UPC · Release
Cecilia Bartoli
Last verified:
The UPC for “Maria” by Cecilia Bartoli is 00028947590781. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-09-17. This release contains 28 tracks, each with its own ISRC. Tracks include GBBBA0644220.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!” | — | ||
| 2 | Irene, o L’assedio di Messina: Atto II. “Ira del ciel” | — | ||
| 3 | Ines di Castro: Romanza “Cari giorni” (Ines) | — | ||
| 4 | Infelice, op. 94 | — | ||
| 5 | El poeta calculista: “Yo que soy contrabandista” | — | ||
| 6 | La sonnambula: Atto II. “Ah, non credea mirarti” | — | ||
| 7 | La sonnambula: Atto II. “Ah, non giunge uman pensiero” | — | ||
| 8 | Air à la Tirolienne avec Variations | — | ||
| 9 | La figlia dell’aria: “E non lo vedo… Son regina” | — | ||
| 10 | Rataplan | — | ||
| 11 | “Dopo tante e tante pene” (after Rossini’s “Tancredi”) | — | ||
| 12 | I puritani: Atto II. "O rendetemi la speme" | Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | T-801.744.062-0 | |
| 13 | I puritani: Atto II. “Vien, diletto, è in ciel la luna” | — | ||
| 14 | Clari: “Come dolce a me favelli” | — | ||
| 15 | Amelia ovvero otto anni di costanza: “Scorrete, o lagrime” | — | ||
| 16 | “Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”) | — | ||
| 17 | Norma: Atto I. “Casta Diva” | — | ||
| 18 | The Maid of Artois – Yon Moon o’er the Mountains | — | ||
| 19 | Il barbiere di Siviglia: Overture / “Una voce poco fa” | — | ||
| 20 | Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin? | — | ||
| 21 | Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background? | — | ||
| 22 | Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age? | — | ||
| 23 | Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead? | — | ||
| 24 | Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers? | — | ||
| 25 | Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice? | — | ||
| 26 | Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran? | — | ||
| 27 | Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model? | — | ||
| 28 | Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing? | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
00028947590781 is a Universal Product Code (UPC) assigned to Maria by Cecilia Bartoli. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Maria” by Cecilia Bartoli is 00028947590781. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-09-17. This release contains 28 tracks, each with its own ISRC. Tracks include GBBBA0644220.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!” | — | ||
| 2 | Irene, o L’assedio di Messina: Atto II. “Ira del ciel” | — | ||
| 3 | Ines di Castro: Romanza “Cari giorni” (Ines) | — | ||
| 4 | Infelice, op. 94 | — | ||
| 5 | El poeta calculista: “Yo que soy contrabandista” | — | ||
| 6 | La sonnambula: Atto II. “Ah, non credea mirarti” | — | ||
| 7 | La sonnambula: Atto II. “Ah, non giunge uman pensiero” | — | ||
| 8 | Air à la Tirolienne avec Variations | — | ||
| 9 | La figlia dell’aria: “E non lo vedo… Son regina” | — | ||
| 10 | Rataplan | — | ||
| 11 | “Dopo tante e tante pene” (after Rossini’s “Tancredi”) | — | ||
| 12 | I puritani: Atto II. "O rendetemi la speme" | Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | T-801.744.062-0 | |
| 13 | I puritani: Atto II. “Vien, diletto, è in ciel la luna” | — | ||
| 14 | Clari: “Come dolce a me favelli” | — | ||
| 15 | Amelia ovvero otto anni di costanza: “Scorrete, o lagrime” | — | ||
| 16 | “Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”) | — | ||
| 17 | Norma: Atto I. “Casta Diva” | — | ||
| 18 | The Maid of Artois – Yon Moon o’er the Mountains | — | ||
| 19 | Il barbiere di Siviglia: Overture / “Una voce poco fa” | — | ||
| 20 | Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin? | — | ||
| 21 | Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background? | — | ||
| 22 | Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age? | — | ||
| 23 | Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead? | — | ||
| 24 | Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers? | — | ||
| 25 | Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice? | — | ||
| 26 | Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran? | — | ||
| 27 | Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model? | — | ||
| 28 | Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing? | — |
