UPC · Release
Wolfgang Amadeus Mozart, Karl Böhm, Herbert von Karajan, Nikolaus Harnoncourt
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00028947757566 is the Universal Product Code (UPC barcode) for the release “Mozart Collection” by Wolfgang Amadeus Mozart, Karl Böhm, Herbert von Karajan, Nikolaus Harnoncourt, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 234 tracks, each with its own ISRC. Tracks include DEF058401074, DEF058400331, DEF058400332.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 2 | Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": II. Andante | — | ||
| 3 | Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": III. Minuetto & Trio | — | ||
| 4 | Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 5 | Symphony no. 36 for Orchestra in C major, K. 425 "Linz": I. Adagio - allegro spiritoso | — | ||
| 6 | Symphony no. 36 for Orchestra in C major, K. 425 "Linz": II. Andante | — | ||
| 7 | Symphony no. 36 for Orchestra in C major, K. 425 "Linz": III. Minuetto & Trio | — | ||
| 8 | Symphony no. 36 for Orchestra in C major, K. 425 "Linz": IV. Presto | — | ||
| 9 | Symphonie Nr. 40 in g‐moll, KV 550: I. Molto allegro | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 10 | Symphonie Nr. 40 in g‐moll, KV 550: II. Andante | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 11 | Symphonie Nr. 40 in g‐moll, KV 550: III. Menuetto. Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 12 | Symphonie Nr. 40 in g‐moll, KV 550: IV. Allegro assai | Wiener Philharmoniker, Leonard Bernstein | T-306.395.786-4 | |
| 2-1 | Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 3. (Finale). Presto | Berliner Philharmoniker, Karl Böhm | — | |
| 2-2 | Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 3. (Finale). Presto | Berliner Philharmoniker, Karl Böhm | — | |
| 2-3 | Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 3. (Finale). Presto | Berliner Philharmoniker, Karl Böhm | — | |
| 2-4 | Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 2-5 | Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 2-6 | Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 2-7 | Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro | Berliner Philharmoniker, Karl Böhm | — | |
| 2-8 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 2-9 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 2-10 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 2-11 | Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — | |
| 3-1 | Concerto for Piano No. 20 in D minor, K. 466: I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 3-2 | Concerto for Piano No. 20 in D minor, K. 466: II. Romanze (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-3 | Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 3-4 | Concerto for Piano No. 23 in A major, K. 488: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 3-5 | Concerto for Piano No. 23 in A major, K. 488: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.445.410-3 | |
| 3-6 | Concerto for Piano No. 23 in A major, K. 488: III. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 3-7 | Rondo for Piano & Orchestra in D major, K. 382: I. Rondo. Allegretto grazioso | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-8 | Rondo for Piano & Orchestra in D major, K. 382: II. Rondo. Adagio | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-9 | Rondo for Piano & Orchestra in D major, K. 382: III. Rondo. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-001.312.909-3 | |
| 3-10 | Rondo for Piano & Orchestra in A major, K. 386 (Erik Smith & Alfred Brendel completion, cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-1 | Concerto no. 14 in E-flat major for Piano, K. 449: I. Allegro vivace | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 4-2 | Concerto no. 14 in E-flat major for Piano, K. 449: II. Andantino | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 4-3 | Concerto no. 14 in E-flat major for Piano, K. 449: III. Allegro ma non troppo | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 4-4 | Concerto no. 17 in G major for Piano, K. 453: I. Allegro | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-5 | Concerto no. 17 in G major for Piano, K. 453: II. Andante | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-6 | Concerto no. 17 in G major for Piano, K. 453: III. Allegretto | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-7 | Concerto for Piano no. 21 in C major, K. 467: I. Allegro | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | T-070.160.313-5 | |
| 4-8 | Concerto for Piano no. 21 in C major, K. 467: II. Andante | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-9 | Concerto for Piano no. 21 in C major, K. 467: III. Allegro | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | T-306.395.786-4 | |
| 5-1 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": I. Allegro aperto | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 5-2 | Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": II. Adagio | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | T-312.542.566-9 | |
| 5-3 | Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 5-4 | Concerto for Violin and Orchestra no. 4 in D major, KV 218: I. Allegro | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 5-5 | Concerto for Violin and Orchestra no. 4 in D major, KV 218: II. Andante cantabile | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 5-6 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 5-7 | Konzert für Violine und Orchester No. 5 A-dur KV 219: Allegro Aperto | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 5-8 | Konzert für Violine und Orchester No. 5 A-dur KV 219: Adagio | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 5-9 | Konzert für Violine und Orchester No. 5 A-dur KV 219: Rondeau. Tempo di Menuetto | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 6-1 | Horn Concerto no. 1 in D major, K. 412: I. Allegro | Barry Tuckwell, English Chamber Orchestra | T-329.458.935-4 | |
| 6-2 | Horn Concerto no. 1 in D major, K. 412: II. Rondo. Allegro | English Chamber Orchestra, Barry Tuckwell | — | |
| 6-3 | Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso | English Chamber Orchestra, Barry Tuckwell | T-912.664.931-8 | |
| 6-4 | Horn Concerto no. 2 in E-flat major, K. 417: II. Andante | English Chamber Orchestra, Barry Tuckwell | T-802.445.410-3 | |
| 6-5 | Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo | Barry Tuckwell, English Chamber Orchestra | T-802.587.490-3 | |
| 6-6 | Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro | English Chamber Orchestra, Barry Tuckwell | T-011.619.733-1 | |
| 6-7 | Horn Concerto no. 3 in E-flat major, K. 447: II. Romance. Larghetto | English Chamber Orchestra, Barry Tuckwell | — | |
| 6-8 | Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro | English Chamber Orchestra, Barry Tuckwell | — | |
| 6-9 | Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro moderato | English Chamber Orchestra, Barry Tuckwell | T-900.137.696-1 | |
| 6-10 | Horn Concerto no. 4 in E-flat major, K. 495: II. Romanza. Andante | Barry Tuckwell, English Chamber Orchestra | T-900.137.696-1 | |
| 6-11 | Horn concert no. 4 in E‐flat major, KV 495: III. Rondo. Allegro vivace | Barry Tuckwell, English Chamber Orchestra | T-917.141.557-9 | |
| 6-12 | Fragment in E flat for horn & orchestra, KV370b | — | ||
| 6-13 | Rondo for Horn and Orchestra in E flat, K.371 | — | ||
| 6-14 | Rondo in D for Horn and Orchestra, K.514 | — | ||
| 6-15 | Fragment from Horn Concerto in E Major, K.494a | — | ||
| 7-1 | Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 3. Rondo (Allegro) | Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | — | |
| 7-2 | Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 3. Rondo (Allegro) | Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | — | |
| 7-3 | Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 3. Rondo (Allegro) | Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | — | |
| 7-4 | Concerto for Flute and Orchestra No.1 in G, K.313/285c: 1. Allegro maestoso | Werner Tripp, Wiener Philharmoniker, Karl Böhm | — | |
| 7-5 | Concerto for Flute and Orchestra No.1 in G, K.313/285c: 2. Adagio ma non troppo | Werner Tripp, Wiener Philharmoniker, Karl Böhm | — | |
| 7-6 | Concerto for Flute and Orchestra No.1 in G, K.313/285c: 3. Rondo: Tempo di menuetto | Werner Tripp, Wiener Philharmoniker, Karl Böhm | — | |
| 7-7 | Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 2. Andante ma adagio (cadenza: Dietmar Zeman) | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | — | |
| 7-8 | Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 2. Andante ma adagio (cadenza: Dietmar Zeman) | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | — | |
| 7-9 | Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 2. Andante ma adagio (cadenza: Dietmar Zeman) | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | — | |
| 8-1 | Clarinet Concerto in A, K.622: 1. Allegro | — | ||
| 8-2 | Concerto for Clarinet in A major, K. 622: II. Adagio | Jack Brymer, London Symphony Orchestra, Sir Colin Davis | T-318.583.906-5 | |
| 8-3 | Clarinet Concerto in A, K.622: 3. Rondo (Allegro) | — | ||
| 8-4 | Clarinet Quintet in A, K.581: 1. Allegro | — | ||
| 8-5 | Clarinet Quintet in A, K.581: 2. Larghetto | — | ||
| 8-6 | Clarinet Quintet in A, K.581: 3. Menuetto | — | ||
| 8-7 | Clarinet Quintet in A, K.581: 4. Allegretto con variazioni | — | ||
| 9-1 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 9-2 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante | Academy of St Martin in the Fields, Neville Marriner | — | |
| 9-3 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: III. Minuetto. Allegretto & Trio | Academy of St Martin in the Fields, Neville Marriner | T-902.774.400-9 | |
| 9-4 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 9-5 | Serenade in D, KV 320 «Posthorn»: 1. Adagio maestoso – Allegro con spirito | Academy of St Martin in the Fields, Neville Marriner | — | |
| 9-6 | Serenade in D, KV 320 «Posthorn»: 2. Minuetto | Academy of St Martin in the Fields, Neville Marriner | T-931.717.066-4 | |
| 9-7 | Serenade in D, KV 320 «Posthorn»: 3. Concertante (Andante grazioso) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 9-8 | Serenade in D, KV 320 «Posthorn»: 4. Rondeau (Allegro ma non troppo) | Michael Laird, Academy of St Martin in the Fields, Neville Marriner | — | |
| 9-9 | Serenade in D, KV 320 «Posthorn»: 5. Andantino | Academy of St Martin in the Fields, Neville Marriner | — | |
| 9-10 | Serenade in D, KV 320 «Posthorn»: 6. Minuetto | Academy of St Martin in the Fields, Neville Marriner | — | |
| 9-11 | Serenade in D, KV 320 «Posthorn»: 7. Finale (Presto) | Academy of St Martin in the Fields, Neville Marriner | T-902.845.190-3 | |
| 9-12 | Serenade in D, KV 239 «Serenata notturna»: 1. Marcia (Maestoso) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 9-13 | Serenade in D, KV 239 «Serenata notturna»: 2. Menuetto | Academy of St Martin in the Fields, Neville Marriner | — | |
| 9-14 | Serenade in D, KV 239 «Serenata notturna»: 3. Rondeau (Allegretto – Adagio – Allegro) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 10-1 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-2 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-3 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-4 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-5 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-6 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-7 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-8 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-9 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-10 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-11 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-12 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-13 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 10-14 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 10-15 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 10-16 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 10-17 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 10-18 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 11-1 | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: I. Allegro maestoso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 11-2 | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: II. Andante | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-010.194.421-1 | |
| 11-3 | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: III. Presto | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-312.438.541-3 | |
| 11-4 | Concerto for 2 Violins and Orchestra in C major, K 190: I. Allegro spiritoso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-041.489.061-1 | |
| 11-5 | Concerto for 2 Violins and Orchestra in C major, K 190: II. Andante grazioso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 11-6 | Concerto for 2 Violins and Orchestra in C major, K 190: III. Tempo di Menuetto. Vivace | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 12-1 | String Quartet no. 15 in D minor, K. 421: I. Allegro moderato | Emerson String Quartet | — | |
| 12-2 | String Quartet no. 15 in D minor, K. 421: II. Andante | Emerson String Quartet | T-802.445.410-3 | |
| 12-3 | String Quartet no. 15 in D minor, K. 421: III. Minuetto (Allegretto) | Emerson String Quartet | — | |
| 12-4 | String Quartet no. 15 in D minor, K. 421: IV. Allegro ma non troppo: Più allegro | Emerson String Quartet | — | |
| 12-5 | String Quartet no. 17 in B-flat, K. 458 "The Hunt": I. Allegro vivace assai | Emerson String Quartet | — | |
| 12-6 | String Quartet no. 17 in B-flat, K. 458 "The Hunt": II. Moderato | Emerson String Quartet | — | |
| 12-7 | String Quartet no. 17 in B-flat, K. 458 "The Hunt": III. Adagio | Emerson String Quartet | — | |
| 12-8 | String Quartet no. 17 in B-flat, K. 458 "The Hunt": IV. Allegro assai | Emerson String Quartet | T-306.395.786-4 | |
| 12-9 | String Quartet no. 19 in C, K. 465 "Dissonance": I. Adagio - Allegro | Emerson String Quartet | — | |
| 12-10 | String Quartet no. 19 in C, K. 465 "Dissonance": II. Andante cantabile | Emerson String Quartet | — | |
| 12-11 | String Quartet no. 19 in C, K. 465 "Dissonance": III. Allegretto | Emerson String Quartet | — | |
| 12-12 | Streichquartett C-dur, KV 465 "Dissonanzen-Quartett": IV. Allegro molto | Emerson String Quartet | T-329.454.787-4 | |
| 13-1 | Sonata for Violin & Piano no. 25 in G major, K. 293a/301: I. Allegro con spirito | Itzhak Perlman, Daniel Barenboim | — | |
| 13-2 | Sonata for Violin & Piano no. 25 in G major, K. 293a/301: II. Allegro | Itzhak Perlman, Daniel Barenboim | — | |
| 13-3 | Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: I. Allegro | Itzhak Perlman, Daniel Barenboim | T-010.194.424-4 | |
| 13-4 | Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: II. Tempo di minuetto | Itzhak Perlman, Daniel Barenboim | — | |
| 13-5 | Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: I. Allegro moderato | Itzhak Perlman, Daniel Barenboim | — | |
| 13-6 | Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile | Itzhak Perlman, Daniel Barenboim | — | |
| 13-7 | Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: III. Rondo. Allegro | Itzhak Perlman, Daniel Barenboim | — | |
| 13-8 | Violin Sonata in A major, K. 526: I. Molto Allegro | Itzhak Perlman, Daniel Barenboim | — | |
| 13-9 | Violin Sonata in A major, K. 526: II. Andante | Itzhak Perlman, Daniel Barenboim | T-802.445.410-3 | |
| 13-10 | Violin Sonata in A major, K. 526: III.Presto | Itzhak Perlman, Daniel Barenboim | T-312.438.541-3 | |
| 14-1 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E flat, K. 452: 1. Largo - Allegro moderato | — | ||
| 14-2 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E flat, K. 452: 2. Larghetto | — | ||
| 14-3 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E flat, K. 452: 3. Allegretto | — | ||
| 14-4 | Piano Quartet No. 1 in G minor, K.478: 1. Allegro | — | ||
| 14-5 | Piano Quartet No. 1 in G minor, K.478: 2. Andante | — | ||
| 14-6 | Piano Quartet No. 1 in G minor, K.478: 3. Rondo (Allegro moderato) | — | ||
| 14-7 | Sonata in D major for 2 Pianos, K. 448: 1. Allegro con spirito | Vladimir Ashkenazy, Malcolm Frager | — | |
| 14-8 | Sonata in D major for 2 Pianos, K. 448: 2. Andante | Vladimir Ashkenazy, Malcolm Frager | T-802.445.410-3 | |
| 14-9 | Sonata in D major for 2 Pianos, K. 448: 3. Allegro molto | Vladimir Ashkenazy, Malcolm Frager | T-312.439.088-7 | |
| 15-1 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Mitsuko Uchida | — | |
| 15-2 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Mitsuko Uchida | T-313.706.466-1 | |
| 15-3 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Mitsuko Uchida | T-912.655.618-1 | |
| 15-4 | Sonata for Piano No. 12 in F major, K. 300k/332: I. Allegro | Mitsuko Uchida | T-306.395.786-4 | |
| 15-5 | Sonata for Piano No. 12 in F major, K. 300k/332: II. Adagio | Mitsuko Uchida | T-313.706.315-7 | |
| 15-6 | Sonata for Piano No. 12 in F major, K. 300k/332: III. Allegro assai | Mitsuko Uchida | T-306.395.786-4 | |
| 15-7 | Fantasia for Piano in D minor, K. 385g / 397 (Mitsuko Uchida completion): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo | Mitsuko Uchida | — | |
| 15-8 | Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso | Mitsuko Uchida | — | |
| 15-9 | Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | Mitsuko Uchida | T-917.366.771-5 | |
| 15-10 | Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | Mitsuko Uchida | T-312.438.541-3 | |
| 16-1 | Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde) | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — | |
| 16-2 | Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) | Anna Netrebko, David Aronson, Wiener Philharmoniker, Gianandrea Noseda | — | |
| 16-3 | Idomeneo, re di Creta, K. 366: Act 2. "Qual mi conturba i sensi" | Metropolitan Opera Orchestra, James Levine | — | |
| 16-4 | Idomeneo: “Fuor del mar” | Plácido Domingo, Metropolitan Opera Orchestra, James Levine | — | |
| 16-5 | Idomeneo / Act 3: Oh smanie! - D’Oreste, d’Aiace | — | ||
| 16-6 | Idomeneo, re di Creta, K.366: Popoli, a voi l’ultima legge…Torna la pace (Act 3) | — | ||
| 16-7 | Idomeneo / Act 3: Torna la pace al core | — | ||
| 16-8 | Die Entführung aus dem Serail, K. 384: Act 1. "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig" | Fritz Wunderlich, Bayerisches Staatsorchester, Eugen Jochum | — | |
| 16-9 | Die Entführung aus dem Serail, K.384: Durch Zärtlichkeit und Schmeicheln (excerpt) | — | ||
| 16-10 | Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze) | Edita Gruberová, Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-11 | Die Entführung aus dem Serail: Act Two. Vivat Bacchus! Bacchus lebe! (Pedrillo) | Martti Talvela, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-12 | Die Entführung aus dem Serail: Dritter Aufzug, no. 19. Aria: Ha, wie will ich triumphieren (Osmin) / Dialog: Was bedeutet der Aufruhr? (Selim, Osmin, Konstanze, Belmonte) | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-13 | Die Zauberflöte: No. 1 Aria “Was hör’ ich? Der Vogelfänger bin ich ja” (Papageno) | Hermann Prey, Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-14 | Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-306.483.079-7 | |
| 16-15 | Die Zauberflöte, K. 620: "O zittre nicht, mein lieber Sohn" | Sumi Jo, Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-16 | Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester) | Konzertvereinigung Wiener Staatsopernchor, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-001.321.541-2 | |
| 16-17 | Die Zauberflöte: No. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) | Sumi Jo, Wiener Philharmoniker, Sir Georg Solti | T-918.245.117-8 | |
| 16-18 | The Magic Flute - Pa-Pa-Pa-Pa-Pa-Pa-Papagena! | Cecilia Bartoli, Bryn Terfel, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myun-Whun Chung | T-310.922.675-3 | |
| 17-1 | Mitridate, re di Ponto, K. 87, no. 1: “Al destin, che la minaccia” | Natalie Dessay, Les Talens Lyriques, Christophe Rousset | — | |
| 17-2 | Mitridate, re di Ponto, K. 87, no. 23: “Se di regnar sei vago” | Juan Diego Flórez, Les Talens Lyriques, Christophe Rousset | — | |
| 17-3 | Le nozze di Figaro, K. 492, no. 9: “Non più andrai, farfallone amoroso” | Bryn Terfel, Metropolitan Opera Orchestra, James Levine | T-009.157.866-3 | |
| 17-4 | Le Nozze di Figaro: Non so più cosa son, cosa faccio | Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine | T-915.310.099-3 | |
| 17-5 | Le nozze di Figaro, K. 492, no. 11: “Porgi, amore, qualche ristoro” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | T-306.482.540-3 | |
| 17-6 | Le nozze di Figaro, K. 492, no. 12: “Voi che sapete che cosa è amor” | Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine | T-031.862.676-4 | |
| 17-7 | Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 17-8 | Le nozze di Figaro, K. 492, no. 28: “Giunse alfin il momento – Deh vieni, non tardar” | Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | — | |
| 17-9 | Don Giovanni, ossia Il dissoluto punito, K. 527, no. 7: “Là ci darem la mano” | Cecilia Bartoli, Bryn Terfel, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | T-900.134.396-0 | |
| 17-10 | Don Giovanni : Atto I, scena 2. “Or sai chi l’onore” (Donna Anna) | London Philharmonic Orchestra, Sir Georg Solti | T-929.613.726-3 | |
| 17-11 | Don Giovanni, ossia Il dissoluto punito, K. 527, no. 11: “Fin ch’han dal vino” | Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | T-010.294.039-5 | |
| 17-12 | Don Giovanni, ossia Il dissoluto punito, K. 527, no. 12: “Batti, batti, o bel Masetto” | Cecilia Bartoli, Wiener Kammerorchester, György Fischer | T-929.621.873-0 | |
| 17-13 | Don Giovanni: "In quali eccessi" ... "Mi tradì" | Renée Fleming, Orchestra of St. Luke’s, Charles Mackerras | — | |
| 17-14 | Don Giovanni, ossia Il dissoluto punito, K. 527, no. 23: “Crudele? – An no, mio bene!” … “Non mi dir, bell’idol mio” | Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | — | |
| 17-15 | Don Giovanni, ossia Il dissoluto punito, K. 527: no. 24: “Già la mensa è preparata” | Michele Pertusi, Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 17-16 | Così fan tutte, K. 588, no. 10: “Soave sia il vento” | Brigitte Fassbaender, Gundula Janowitz, Rolando Panerai, Wiener Philharmoniker, Karl Böhm | T-902.525.648-8 | |
| 17-17 | Così fan tutte, K. 588, no. 11: “Smani implacabili che m’agitate” | Brigitte Fassbaender, Wiener Philharmoniker, Karl Böhm | T-911.221.921-3 | |
| 17-18 | Così fan tutte, K. 588, no. 14: “Come scoglio immoto resta” | Gundula Janowitz, Wiener Philharmoniker, Karl Böhm | T-910.652.861-4 | |
| 18-1 | Grosse Messe c-moll, KV 427 (417a): 1. Kyrie: Kyrie eleison | Berliner Philharmoniker, Herbert von Karajan | T-030.102.419-0 | |
| 18-2 | Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Gloria in excelsis Deo | Berliner Philharmoniker, Herbert von Karajan | T-922.058.373-3 | |
| 18-3 | Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Laudamus te | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-4 | Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Gratias agimus tibi | Berliner Philharmoniker, Herbert von Karajan | T-921.408.876-3 | |
| 18-5 | Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Domine Deus | Berliner Philharmoniker, Herbert von Karajan | T-003.010.019-6 | |
| 18-6 | Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Qui tollis | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-7 | Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus" | Barbara Hendricks, Janet Perry, Peter Schreier, Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-8 | Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Jesu Christe | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-9 | Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Cum Sancto Spiritu | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-10 | Grosse Messe c-moll, KV 427 (417a): 3. Credo: Credo in unum Deum | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-11 | Grosse Messe c-moll, KV 427 (417a): 3. Credo: Et incarnatus | Berliner Philharmoniker, Herbert von Karajan | T-923.883.516-0 | |
| 18-12 | Grosse Messe c-moll, KV 427 (417a): 4. Sanctus: Sanctus | Berliner Philharmoniker, Herbert von Karajan | T-312.692.424-7 | |
| 18-13 | Grosse Messe c-moll, KV 427 (417a): 5. Benedictus: Benedictus | Berliner Philharmoniker, Herbert von Karajan | T-050.283.177-7 | |
| 18-14 | Adagio and Fugue in C minor, K. 546 (orchestral version) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 19-1 | Requiem KV 626: I. Introitus | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-905.386.342-6 | |
| 19-2 | Requiem KV 626: II. Kyrie | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-070.093.418-4 | |
| 19-3 | Requiem KV 626: III. Sequentia. Dies irae | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-4 | Requiem KV 626: III. Sequentia. Tuba mirum | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Susan Addison, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-5 | Requiem KV 626: III. Sequentia. Rex tremendae | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-6 | Requiem KV 626: III. Sequentia. Recordare | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-7 | Requiem KV 626: III. Sequentia. Confutatis | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-8 | Requiem KV 626: III. Sequentia. Lacrimosa | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-9 | Requiem KV 626: IV. Offertorium. Domine Jesu | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-10 | Requiem KV 626: IV. Offertorium. Hostias | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-11 | Requiem KV 626: V. Sanctus | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-922.061.546-3 | |
| 19-12 | Requiem KV 626: IV. Benedictus | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-13 | Requiem KV 626: VII. Agnus Dei | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 19-14 | Requiem KV 626: VIII. Communio | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-910.952.061-8 | |
| 20-1 | Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 20-2 | Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 20-3 | Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 20-4 | Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 20-5 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum omnes gentes (Psalm 116/117) | London Symphony Chorus, Kiri Te Kanawa, John Constable, London Symphony Orchestra, Sir Colin Davis | — | |
| 20-6 | Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 20-7 | Kyrie, K. 341/368a | John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 20-8 | Ave verum corpus, K. 618 | London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | T-323.252.117-0 | |
| 20-9 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate" / II. Recitativo: "Fulget amica dies" / III. "Tu virginum corona" / IV. "Alleluja" | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 1. Adagio – Allegro | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 2. Andante | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 3. (Finale). Presto | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: I. Allegro vivace | Berliner Philharmoniker, Karl Böhm | T-312.542.381-2 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: II. Andante cantabile | Berliner Philharmoniker, Karl Böhm | T-312.542.381-2 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | T-312.542.381-2 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: IV. Molto allegro | Berliner Philharmoniker, Karl Böhm | T-003.035.132-6 |
| Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro | Berliner Philharmoniker, Karl Böhm | T-306.395.786-4 |
| Symphonie no. 39 Es‐Dur, KV 543: II. Andante con moto | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 39 Es‐Dur, KV 543: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | T-902.774.400-9 |
| Symphonie no. 39 Es‐Dur, KV 543: IV. Finale. Allegro | Berliner Philharmoniker, Karl Böhm | T-318.676.528-2 |
| Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 2. Andante ma adagio (cadenza: Dietmar Zeman) | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 3. Rondo: Tempo di menuetto) - Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 1. Allegro | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | T-007.303.107-8 |
| Concerto for Flute, Harp, and Orchestra in C, K.299: 2. Andantino | Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | T-911.534.020-0 |
| Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 1. Allegro | Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | T-011.422.353-8 |
| Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 3. Rondo (Allegro) | Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | — |
| Serenade in B‐flat “Gran Partita”, K. 361: Adagio | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VII. Finale. Molto allegro | Orpheus Chamber Orchestra | T-003.035.132-6 |
| Serenade in B-flat major, K 361 "Gran Partita": I. Largo - Molto allegro | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": II. Menuetto | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": IV. Menuetto. Allegretto | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": V. Romance. Adagio - Allegretto - Adagio | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (b) Var. I | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (c) Var. II | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (d) Var. III | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (e) Var. IV | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (f) Var. V. Adagio | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (g) Var. VI. Allegro | Orpheus Chamber Orchestra | — |
| Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — |
| Serenade no. 11 for Winds in E-flat major, K 375: II. Minuetto | Members of the Orpheus Chamber Orchestra | — |
| Serenade no. 11 for Winds in E-flat major, K 375: III. Adagio | Members of the Orpheus Chamber Orchestra | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
00028947757566 is a Universal Product Code (UPC) assigned to Mozart Collection by Wolfgang Amadeus Mozart, Karl Böhm, Herbert von Karajan, Nikolaus Harnoncourt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 234 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
00028947757566 is the Universal Product Code (UPC barcode) for the release “Mozart Collection” by Wolfgang Amadeus Mozart, Karl Böhm, Herbert von Karajan, Nikolaus Harnoncourt, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 234 tracks, each with its own ISRC. Tracks include DEF058401074, DEF058400331, DEF058400332.
