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Maria

UPC · Release

Maria

Cecilia Bartoli

00028947590781
28 tracksReleased 2017-09-17

Last verified: May 1, 2026

00028947590781 is the Universal Product Code (UPC barcode) for the release “Maria” by Cecilia Bartoli, released 2017-09-17. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBBBA0644220.

Format

0Indicator
002GS1 prefix
8947Company prefix
59078Product
1Check digit
Indicator:
Packaging-level digit (0 = base item, 1-8 = larger packs).
GS1 prefix:
Country/region prefix assigned by GS1.
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit.

Credit Chain

UPCMaria
ISRC1 recording
ISWC1 work

Track List (28)

#Track TitleArtist(s)ISWC
Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”1Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”—
Irene, o L’assedio di Messina: Atto II. “Ira del ciel”2Irene, o L’assedio di Messina: Atto II. “Ira del ciel”—
Ines di Castro: Romanza “Cari giorni” (Ines)3Ines di Castro: Romanza “Cari giorni” (Ines)—
Infelice, op. 944Infelice, op. 94—
El poeta calculista: “Yo que soy contrabandista”5El poeta calculista: “Yo que soy contrabandista”—
La sonnambula: Atto II. “Ah, non credea mirarti”6La sonnambula: Atto II. “Ah, non credea mirarti”—
La sonnambula: Atto II. “Ah, non giunge uman pensiero”7La sonnambula: Atto II. “Ah, non giunge uman pensiero”—
Air à la Tirolienne avec Variations8Air à la Tirolienne avec Variations—
La figlia dell’aria: “E non lo vedo… Son regina”9La figlia dell’aria: “E non lo vedo… Son regina”—
Rataplan10Rataplan—
“Dopo tante e tante pene” (after Rossini’s “Tancredi”)11“Dopo tante e tante pene” (after Rossini’s “Tancredi”)—
I puritani: Atto II. "O rendetemi la speme"12I puritani: Atto II. "O rendetemi la speme"Cecilia Bartoli, Orchestra La Scintilla, Ádám FischerT-801.744.062-0
I puritani: Atto II. “Vien, diletto, è in ciel la luna”13I puritani: Atto II. “Vien, diletto, è in ciel la luna”—
Clari: “Come dolce a me favelli”14Clari: “Come dolce a me favelli”—
Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”15Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”—
“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)16“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)—
Norma: Atto I. “Casta Diva”17Norma: Atto I. “Casta Diva”—
The Maid of Artois – Yon Moon o’er the Mountains18The Maid of Artois – Yon Moon o’er the Mountains—
Il barbiere di Siviglia: Overture / “Una voce poco fa”19Il barbiere di Siviglia: Overture / “Una voce poco fa”—
Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?20Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?—
Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?21Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?—
Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?22Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?—
Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?23Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?—
Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?24Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?—
Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?25Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?—
Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?26Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?—
Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?27Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?—
Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?28Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?—
Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”
Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”
—
Irene, o L’assedio di Messina: Atto II. “Ira del ciel”
Irene, o L’assedio di Messina: Atto II. “Ira del ciel”
—
Ines di Castro: Romanza “Cari giorni” (Ines)
Ines di Castro: Romanza “Cari giorni” (Ines)
—
Infelice, op. 94
Infelice, op. 94
—
El poeta calculista: “Yo que soy contrabandista”
El poeta calculista: “Yo que soy contrabandista”
—
La sonnambula: Atto II. “Ah, non credea mirarti”
La sonnambula: Atto II. “Ah, non credea mirarti”
—
La sonnambula: Atto II. “Ah, non giunge uman pensiero”
La sonnambula: Atto II. “Ah, non giunge uman pensiero”
—
Air à la Tirolienne avec Variations
Air à la Tirolienne avec Variations
—
La figlia dell’aria: “E non lo vedo… Son regina”
La figlia dell’aria: “E non lo vedo… Son regina”
—
Rataplan
Rataplan
—
“Dopo tante e tante pene” (after Rossini’s “Tancredi”)
“Dopo tante e tante pene” (after Rossini’s “Tancredi”)
—
I puritani: Atto II. "O rendetemi la speme"
I puritani: Atto II. "O rendetemi la speme"
Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer
T-801.744.062-0
I puritani: Atto II. “Vien, diletto, è in ciel la luna”
I puritani: Atto II. “Vien, diletto, è in ciel la luna”
—
Clari: “Come dolce a me favelli”
Clari: “Come dolce a me favelli”
—
Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”
Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”
—
“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)
“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)
—
Norma: Atto I. “Casta Diva”
Norma: Atto I. “Casta Diva”
—
The Maid of Artois – Yon Moon o’er the Mountains
The Maid of Artois – Yon Moon o’er the Mountains
—
Il barbiere di Siviglia: Overture / “Una voce poco fa”
Il barbiere di Siviglia: Overture / “Una voce poco fa”
—
Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?
Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?
—
Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?
Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?
—
Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?
Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?
—
Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?
Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?
—
Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?
Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?
—
Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?
Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?
—
Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?
Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?
—
Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?
Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?
—
Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?
Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-801.744.062-0

Creative Contributors (ISNI)

00000001147654830000000117984710
SourcesMusicBrainz

Verified on

  • MusicBrainz release search

Credits Graph

People also ask

What is UPC 00028947590781?+
UPC 00028947590781 is the Universal Product Code (barcode) for "Maria" by Cecilia Bartoli.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 00028947590781?+
UPC 00028947590781 contains 28 tracks, each with its own ISRC.

What is UPC 00028947590781?

00028947590781 is a Universal Product Code (UPC) assigned to Maria by Cecilia Bartoli. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Cecilia Bartoli

00028947590781 is the Universal Product Code (UPC barcode) for the release “Maria” by Cecilia Bartoli, released 2017-09-17. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBBBA0644220.

Track List (28)

#Track TitleArtist(s)ISWC
Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”1Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”—
Irene, o L’assedio di Messina: Atto II. “Ira del ciel”2Irene, o L’assedio di Messina: Atto II. “Ira del ciel”—
Ines di Castro: Romanza “Cari giorni” (Ines)3Ines di Castro: Romanza “Cari giorni” (Ines)—
Infelice, op. 944Infelice, op. 94—
El poeta calculista: “Yo que soy contrabandista”5El poeta calculista: “Yo que soy contrabandista”—
La sonnambula: Atto II. “Ah, non credea mirarti”6La sonnambula: Atto II. “Ah, non credea mirarti”—
La sonnambula: Atto II. “Ah, non giunge uman pensiero”7La sonnambula: Atto II. “Ah, non giunge uman pensiero”—
Air à la Tirolienne avec Variations8Air à la Tirolienne avec Variations—
La figlia dell’aria: “E non lo vedo… Son regina”9La figlia dell’aria: “E non lo vedo… Son regina”—
Rataplan10Rataplan—
“Dopo tante e tante pene” (after Rossini’s “Tancredi”)11“Dopo tante e tante pene” (after Rossini’s “Tancredi”)—
I puritani: Atto II. "O rendetemi la speme"12I puritani: Atto II. "O rendetemi la speme"Cecilia Bartoli, Orchestra La Scintilla, Ádám FischerT-801.744.062-0
I puritani: Atto II. “Vien, diletto, è in ciel la luna”13I puritani: Atto II. “Vien, diletto, è in ciel la luna”—
Clari: “Come dolce a me favelli”14Clari: “Come dolce a me favelli”—
Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”15Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”—
“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)16“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)—
Norma: Atto I. “Casta Diva”17Norma: Atto I. “Casta Diva”—
The Maid of Artois – Yon Moon o’er the Mountains18The Maid of Artois – Yon Moon o’er the Mountains—
Il barbiere di Siviglia: Overture / “Una voce poco fa”19Il barbiere di Siviglia: Overture / “Una voce poco fa”—
Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?20Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?—
Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?21Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?—
Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?22Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?—
Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?23Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?—
Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?24Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?—
Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?25Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?—
Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?26Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?—
Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?27Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?—
Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?28Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?—
Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”
Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”
—
Irene, o L’assedio di Messina: Atto II. “Ira del ciel”
Irene, o L’assedio di Messina: Atto II. “Ira del ciel”
—
Ines di Castro: Romanza “Cari giorni” (Ines)
Ines di Castro: Romanza “Cari giorni” (Ines)
—
Infelice, op. 94
Infelice, op. 94
—
El poeta calculista: “Yo que soy contrabandista”
El poeta calculista: “Yo que soy contrabandista”
—
La sonnambula: Atto II. “Ah, non credea mirarti”
La sonnambula: Atto II. “Ah, non credea mirarti”
—
La sonnambula: Atto II. “Ah, non giunge uman pensiero”
La sonnambula: Atto II. “Ah, non giunge uman pensiero”
—
Air à la Tirolienne avec Variations
Air à la Tirolienne avec Variations
—
La figlia dell’aria: “E non lo vedo… Son regina”
La figlia dell’aria: “E non lo vedo… Son regina”
—
Rataplan
Rataplan
—
“Dopo tante e tante pene” (after Rossini’s “Tancredi”)
“Dopo tante e tante pene” (after Rossini’s “Tancredi”)
—
I puritani: Atto II. "O rendetemi la speme"
I puritani: Atto II. "O rendetemi la speme"
Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer
T-801.744.062-0
I puritani: Atto II. “Vien, diletto, è in ciel la luna”
I puritani: Atto II. “Vien, diletto, è in ciel la luna”
—
Clari: “Come dolce a me favelli”
Clari: “Come dolce a me favelli”
—
Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”
Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”
—
“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)
“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)
—
Norma: Atto I. “Casta Diva”
Norma: Atto I. “Casta Diva”
—
The Maid of Artois – Yon Moon o’er the Mountains
The Maid of Artois – Yon Moon o’er the Mountains
—
Il barbiere di Siviglia: Overture / “Una voce poco fa”
Il barbiere di Siviglia: Overture / “Una voce poco fa”
—
Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?
Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?
—
Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?
Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?
—
Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?
Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?
—
Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?
Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?
—
Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?
Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?
—
Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?
Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?
—
Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?
Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?
—
Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?
Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?
—
Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?
Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?
—