UPC · Release
Mozart Collection
Wolfgang Amadeus Mozart, Karl Böhm, Herbert von Karajan and 1 more
00028947757566
18 tracksReleased 2005-01-01
Last verified:
00028947757566 is the Universal Product Code (UPC barcode) for the release “Mozart Collection” by Wolfgang Amadeus Mozart, Karl Böhm, Herbert von Karajan, Nikolaus Harnoncourt, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBF079840204, GBF079840262, DEF059404530.
Format
0Indicator
002GS1 prefix
8947Company prefix
75756Product
6Check digit
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
UPCMozart Collection
ISRC18 recordings
ISWC60 works
IPI3 songwriters
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 17-1 | Mitridate, re di Ponto, K. 87, no. 1: “Al destin, che la minaccia” | Natalie Dessay, Les Talens Lyriques, Christophe Rousset | — | |
| 17-2 | Mitridate, re di Ponto, K. 87, no. 23: “Se di regnar sei vago” | Juan Diego Flórez, Les Talens Lyriques, Christophe Rousset | — | |
| 17-3 | Le nozze di Figaro, K. 492, no. 9: “Non più andrai, farfallone amoroso” | Bryn Terfel, Metropolitan Opera Orchestra, James Levine | T0091578663 | |
| 17-4 | Le Nozze di Figaro: Non so più cosa son, cosa faccio | Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine | T-915310099-3 | |
| 17-5 | Le nozze di Figaro, K. 492, no. 11: “Porgi, amore, qualche ristoro” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | T3064825403 | |
| 17-6 | Le nozze di Figaro, K. 492, no. 12: “Voi che sapete che cosa è amor” | Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine | T-031862676-4 | |
| 17-7 | Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 17-8 | Le nozze di Figaro, K. 492, no. 28: “Giunse alfin il momento – Deh vieni, non tardar” | Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | — | |
| 17-9 | Don Giovanni, ossia Il dissoluto punito, K. 527, no. 7: “Là ci darem la mano” | Cecilia Bartoli, Bryn Terfel, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | T-900134396-0 | |
| 17-10 | Don Giovanni : Atto I, scena 2. “Or sai chi l’onore” (Donna Anna) | London Philharmonic Orchestra, Sir Georg Solti | T9296137263 | |
| 17-11 | Don Giovanni, ossia Il dissoluto punito, K. 527, no. 11: “Fin ch’han dal vino” | Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | T-010294039-5 | |
| 17-12 | Don Giovanni, ossia Il dissoluto punito, K. 527, no. 12: “Batti, batti, o bel Masetto” | Cecilia Bartoli, Wiener Kammerorchester, György Fischer | T9296218730 | |
| 17-13 | Don Giovanni: "In quali eccessi" ... "Mi tradì" | Renée Fleming, Orchestra of St. Luke’s, Charles Mackerras | — | |
| 17-14 | Don Giovanni, ossia Il dissoluto punito, K. 527, no. 23: “Crudele? – An no, mio bene!” … “Non mi dir, bell’idol mio” | Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | — | |
| 17-15 | Don Giovanni, ossia Il dissoluto punito, K. 527: no. 24: “Già la mensa è preparata” | Michele Pertusi, Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 17-16 | Così fan tutte, K. 588, no. 10: “Soave sia il vento” | Brigitte Fassbaender, Gundula Janowitz, Rolando Panerai, Wiener Philharmoniker, Karl Böhm | T9025256488 | |
| 17-17 | Così fan tutte, K. 588, no. 11: “Smani implacabili che m’agitate” | Brigitte Fassbaender, Wiener Philharmoniker, Karl Böhm | T9112219213 | |
| 17-18 | Così fan tutte, K. 588, no. 14: “Come scoglio immoto resta” | Gundula Janowitz, Wiener Philharmoniker, Karl Böhm | T9106528614 |
Mitridate, re di Ponto, K. 87, no. 1: “Al destin, che la minaccia”
Natalie Dessay, Les Talens Lyriques, Christophe Rousset
—
Mitridate, re di Ponto, K. 87, no. 23: “Se di regnar sei vago”
Juan Diego Flórez, Les Talens Lyriques, Christophe Rousset
—
Bryn Terfel, Metropolitan Opera Orchestra, James Levine
Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine
Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti”
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492, no. 28: “Giunse alfin il momento – Deh vieni, non tardar”
Dawn Upshaw, Metropolitan Opera Orchestra, James Levine
—
Cecilia Bartoli, Bryn Terfel, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung
London Philharmonic Orchestra, Sir Georg Solti
Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti
Cecilia Bartoli, Wiener Kammerorchester, György Fischer
Don Giovanni: "In quali eccessi" ... "Mi tradì"
Renée Fleming, Orchestra of St. Luke’s, Charles Mackerras
—
Don Giovanni, ossia Il dissoluto punito, K. 527, no. 23: “Crudele? – An no, mio bene!” … “Non mi dir, bell’idol mio”
Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda
—
Don Giovanni, ossia Il dissoluto punito, K. 527: no. 24: “Già la mensa è preparata”
Michele Pertusi, Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti
—
Brigitte Fassbaender, Gundula Janowitz, Rolando Panerai, Wiener Philharmoniker, Karl Böhm
Brigitte Fassbaender, Wiener Philharmoniker, Karl Böhm
Gundula Janowitz, Wiener Philharmoniker, Karl Böhm
Additional database matches (229)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 3. (Finale). Presto | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 1. Adagio – Allegro | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 2. Andante | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 3. (Finale). Presto | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: I. Allegro vivace | Berliner Philharmoniker, Karl Böhm | T3125423812 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: II. Andante cantabile | Berliner Philharmoniker, Karl Böhm | T3125423812 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | T3125423812 |
| Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: IV. Molto allegro | Berliner Philharmoniker, Karl Böhm | T-003035132-6 |
| Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-306483079-7 |
| Die Entführung aus dem Serail, K. 384: Act 1. "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig" | Fritz Wunderlich, Bayerisches Staatsorchester, Eugen Jochum | — |
| Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro | Berliner Philharmoniker, Karl Böhm | T3063957864 |
| Symphonie no. 39 Es‐Dur, KV 543: II. Andante con moto | Berliner Philharmoniker, Karl Böhm | — |
| Symphonie no. 39 Es‐Dur, KV 543: III. Menuetto. Allegretto – Trio | Berliner Philharmoniker, Karl Böhm | T9027744009 |
| Symphonie no. 39 Es‐Dur, KV 543: IV. Finale. Allegro | Berliner Philharmoniker, Karl Böhm | T3186765282 |
| Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Adagio and Fugue in C minor, K. 546 (orchestral version) | Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Orchestra No.1 in G, K.313/285c: 1. Allegro maestoso | Werner Tripp, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for Flute and Orchestra No.1 in G, K.313/285c: 2. Adagio ma non troppo | Werner Tripp, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for Flute and Orchestra No.1 in G, K.313/285c: 3. Rondo: Tempo di menuetto | Werner Tripp, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 2. Andante ma adagio (cadenza: Dietmar Zeman) | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 2. Andante ma adagio (cadenza: Dietmar Zeman) | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 3. Rondo: Tempo di menuetto) - Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 1. Allegro | Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | T-007303107-8 |
| Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 3. Rondo (Allegro) | Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for Flute, Harp, and Orchestra in C, K.299: 2. Andantino | Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | T-911534020-0 |
| Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 1. Allegro | Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | T-011422353-8 |
| Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 3. Rondo (Allegro) | Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | — |
| Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Gloria in excelsis Deo | Berliner Philharmoniker, Herbert von Karajan | T9220583733 |
| Grosse Messe c-moll, KV 427 (417a): 1. Kyrie: Kyrie eleison | Berliner Philharmoniker, Herbert von Karajan | T-030102419-0 |
| Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Laudamus te | Berliner Philharmoniker, Herbert von Karajan | — |
| Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Gratias agimus tibi | Berliner Philharmoniker, Herbert von Karajan | T9214088763 |
| Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Domine Deus | Berliner Philharmoniker, Herbert von Karajan | T0030100196 |
| Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Qui tollis | Berliner Philharmoniker, Herbert von Karajan | — |
| Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus" | Barbara Hendricks, Janet Perry, Peter Schreier, Berliner Philharmoniker, Herbert von Karajan | — |
| Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Cum Sancto Spiritu | Berliner Philharmoniker, Herbert von Karajan | — |
| Grosse Messe c-moll, KV 427 (417a): 3. Credo: Credo in unum Deum | Berliner Philharmoniker, Herbert von Karajan | — |
| Grosse Messe c-moll, KV 427 (417a): 3. Credo: Et incarnatus | Berliner Philharmoniker, Herbert von Karajan | T-923883516-0 |
| Grosse Messe c-moll, KV 427 (417a): 4. Sanctus: Sanctus | Berliner Philharmoniker, Herbert von Karajan | T3126924247 |
| Grosse Messe c-moll, KV 427 (417a): 5. Benedictus: Benedictus | Berliner Philharmoniker, Herbert von Karajan | T0502831777 |
| Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Jesu Christe | Berliner Philharmoniker, Herbert von Karajan | — |
| Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: I. Allegro maestoso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — |
| Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: II. Andante | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-010194421-1 |
| Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: III. Presto | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-312438541-3 |
| Concerto for 2 Violins and Orchestra in C major, K 190: I. Allegro spiritoso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-041489061-1 |
| Concerto for 2 Violins and Orchestra in C major, K 190: II. Andante grazioso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — |
| Concerto for 2 Violins and Orchestra in C major, K 190: III. Tempo di Menuetto. Vivace | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — |
| Sonata for Violin & Piano no. 25 in G major, K. 293a/301: I. Allegro con spirito | Itzhak Perlman, Daniel Barenboim | — |
| Sonata for Violin & Piano no. 25 in G major, K. 293a/301: II. Allegro | Itzhak Perlman, Daniel Barenboim | — |
| Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: I. Allegro | Itzhak Perlman, Daniel Barenboim | T0101944244 |
| Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: II. Tempo di minuetto | Itzhak Perlman, Daniel Barenboim | — |
| Symphonie Nr. 40 in g‐moll, KV 550: I. Molto allegro | Wiener Philharmoniker, Leonard Bernstein | T-312542381-2 |
| Symphonie Nr. 40 in g‐moll, KV 550: II. Andante | Wiener Philharmoniker, Leonard Bernstein | T3125423812 |
| Symphonie Nr. 40 in g‐moll, KV 550: III. Menuetto. Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-312542381-2 |
| Symphonie Nr. 40 in g‐moll, KV 550: IV. Allegro assai | Wiener Philharmoniker, Leonard Bernstein | T3063957864 |
| Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto | Wiener Philharmoniker, Leonard Bernstein | T-318676528-2 |
| Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": II. Adagio | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | T-312542566-9 |
| Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": I. Allegro aperto | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — |
| Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — |
| Serenade in B‐flat “Gran Partita”, K. 361: Adagio | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VII. Finale. Molto allegro | Orpheus Chamber Orchestra | T0030351326 |
| Serenade in B-flat major, K 361 "Gran Partita": I. Largo - Molto allegro | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": II. Menuetto | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": IV. Menuetto. Allegretto | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": V. Romance. Adagio - Allegretto - Adagio | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (b) Var. I | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (c) Var. II | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (d) Var. III | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (e) Var. IV | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (f) Var. V. Adagio | Orpheus Chamber Orchestra | — |
| Serenade in B-flat major, K 361 "Gran Partita": VI. (g) Var. VI. Allegro | Orpheus Chamber Orchestra | — |
| Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: I. Allegro moderato | Itzhak Perlman, Daniel Barenboim | — |
| Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile | Itzhak Perlman, Daniel Barenboim | — |
| Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: III. Rondo. Allegro | Itzhak Perlman, Daniel Barenboim | — |
| Concerto for Violin and Orchestra no. 4 in D major, KV 218: II. Andante cantabile | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — |
| Concerto for Violin and Orchestra no. 4 in D major, KV 218: I. Allegro | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — |
| Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — |
| Konzert für Violine und Orchester No. 5 A-dur KV 219: Allegro Aperto | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — |
| Konzert für Violine und Orchester No. 5 A-dur KV 219: Adagio | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — |
| Konzert für Violine und Orchester No. 5 A-dur KV 219: Rondeau. Tempo di Menuetto | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — |
| String Quartet no. 17 in B-flat, K. 458 "The Hunt": I. Allegro vivace assai | Emerson String Quartet | — |
| String Quartet no. 17 in B-flat, K. 458 "The Hunt": II. Moderato | Emerson String Quartet | — |
| String Quartet no. 17 in B-flat, K. 458 "The Hunt": III. Adagio | Emerson String Quartet | — |
| String Quartet no. 17 in B-flat, K. 458 "The Hunt": IV. Allegro assai | Emerson String Quartet | T-306395786-4 |
| String Quartet no. 19 in C, K. 465 "Dissonance": I. Adagio - Allegro | Emerson String Quartet | — |
| String Quartet no. 19 in C, K. 465 "Dissonance": II. Andante cantabile | Emerson String Quartet | — |
| String Quartet no. 19 in C, K. 465 "Dissonance": III. Allegretto | Emerson String Quartet | — |
| Streichquartett C-dur, KV 465 "Dissonanzen-Quartett": IV. Allegro molto | Emerson String Quartet | T3294547874 |
| Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — |
| Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — |
| Serenade no. 11 for Winds in E-flat major, K 375: II. Minuetto | Members of the Orpheus Chamber Orchestra | — |
| Serenade no. 11 for Winds in E-flat major, K 375: III. Adagio | Members of the Orpheus Chamber Orchestra | — |
| Serenade no. 11 for Winds in E-flat major, K 375: IV. Minuetto & Trio | Members of the Orpheus Chamber Orchestra | T-900983209-1 |
| Serenade no. 11 for Winds in E-flat major, K 375: V. Allegro | Members of the Orpheus Chamber Orchestra | — |
| Violin Sonata in A major, K. 526: I. Molto Allegro | Itzhak Perlman, Daniel Barenboim | — |
| Violin Sonata in A major, K. 526: II. Andante | Itzhak Perlman, Daniel Barenboim | T8024454103 |
| Violin Sonata in A major, K. 526: III.Presto | Itzhak Perlman, Daniel Barenboim | T3124385413 |
| String Quartet no. 15 in D minor, K. 421: I. Allegro moderato | Emerson String Quartet | — |
| String Quartet no. 15 in D minor, K. 421: II. Andante | Emerson String Quartet | T8024454103 |
| String Quartet no. 15 in D minor, K. 421: III. Minuetto (Allegretto) | Emerson String Quartet | — |
| String Quartet no. 15 in D minor, K. 421: IV. Allegro ma non troppo: Più allegro | Emerson String Quartet | — |
| Concerto no. 14 in E-flat major for Piano, K. 449: I. Allegro vivace | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — |
| Concerto no. 14 in E-flat major for Piano, K. 449: II. Andantino | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — |
| Concerto no. 14 in E-flat major for Piano, K. 449: III. Allegro ma non troppo | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — |
| Concerto no. 17 in G major for Piano, K. 453: I. Allegro | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | — |
| Concerto no. 17 in G major for Piano, K. 453: II. Andante | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | — |
| Concerto no. 17 in G major for Piano, K. 453: III. Allegretto | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | — |
| Concerto for Piano no. 21 in C major, K. 467: I. Allegro | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | T-070160313-5 |
| Concerto for Piano no. 21 in C major, K. 467: II. Andante | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | — |
| Concerto for Piano no. 21 in C major, K. 467: III. Allegro | Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado | T-306395786-4 |
| Idomeneo, re di Creta, K. 366: Act 2. "Qual mi conturba i sensi" | Metropolitan Opera Orchestra, James Levine | — |
| Idomeneo: “Fuor del mar” | Plácido Domingo, Metropolitan Opera Orchestra, James Levine | — |
| Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) | Anna Netrebko, David Aronson, Wiener Philharmoniker, Gianandrea Noseda | — |
| Sonata in D major for 2 Pianos, K. 448: 1. Allegro con spirito | Vladimir Ashkenazy, Malcolm Frager | — |
| Sonata in D major for 2 Pianos, K. 448: 2. Andante | Vladimir Ashkenazy, Malcolm Frager | T-802445410-3 |
| Sonata in D major for 2 Pianos, K. 448: 3. Allegro molto | Vladimir Ashkenazy, Malcolm Frager | T-312439088-7 |
| Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester) | Konzertvereinigung Wiener Staatsopernchor, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-001321541-2 |
| Die Zauberflöte: No. 1 Aria “Was hör’ ich? Der Vogelfänger bin ich ja” (Papageno) | Hermann Prey, Wiener Philharmoniker, Sir Georg Solti | — |
| Horn Concerto no. 1 in D major, K. 412: I. Allegro | Barry Tuckwell, English Chamber Orchestra | T-329458935-4 |
| Horn Concerto no. 1 in D major, K. 412: II. Rondo. Allegro | English Chamber Orchestra, Barry Tuckwell | — |
| Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro moderato | English Chamber Orchestra, Barry Tuckwell | T-900137696-1 |
| Horn Concerto no. 4 in E-flat major, K. 495: II. Romanza. Andante | Barry Tuckwell, English Chamber Orchestra | T9001376961 |
| Horn concert no. 4 in E‐flat major, KV 495: III. Rondo. Allegro vivace | Barry Tuckwell, English Chamber Orchestra | T-917141557-9 |
| Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso | English Chamber Orchestra, Barry Tuckwell | T9126649318 |
| Horn Concerto no. 2 in E-flat major, K. 417: II. Andante | English Chamber Orchestra, Barry Tuckwell | T8024454103 |
| Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo | Barry Tuckwell, English Chamber Orchestra | T8025874903 |
| Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro | English Chamber Orchestra, Barry Tuckwell | T0116197331 |
| Horn Concerto no. 3 in E-flat major, K. 447: II. Romance. Larghetto | English Chamber Orchestra, Barry Tuckwell | — |
| Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro | English Chamber Orchestra, Barry Tuckwell | — |
| Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze) | Edita Gruberová, Wiener Philharmoniker, Sir Georg Solti | — |
| Die Entführung aus dem Serail: Act Two. Vivat Bacchus! Bacchus lebe! (Pedrillo) | Martti Talvela, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti | — |
| Die Entführung aus dem Serail: Dritter Aufzug, no. 19. Aria: Ha, wie will ich triumphieren (Osmin) / Dialog: Was bedeutet der Aufruhr? (Selim, Osmin, Konstanze, Belmonte) | Wiener Philharmoniker, Sir Georg Solti | — |
| Die Zauberflöte, K. 620: "O zittre nicht, mein lieber Sohn" | Sumi Jo, Wiener Philharmoniker, Sir Georg Solti | — |
| Die Zauberflöte: No. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) | Sumi Jo, Wiener Philharmoniker, Sir Georg Solti | T-918245117-8 |
| The Magic Flute - Pa-Pa-Pa-Pa-Pa-Pa-Papagena! | Cecilia Bartoli, Bryn Terfel, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myun-Whun Chung | T-310922675-3 |
| Requiem KV 626: IV. Offertorium. Domine Jesu | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Concerto for Clarinet in A major, K. 622: II. Adagio | Jack Brymer, London Symphony Orchestra, Sir Colin Davis | T3185839065 |
| Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — |
| Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — |
| Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — |
| Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — |
| Vesperae solennes de confessore, K. 339: V. Laudate Dominum omnes gentes (Psalm 116/117) | London Symphony Chorus, Kiri Te Kanawa, John Constable, London Symphony Orchestra, Sir Colin Davis | — |
| Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — |
| Kyrie, K. 341/368a | John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — |
| Ave verum corpus, K. 618 | London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | T-323252117-0 |
| Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate" / II. Recitativo: "Fulget amica dies" / III. "Tu virginum corona" / IV. "Alleluja" | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — |
| Concerto for Piano No. 23 in A major, K. 488: I. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T3063957864 |
| Concerto for Piano No. 23 in A major, K. 488: II. Andante | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T-802445410-3 |
| Concerto for Piano No. 23 in A major, K. 488: III. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T3063957864 |
| Concerto for Piano No. 20 in D minor, K. 466: I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T3063957864 |
| Concerto for Piano No. 20 in D minor, K. 466: II. Romanze (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T3063957864 |
| Rondo for Piano & Orchestra in D major, K. 382: I. Rondo. Allegretto grazioso | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Rondo for Piano & Orchestra in D major, K. 382: II. Rondo. Adagio | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Rondo for Piano & Orchestra in D major, K. 382: III. Rondo. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T0013129093 |
| Rondo for Piano & Orchestra in A major, K. 386 (Erik Smith & Alfred Brendel completion, cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde) | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — |
| Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Mitsuko Uchida | — |
| Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Mitsuko Uchida | T-313706466-1 |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Mitsuko Uchida | T-912655618-1 |
| Sonata for Piano No. 12 in F major, K. 300k/332: I. Allegro | Mitsuko Uchida | T-306395786-4 |
| Sonata for Piano No. 12 in F major, K. 300k/332: II. Adagio | Mitsuko Uchida | T-313706315-7 |
| Sonata for Piano No. 12 in F major, K. 300k/332: III. Allegro assai | Mitsuko Uchida | T3063957864 |
| Fantasia for Piano in D minor, K. 385g / 397 (Mitsuko Uchida completion): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo | Mitsuko Uchida | — |
| Serenade in D, KV 320 «Posthorn»: 1. Adagio maestoso – Allegro con spirito | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade in D, KV 320 «Posthorn»: 2. Minuetto | Academy of St Martin in the Fields, Neville Marriner | T9317170664 |
| Serenade in D, KV 320 «Posthorn»: 3. Concertante (Andante grazioso) | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade in D, KV 320 «Posthorn»: 4. Rondeau (Allegro ma non troppo) | Michael Laird, Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade in D, KV 320 «Posthorn»: 5. Andantino | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade in D, KV 320 «Posthorn»: 6. Minuetto | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade in D, KV 320 «Posthorn»: 7. Finale (Presto) | Academy of St Martin in the Fields, Neville Marriner | T-902845190-3 |
| Serenade in D, KV 239 «Serenata notturna»: 1. Marcia (Maestoso) | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade in D, KV 239 «Serenata notturna»: 2. Menuetto | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade in D, KV 239 «Serenata notturna»: 3. Rondeau (Allegretto – Adagio – Allegro) | Academy of St Martin in the Fields, Neville Marriner | — |
| Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso | Mitsuko Uchida | — |
| Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | Mitsuko Uchida | T-917366771-5 |
| Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | Mitsuko Uchida | T-312438541-3 |
| Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: III. Minuetto. Allegretto & Trio | Academy of St Martin in the Fields, Neville Marriner | T9027744009 |
| Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Academy of St Martin in the Fields, Neville Marriner | — |
| Requiem KV 626: I. Introitus | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-905386342-6 |
| Requiem KV 626: II. Kyrie | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-070093418-4 |
| Requiem KV 626: III. Sequentia. Dies irae | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Tuba mirum | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Susan Addison, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Rex tremendae | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Recordare | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Confutatis | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Lacrimosa | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: IV. Offertorium. Domine Jesu | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-919097742-5 |
| Requiem KV 626: IV. Offertorium. Hostias | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: V. Sanctus | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T9220615463 |
| Requiem KV 626: IV. Benedictus | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: VII. Agnus Dei | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: VIII. Communio | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T9109520618 |
| Concerto for Piano No. 20 in D minor, K. 466: I. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concerto for Piano No. 20 in D minor, K. 466: II. Romanze (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Rondo for Piano & Orchestra in D major, K. 382: I. Rondo. Allegretto grazioso | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Rondo for Piano & Orchestra in D major, K. 382: II. Rondo. Adagio | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Rondo for Piano & Orchestra in D major, K. 382: III. Rondo. Allegro | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde) | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — |
| Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Mitsuko Uchida | — |
| Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Mitsuko Uchida | — |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Mitsuko Uchida | — |
| Sonata for Piano No. 12 in F major, K. 300k/332: I. Allegro | Mitsuko Uchida | — |
| Sonata for Piano No. 12 in F major, K. 300k/332: II. Adagio | Mitsuko Uchida | — |
| Sonata for Piano No. 12 in F major, K. 300k/332: III. Allegro assai | Mitsuko Uchida | — |
| Fantasia for Piano in D minor, K. 385g / 397 (Mitsuko Uchida completion): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo | Mitsuko Uchida | — |
| Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: III. Minuetto. Allegretto & Trio | Academy of St Martin in the Fields, Neville Marriner | — |
| Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Academy of St Martin in the Fields, Neville Marriner | — |
| Requiem KV 626: I. Introitus | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: II. Kyrie | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Dies irae | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Tuba mirum | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Susan Addison, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Rex tremendae | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Recordare | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Confutatis | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: III. Sequentia. Lacrimosa | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: IV. Offertorium. Hostias | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: V. Sanctus | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: IV. Benedictus | Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: VII. Agnus Dei | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Requiem KV 626: VIII. Communio | Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 3. (Finale). Presto
Berliner Philharmoniker, Karl Böhm
—
Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 1. Adagio – Allegro
Berliner Philharmoniker, Karl Böhm
—
Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 2. Andante
Berliner Philharmoniker, Karl Böhm
—
Symphonie Nr. 38 D-Dur KV 504 »Prager Symphonie«: 3. (Finale). Presto
Berliner Philharmoniker, Karl Böhm
—
Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio
Berliner Philharmoniker, Karl Böhm
—
Berliner Philharmoniker, Karl Böhm
Berliner Philharmoniker, Karl Böhm
Berliner Philharmoniker, Karl Böhm
Berliner Philharmoniker, Karl Böhm
Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
Die Entführung aus dem Serail, K. 384: Act 1. "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig"
Fritz Wunderlich, Bayerisches Staatsorchester, Eugen Jochum
—
Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro
Berliner Philharmoniker, Karl Böhm
—
Berliner Philharmoniker, Karl Böhm
Symphonie no. 39 Es‐Dur, KV 543: II. Andante con moto
Berliner Philharmoniker, Karl Böhm
—
Berliner Philharmoniker, Karl Böhm
Berliner Philharmoniker, Karl Böhm
Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti”
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Adagio and Fugue in C minor, K. 546 (orchestral version)
Berliner Philharmoniker, Herbert von Karajan
—
Concerto for Flute and Orchestra No.1 in G, K.313/285c: 1. Allegro maestoso
Werner Tripp, Wiener Philharmoniker, Karl Böhm
—
Concerto for Flute and Orchestra No.1 in G, K.313/285c: 2. Adagio ma non troppo
Werner Tripp, Wiener Philharmoniker, Karl Böhm
—
Concerto for Flute and Orchestra No.1 in G, K.313/285c: 3. Rondo: Tempo di menuetto
Werner Tripp, Wiener Philharmoniker, Karl Böhm
—
Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 2. Andante ma adagio (cadenza: Dietmar Zeman)
Dietmar Zeman, Wiener Philharmoniker, Karl Böhm
—
Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 2. Andante ma adagio (cadenza: Dietmar Zeman)
Dietmar Zeman, Wiener Philharmoniker, Karl Böhm
—
Concerto for Bassoon and Orchestra in B-flat major, K.191/186e: 3. Rondo: Tempo di menuetto) - Dietmar Zeman, Wiener Philharmoniker, Karl Böhm
Dietmar Zeman, Wiener Philharmoniker, Karl Böhm
—
Dietmar Zeman, Wiener Philharmoniker, Karl Böhm
Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 3. Rondo (Allegro)
Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm
—
Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm
Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm
Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 3. Rondo (Allegro)
Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm
—
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Laudamus te
Berliner Philharmoniker, Herbert von Karajan
—
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Qui tollis
Berliner Philharmoniker, Herbert von Karajan
—
Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus"
Barbara Hendricks, Janet Perry, Peter Schreier, Berliner Philharmoniker, Herbert von Karajan
—
Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Cum Sancto Spiritu
Berliner Philharmoniker, Herbert von Karajan
—
Grosse Messe c-moll, KV 427 (417a): 3. Credo: Credo in unum Deum
Berliner Philharmoniker, Herbert von Karajan
—
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Grosse Messe c-moll, KV 427 (417a): 2. Gloria: Jesu Christe
Berliner Philharmoniker, Herbert von Karajan
—
Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: I. Allegro maestoso
Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta
—
Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta
Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta
Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta
Concerto for 2 Violins and Orchestra in C major, K 190: II. Andante grazioso
Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta
—
Concerto for 2 Violins and Orchestra in C major, K 190: III. Tempo di Menuetto. Vivace
Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta
—
Sonata for Violin & Piano no. 25 in G major, K. 293a/301: I. Allegro con spirito
Itzhak Perlman, Daniel Barenboim
—
Sonata for Violin & Piano no. 25 in G major, K. 293a/301: II. Allegro
Itzhak Perlman, Daniel Barenboim
—
Itzhak Perlman, Daniel Barenboim
Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: II. Tempo di minuetto
Itzhak Perlman, Daniel Barenboim
—
Wiener Philharmoniker, Leonard Bernstein
Wiener Philharmoniker, Leonard Bernstein
Wiener Philharmoniker, Leonard Bernstein
Wiener Philharmoniker, Leonard Bernstein
Wiener Philharmoniker, Leonard Bernstein
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": I. Allegro aperto
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
—
Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
—
Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante
Orpheus Chamber Orchestra
—
Serenade in B‐flat “Gran Partita”, K. 361: Adagio
Orpheus Chamber Orchestra
—
Orpheus Chamber Orchestra
Serenade in B-flat major, K 361 "Gran Partita": I. Largo - Molto allegro
Orpheus Chamber Orchestra
—
Serenade in B-flat major, K 361 "Gran Partita": II. Menuetto
Orpheus Chamber Orchestra
—
Serenade in B-flat major, K 361 "Gran Partita": IV. Menuetto. Allegretto
Orpheus Chamber Orchestra
—
Serenade in B-flat major, K 361 "Gran Partita": V. Romance. Adagio - Allegretto - Adagio
Orpheus Chamber Orchestra
—
Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante
Orpheus Chamber Orchestra
—
Serenade in B-flat major, K 361 "Gran Partita": VI. (b) Var. I
Orpheus Chamber Orchestra
—
Serenade in B-flat major, K 361 "Gran Partita": VI. (c) Var. II
Orpheus Chamber Orchestra
—
Serenade in B-flat major, K 361 "Gran Partita": VI. (d) Var. III
Orpheus Chamber Orchestra
—
Serenade in B-flat major, K 361 "Gran Partita": VI. (e) Var. IV
Orpheus Chamber Orchestra
—
Serenade in B-flat major, K 361 "Gran Partita": VI. (f) Var. V. Adagio
Orpheus Chamber Orchestra
—
Serenade in B-flat major, K 361 "Gran Partita": VI. (g) Var. VI. Allegro
Orpheus Chamber Orchestra
—
Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: I. Allegro moderato
Itzhak Perlman, Daniel Barenboim
—
Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile
Itzhak Perlman, Daniel Barenboim
—
Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: III. Rondo. Allegro
Itzhak Perlman, Daniel Barenboim
—
Concerto for Violin and Orchestra no. 4 in D major, KV 218: II. Andante cantabile
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
—
Concerto for Violin and Orchestra no. 4 in D major, KV 218: I. Allegro
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
—
Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
—
Konzert für Violine und Orchester No. 5 A-dur KV 219: Allegro Aperto
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
—
Konzert für Violine und Orchester No. 5 A-dur KV 219: Adagio
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
—
Konzert für Violine und Orchester No. 5 A-dur KV 219: Rondeau. Tempo di Menuetto
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
—
String Quartet no. 17 in B-flat, K. 458 "The Hunt": I. Allegro vivace assai
Emerson String Quartet
—
String Quartet no. 17 in B-flat, K. 458 "The Hunt": II. Moderato
Emerson String Quartet
—
String Quartet no. 17 in B-flat, K. 458 "The Hunt": III. Adagio
Emerson String Quartet
—
Emerson String Quartet
String Quartet no. 19 in C, K. 465 "Dissonance": I. Adagio - Allegro
Emerson String Quartet
—
String Quartet no. 19 in C, K. 465 "Dissonance": II. Andante cantabile
Emerson String Quartet
—
String Quartet no. 19 in C, K. 465 "Dissonance": III. Allegretto
Emerson String Quartet
—
Emerson String Quartet
Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso
Members of the Orpheus Chamber Orchestra
—
Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso
Members of the Orpheus Chamber Orchestra
—
Serenade no. 11 for Winds in E-flat major, K 375: II. Minuetto
Members of the Orpheus Chamber Orchestra
—
Serenade no. 11 for Winds in E-flat major, K 375: III. Adagio
Members of the Orpheus Chamber Orchestra
—
Members of the Orpheus Chamber Orchestra
Serenade no. 11 for Winds in E-flat major, K 375: V. Allegro
Members of the Orpheus Chamber Orchestra
—
Violin Sonata in A major, K. 526: I. Molto Allegro
Itzhak Perlman, Daniel Barenboim
—
Itzhak Perlman, Daniel Barenboim
Itzhak Perlman, Daniel Barenboim
String Quartet no. 15 in D minor, K. 421: I. Allegro moderato
Emerson String Quartet
—
Emerson String Quartet
String Quartet no. 15 in D minor, K. 421: III. Minuetto (Allegretto)
Emerson String Quartet
—
String Quartet no. 15 in D minor, K. 421: IV. Allegro ma non troppo: Più allegro
Emerson String Quartet
—
Concerto no. 14 in E-flat major for Piano, K. 449: I. Allegro vivace
Maria João Pires, Wiener Philharmoniker, Claudio Abbado
—
Concerto no. 14 in E-flat major for Piano, K. 449: II. Andantino
Maria João Pires, Wiener Philharmoniker, Claudio Abbado
—
Concerto no. 14 in E-flat major for Piano, K. 449: III. Allegro ma non troppo
Maria João Pires, Wiener Philharmoniker, Claudio Abbado
—
Concerto no. 17 in G major for Piano, K. 453: I. Allegro
Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado
—
Concerto no. 17 in G major for Piano, K. 453: II. Andante
Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado
—
Concerto no. 17 in G major for Piano, K. 453: III. Allegretto
Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado
—
Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado
—
Maria João Pires, The Chamber Orchestra of Europe, Claudio Abbado
Idomeneo, re di Creta, K. 366: Act 2. "Qual mi conturba i sensi"
Metropolitan Opera Orchestra, James Levine
—
Idomeneo: “Fuor del mar”
Plácido Domingo, Metropolitan Opera Orchestra, James Levine
—
Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia)
Anna Netrebko, David Aronson, Wiener Philharmoniker, Gianandrea Noseda
—
Sonata in D major for 2 Pianos, K. 448: 1. Allegro con spirito
Vladimir Ashkenazy, Malcolm Frager
—
Vladimir Ashkenazy, Malcolm Frager
Vladimir Ashkenazy, Malcolm Frager
Konzertvereinigung Wiener Staatsopernchor, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte: No. 1 Aria “Was hör’ ich? Der Vogelfänger bin ich ja” (Papageno)
Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
—
Barry Tuckwell, English Chamber Orchestra
Horn Concerto no. 1 in D major, K. 412: II. Rondo. Allegro
English Chamber Orchestra, Barry Tuckwell
—
English Chamber Orchestra, Barry Tuckwell
Barry Tuckwell, English Chamber Orchestra
Barry Tuckwell, English Chamber Orchestra
English Chamber Orchestra, Barry Tuckwell
English Chamber Orchestra, Barry Tuckwell
Barry Tuckwell, English Chamber Orchestra
English Chamber Orchestra, Barry Tuckwell
Horn Concerto no. 3 in E-flat major, K. 447: II. Romance. Larghetto
English Chamber Orchestra, Barry Tuckwell
—
Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro
English Chamber Orchestra, Barry Tuckwell
—
Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)
Edita Gruberová, Wiener Philharmoniker, Sir Georg Solti
—
Die Entführung aus dem Serail: Act Two. Vivat Bacchus! Bacchus lebe! (Pedrillo)
Martti Talvela, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti
—
Die Entführung aus dem Serail: Dritter Aufzug, no. 19. Aria: Ha, wie will ich triumphieren (Osmin) / Dialog: Was bedeutet der Aufruhr? (Selim, Osmin, Konstanze, Belmonte)
Wiener Philharmoniker, Sir Georg Solti
—
Die Zauberflöte, K. 620: "O zittre nicht, mein lieber Sohn"
Sumi Jo, Wiener Philharmoniker, Sir Georg Solti
—
Sumi Jo, Wiener Philharmoniker, Sir Georg Solti
Cecilia Bartoli, Bryn Terfel, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myun-Whun Chung
Requiem KV 626: IV. Offertorium. Domine Jesu
Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Jack Brymer, London Symphony Orchestra, Sir Colin Davis
Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110)
Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
—
Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111)
Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
—
Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112)
Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
—
Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113)
Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
—
Vesperae solennes de confessore, K. 339: V. Laudate Dominum omnes gentes (Psalm 116/117)
London Symphony Chorus, Kiri Te Kanawa, John Constable, London Symphony Orchestra, Sir Colin Davis
—
Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55)
Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
—
Kyrie, K. 341/368a
John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
—
London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate" / II. Recitativo: "Fulget amica dies" / III. "Tu virginum corona" / IV. "Alleluja"
Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis
—
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
Concerto for Piano No. 20 in D minor, K. 466: II. Romanze (cadenza: Alfred Brendel)
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
Rondo for Piano & Orchestra in D major, K. 382: I. Rondo. Allegretto grazioso
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Rondo for Piano & Orchestra in D major, K. 382: II. Rondo. Adagio
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
Rondo for Piano & Orchestra in A major, K. 386 (Erik Smith & Alfred Brendel completion, cadenza: Alfred Brendel)
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde)
Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis
—
Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso
Mitsuko Uchida
—
Mitsuko Uchida
Fantasia for Piano in D minor, K. 385g / 397 (Mitsuko Uchida completion): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo
Mitsuko Uchida
—
Serenade in D, KV 320 «Posthorn»: 1. Adagio maestoso – Allegro con spirito
Academy of St Martin in the Fields, Neville Marriner
—
Academy of St Martin in the Fields, Neville Marriner
Serenade in D, KV 320 «Posthorn»: 3. Concertante (Andante grazioso)
Academy of St Martin in the Fields, Neville Marriner
—
Serenade in D, KV 320 «Posthorn»: 4. Rondeau (Allegro ma non troppo)
Michael Laird, Academy of St Martin in the Fields, Neville Marriner
—
Serenade in D, KV 320 «Posthorn»: 5. Andantino
Academy of St Martin in the Fields, Neville Marriner
—
Serenade in D, KV 320 «Posthorn»: 6. Minuetto
Academy of St Martin in the Fields, Neville Marriner
—
Academy of St Martin in the Fields, Neville Marriner
Serenade in D, KV 239 «Serenata notturna»: 1. Marcia (Maestoso)
Academy of St Martin in the Fields, Neville Marriner
—
Serenade in D, KV 239 «Serenata notturna»: 2. Menuetto
Academy of St Martin in the Fields, Neville Marriner
—
Serenade in D, KV 239 «Serenata notturna»: 3. Rondeau (Allegretto – Adagio – Allegro)
Academy of St Martin in the Fields, Neville Marriner
—
Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso
Mitsuko Uchida
—
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
Academy of St Martin in the Fields, Neville Marriner
—
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
Academy of St Martin in the Fields, Neville Marriner
—
Academy of St Martin in the Fields, Neville Marriner
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
Academy of St Martin in the Fields, Neville Marriner
—
Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Requiem KV 626: III. Sequentia. Dies irae
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Tuba mirum
Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Susan Addison, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Rex tremendae
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Recordare
Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Confutatis
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Lacrimosa
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Requiem KV 626: IV. Offertorium. Hostias
Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Requiem KV 626: IV. Benedictus
Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: VII. Agnus Dei
Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Concerto for Piano No. 20 in D minor, K. 466: I. Allegro (cadenza: Alfred Brendel)
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Concerto for Piano No. 20 in D minor, K. 466: II. Romanze (cadenza: Alfred Brendel)
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Alfred Brendel)
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Rondo for Piano & Orchestra in D major, K. 382: I. Rondo. Allegretto grazioso
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Rondo for Piano & Orchestra in D major, K. 382: II. Rondo. Adagio
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Rondo for Piano & Orchestra in D major, K. 382: III. Rondo. Allegro
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
—
Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde)
Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis
—
Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso
Mitsuko Uchida
—
Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto
Mitsuko Uchida
—
Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
Mitsuko Uchida
—
Sonata for Piano No. 12 in F major, K. 300k/332: I. Allegro
Mitsuko Uchida
—
Sonata for Piano No. 12 in F major, K. 300k/332: II. Adagio
Mitsuko Uchida
—
Sonata for Piano No. 12 in F major, K. 300k/332: III. Allegro assai
Mitsuko Uchida
—
Fantasia for Piano in D minor, K. 385g / 397 (Mitsuko Uchida completion): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo
Mitsuko Uchida
—
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
Academy of St Martin in the Fields, Neville Marriner
—
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
Academy of St Martin in the Fields, Neville Marriner
—
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: III. Minuetto. Allegretto & Trio
Academy of St Martin in the Fields, Neville Marriner
—
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
Academy of St Martin in the Fields, Neville Marriner
—
Requiem KV 626: I. Introitus
Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: II. Kyrie
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Dies irae
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Tuba mirum
Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Susan Addison, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Rex tremendae
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Recordare
Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Confutatis
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: III. Sequentia. Lacrimosa
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: IV. Offertorium. Hostias
Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: V. Sanctus
Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: IV. Benedictus
Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: VII. Agnus Dei
Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Requiem KV 626: VIII. Communio
Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
What other identifiers does this connect to?
Musical Works (ISWC)
T0013129093T0013215412T0030100196T0030351326T0073031078T0091578663T0101944211T0101944244T0102940395T0114223538
+50 more
T0116197331T0301024190T0318626764T0414890611T0502831777T0700934184T0701603135T3063957864T3064825403T3064830797T3109226753T3124385413T3124390887T3125423812T3125425669T3126924247T3137063157T3137064661T3185839065T3186765282T3232521170T3294547874T3294589354T8024454103T8025874903T9001343960T9001376961T9009832091T9025256488T9027744009T9028451903T9053863426T9106528614T9109520618T9112219213T9115340200T9126556181T9126649318T9153100993T9171415579T9173667715T9182451178T9190977425T9214088763T9220583733T9220615463T9238835160T9296137263T9296218730T9317170664
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055133311000000007841145X00000000818302760000000090771001000000009890532600000001056828970000000106703426000000010675260700000001071953550000000107758410
+40 more
000000010863595700000001086536450000000108694084000000010882344800000001089062430000000109029334000000010914421X0000000109178196000000010920127X00000001092939280000000109374031000000010937431400000001093804740000000109405387000000010941075X000000010946531200000001096459620000000109938351000000011017739300000001102923240000000110332269000000011067732000000001107366690000000110791414000000011079145700000001108636920000000110893090000000011297410X000000011441451X00000001144646800000000114476139000000011448517400000001145046970000000114505999000000011451316300000001145235480000000114554862000000011468402600000001147122500000000114719794
Identifier Graph
People also ask
SourcesMLCMusicBrainzNotesApple Music4 sources
Verified on
What is UPC 00028947757566?
00028947757566 is a Universal Product Code (UPC) assigned to Mozart Collection by Wolfgang Amadeus Mozart, Karl Böhm, Herbert von Karajan, Nikolaus Harnoncourt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm