefix:
Country/region prefix assigned by GS1.
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit.

Credit Chain

UPCFidelio
ISRC20 recordings
ISWC2 works
IPI1 songwriter

Track List (20)

Fidelio, op. 72: Overture
Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
Adolf Dallapozza, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline)
Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline)
Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline)
Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline)
Lucia Popp, Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore)
Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore)
Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline)
Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline)
Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco)
Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco)
Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline)
Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline)
Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline)
Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline)
Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 6. March
Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco)
Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco)
Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus)
Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus)
Chor der Wiener Staatsoper, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco)
Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco)
Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco)
Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco)
Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore)
Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore)
Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II. “Marzelline!” – “Nein, ich will nicht …” (Jaquino, Marzelline, Rocco, Leonore)
Fidelio, op. 72: Act I, Scene II. “Marzelline!” – “Nein, ich will nicht …” (Jaquino, Marzelline, Rocco, Leonore)
Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust”
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust”
Chor der Wiener Staatsoper, Karl Terkal, Alfred Šramek, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f.
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f.
Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus)
Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus)
Chor der Wiener Staatsoper, Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein

Additional database matches (9)

Ouvertüre "Leonore III", Op. 72a
Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen”
René Kollo, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder”
Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!”
Gundula Janowitz, René Kollo, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” – “Bestrafet sei der Bösewicht” – “O Gott! Welch ein Augenblick!” – “Wer ein holdes Weib errungen”
Chor der Wiener Staatsoper, Adolf Dallapozza, Dietrich Fischer-Dieskau, Gundula Janowitz, Manfred Jungwirth, René Kollo, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” – Duet “Nur hurtig fort, nur frisch gegraben”
Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I. “Er erwacht”
Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten”
Gundula Janowitz, Manfred Jungwirth, René Kollo, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I. “Alles ist bereit”
Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein

Identifier Graph

UPCFidelioISRCFidelio, op. 72…ISRCFidelio, op. 72…ISRCFidelio, op. 72…ISRCFidelio, op. 72…ISRCFidelio, op. 72…

People also ask

What is UPC 00028947442028?
UPC 00028947442028 is the Universal Product Code (barcode) for "Fidelio" by Beethoven, Gundula Janowitz, Lucia Popp, René Kollo, Hans Sotin, Dietrich Fischer‐Dieskau, Manfred Jungwirth, Adolf Dallapozza, Wiener Philharmoniker, Wiener Staatsopernchor, Leonard Bernstein.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 00028947442028?
UPC 00028947442028 contains 20 tracks, each with its own ISRC.
SourcesMLCMusicBrainzNotes3 sources

Verified on

What is UPC 00028947442028?

00028947442028 is a Universal Product Code (UPC) assigned to Fidelio by Beethoven, Gundula Janowitz, Lucia Popp, René Kollo, Hans Sotin, Dietrich Fischer‐Dieskau, Manfred Jungwirth, Adolf Dallapozza, Wiener Philharmoniker, Wiener Staatsopernchor, Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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