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Aria cantilena

UPC · Release

Aria cantilena

Elīna Garanča

00028947765516
11 tracksReleased 2007-01-19

Last verified: August 7, 2026

00028947765516 is the Universal Product Code (UPC barcode) for the release “Aria cantilena” by Elīna Garanča, released 2007-01-19. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC. Tracks include DEN960601130.

Format

0Indicator
002GS1 prefix
8947Company prefix
76551Product
6Check digit
Indicator:
Packaging-level digit (0 = base item, 1-8 = larger packs).
GS1 prefix:
Country/region prefix assigned by GS1.
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit.

Credit Chain

UPCAria cantilena
ISRC1 recording
ISWC2 works

Track List (11)

#Track TitleArtist(s)ISWC
Las Hijas del Zebedeo: Carceleras (Luisa) “Al pensar en el dueño de mis amores”1Las Hijas del Zebedeo: Carceleras (Luisa) “Al pensar en el dueño de mis amores”—
Werther, Act III: Letter Scene (Charlotte): “Werther… Werther… Qui m’aurait dit la place”2Werther, Act III: Letter Scene (Charlotte): “Werther… Werther… Qui m’aurait dit la place”—
Les Contes d’Hoffmann, Act III: No. 15. Romance (Niklausse): “Vois sous l’archet frémissant – C’est l’amour, l’amour vainqueur!”3Les Contes d’Hoffmann, Act III: No. 15. Romance (Niklausse): “Vois sous l’archet frémissant – C’est l’amour, l’amour vainqueur!”—
La Cenerentola, Act II: Rondò finale (Cenerentola): “Nacqui all’affanno e al pianto”4La Cenerentola, Act II: Rondò finale (Cenerentola): “Nacqui all’affanno e al pianto”—
Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente”5Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente”Elīna Garanča, Staatskapelle Dresden, Fabio LuisiT-905.380.384-2
La Grande-Duchesse de Gérolstein, Act I: No. 3a Chœur, Récit et Rondeau (La Grande-Duchesse): “Portez armes!” – “Vous aimez le danger – Ah, que j’aime les militaires”6La Grande-Duchesse de Gérolstein, Act I: No. 3a Chœur, Récit et Rondeau (La Grande-Duchesse): “Portez armes!” – “Vous aimez le danger – Ah, que j’aime les militaires”—
L’italiana in Algeri, Act II: No. 11. Cavatina (Isabella): “Per lui che adoro”7L’italiana in Algeri, Act II: No. 11. Cavatina (Isabella): “Per lui che adoro”—
Madrigal sobre un tema popular8Madrigal sobre un tema popular—
Der Rosenkavalier, Act III: Trio (Sophie, Marschallin, Octavian): “Marie Theres’!” – “Hab mir’s gelobt”9Der Rosenkavalier, Act III: Trio (Sophie, Marschallin, Octavian): “Marie Theres’!” – “Hab mir’s gelobt”—
Der Rosenkavalier, Act III: Duet (Sophie, Octavian): “Ist ein Traum, kann nicht wirklich sein”10Der Rosenkavalier, Act III: Duet (Sophie, Octavian): “Ist ein Traum, kann nicht wirklich sein”—
Cinq-Mars, Act I: No. 5. Cantilène (Marie): “Par quel trouble profond – Nuit resplendissante”11Cinq-Mars, Act I: No. 5. Cantilène (Marie): “Par quel trouble profond – Nuit resplendissante”—
Las Hijas del Zebedeo: Carceleras (Luisa) “Al pensar en el dueño de mis amores”
Las Hijas del Zebedeo: Carceleras (Luisa) “Al pensar en el dueño de mis amores”
—
Werther, Act III: Letter Scene (Charlotte): “Werther… Werther… Qui m’aurait dit la place”
Werther, Act III: Letter Scene (Charlotte): “Werther… Werther… Qui m’aurait dit la place”
—
Les Contes d’Hoffmann, Act III: No. 15. Romance (Niklausse): “Vois sous l’archet frémissant – C’est l’amour, l’amour vainqueur!”
Les Contes d’Hoffmann, Act III: No. 15. Romance (Niklausse): “Vois sous l’archet frémissant – C’est l’amour, l’amour vainqueur!”
—
La Cenerentola, Act II: Rondò finale (Cenerentola): “Nacqui all’affanno e al pianto”
La Cenerentola, Act II: Rondò finale (Cenerentola): “Nacqui all’affanno e al pianto”
—
Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente”
Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente”
Elīna Garanča, Staatskapelle Dresden, Fabio Luisi
T-905.380.384-2
La Grande-Duchesse de Gérolstein, Act I: No. 3a Chœur, Récit et Rondeau (La Grande-Duchesse): “Portez armes!” – “Vous aimez le danger – Ah, que j’aime les militaires”
La Grande-Duchesse de Gérolstein, Act I: No. 3a Chœur, Récit et Rondeau (La Grande-Duchesse): “Portez armes!” – “Vous aimez le danger – Ah, que j’aime les militaires”
—
L’italiana in Algeri, Act II: No. 11. Cavatina (Isabella): “Per lui che adoro”
L’italiana in Algeri, Act II: No. 11. Cavatina (Isabella): “Per lui che adoro”
—
Madrigal sobre un tema popular
Madrigal sobre un tema popular
—
Der Rosenkavalier, Act III: Trio (Sophie, Marschallin, Octavian): “Marie Theres’!” – “Hab mir’s gelobt”
Der Rosenkavalier, Act III: Trio (Sophie, Marschallin, Octavian): “Marie Theres’!” – “Hab mir’s gelobt”
—
Der Rosenkavalier, Act III: Duet (Sophie, Octavian): “Ist ein Traum, kann nicht wirklich sein”
Der Rosenkavalier, Act III: Duet (Sophie, Octavian): “Ist ein Traum, kann nicht wirklich sein”
—
Cinq-Mars, Act I: No. 5. Cantilène (Marie): “Par quel trouble profond – Nuit resplendissante”
Cinq-Mars, Act I: No. 5. Cantilène (Marie): “Par quel trouble profond – Nuit resplendissante”
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-905.380.384-2T-905.380.384-2

Creative Contributors (ISNI)

000000010863466300000001109288630000000122769097
SourcesMusicBrainz

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People also ask

What is UPC 00028947765516?+
UPC 00028947765516 is the Universal Product Code (barcode) for "Aria cantilena" by Elīna Garanča.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 00028947765516?+
UPC 00028947765516 contains 11 tracks, each with its own ISRC.

What is UPC 00028947765516?

00028947765516 is a Universal Product Code (UPC) assigned to Aria cantilena by Elīna Garanča. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Elīna Garanča

00028947765516 is the Universal Product Code (UPC barcode) for the release “Aria cantilena” by Elīna Garanča, released 2007-01-19. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC. Tracks include DEN960601130.

Track List (11)

#Track TitleArtist(s)ISWC
Las Hijas del Zebedeo: Carceleras (Luisa) “Al pensar en el dueño de mis amores”1Las Hijas del Zebedeo: Carceleras (Luisa) “Al pensar en el dueño de mis amores”—
Werther, Act III: Letter Scene (Charlotte): “Werther… Werther… Qui m’aurait dit la place”2Werther, Act III: Letter Scene (Charlotte): “Werther… Werther… Qui m’aurait dit la place”—
Les Contes d’Hoffmann, Act III: No. 15. Romance (Niklausse): “Vois sous l’archet frémissant – C’est l’amour, l’amour vainqueur!”3Les Contes d’Hoffmann, Act III: No. 15. Romance (Niklausse): “Vois sous l’archet frémissant – C’est l’amour, l’amour vainqueur!”—
La Cenerentola, Act II: Rondò finale (Cenerentola): “Nacqui all’affanno e al pianto”4La Cenerentola, Act II: Rondò finale (Cenerentola): “Nacqui all’affanno e al pianto”—
Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente”5Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente”Elīna Garanča, Staatskapelle Dresden, Fabio LuisiT-905.380.384-2
La Grande-Duchesse de Gérolstein, Act I: No. 3a Chœur, Récit et Rondeau (La Grande-Duchesse): “Portez armes!” – “Vous aimez le danger – Ah, que j’aime les militaires”6La Grande-Duchesse de Gérolstein, Act I: No. 3a Chœur, Récit et Rondeau (La Grande-Duchesse): “Portez armes!” – “Vous aimez le danger – Ah, que j’aime les militaires”—
L’italiana in Algeri, Act II: No. 11. Cavatina (Isabella): “Per lui che adoro”7L’italiana in Algeri, Act II: No. 11. Cavatina (Isabella): “Per lui che adoro”—
Madrigal sobre un tema popular8Madrigal sobre un tema popular—
Der Rosenkavalier, Act III: Trio (Sophie, Marschallin, Octavian): “Marie Theres’!” – “Hab mir’s gelobt”9Der Rosenkavalier, Act III: Trio (Sophie, Marschallin, Octavian): “Marie Theres’!” – “Hab mir’s gelobt”—
Der Rosenkavalier, Act III: Duet (Sophie, Octavian): “Ist ein Traum, kann nicht wirklich sein”10Der Rosenkavalier, Act III: Duet (Sophie, Octavian): “Ist ein Traum, kann nicht wirklich sein”—
Cinq-Mars, Act I: No. 5. Cantilène (Marie): “Par quel trouble profond – Nuit resplendissante”11Cinq-Mars, Act I: No. 5. Cantilène (Marie): “Par quel trouble profond – Nuit resplendissante”—
Las Hijas del Zebedeo: Carceleras (Luisa) “Al pensar en el dueño de mis amores”
Las Hijas del Zebedeo: Carceleras (Luisa) “Al pensar en el dueño de mis amores”
—
Werther, Act III: Letter Scene (Charlotte): “Werther… Werther… Qui m’aurait dit la place”
Werther, Act III: Letter Scene (Charlotte): “Werther… Werther… Qui m’aurait dit la place”
—
Les Contes d’Hoffmann, Act III: No. 15. Romance (Niklausse): “Vois sous l’archet frémissant – C’est l’amour, l’amour vainqueur!”
Les Contes d’Hoffmann, Act III: No. 15. Romance (Niklausse): “Vois sous l’archet frémissant – C’est l’amour, l’amour vainqueur!”
—
La Cenerentola, Act II: Rondò finale (Cenerentola): “Nacqui all’affanno e al pianto”
La Cenerentola, Act II: Rondò finale (Cenerentola): “Nacqui all’affanno e al pianto”
—
Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente”
Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente”
Elīna Garanča, Staatskapelle Dresden, Fabio Luisi
T-905.380.384-2
La Grande-Duchesse de Gérolstein, Act I: No. 3a Chœur, Récit et Rondeau (La Grande-Duchesse): “Portez armes!” – “Vous aimez le danger – Ah, que j’aime les militaires”
La Grande-Duchesse de Gérolstein, Act I: No. 3a Chœur, Récit et Rondeau (La Grande-Duchesse): “Portez armes!” – “Vous aimez le danger – Ah, que j’aime les militaires”
—
L’italiana in Algeri, Act II: No. 11. Cavatina (Isabella): “Per lui che adoro”
L’italiana in Algeri, Act II: No. 11. Cavatina (Isabella): “Per lui che adoro”
—
Madrigal sobre un tema popular
Madrigal sobre un tema popular
—
Der Rosenkavalier, Act III: Trio (Sophie, Marschallin, Octavian): “Marie Theres’!” – “Hab mir’s gelobt”
Der Rosenkavalier, Act III: Trio (Sophie, Marschallin, Octavian): “Marie Theres’!” – “Hab mir’s gelobt”
—
Der Rosenkavalier, Act III: Duet (Sophie, Octavian): “Ist ein Traum, kann nicht wirklich sein”
Der Rosenkavalier, Act III: Duet (Sophie, Octavian): “Ist ein Traum, kann nicht wirklich sein”
—
Cinq-Mars, Act I: No. 5. Cantilène (Marie): “Par quel trouble profond – Nuit resplendissante”
Cinq-Mars, Act I: No. 5. Cantilène (Marie): “Par quel trouble profond – Nuit resplendissante”
—