UPC · Album
Opera Arias
Giacomo Puccini, Renée Fleming, Luciano Pavarotti and 1 more
00028947840305
19 tracks
Last verified:
00028947840305 is the Universal Product Code (UPC barcode) for the release “Opera Arias” by Giacomo Puccini, Renée Fleming, Luciano Pavarotti, José Carreras. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include GBBBA7250130, GBBBB1400001, GBBBB1400003.
Format
0Indicator
002GS1 prefix
8947Company prefix
84030Product
5Check digit
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
UPCOpera Arias
ISRC27 recordings
ISWC10 works
IPI1 songwriter
Track List (27)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Turandot: Atto I. “Non piangere, Liù!” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBBBA7250130 |
| Gianni Schicchi: “O mio babbino caro” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | GBBBB1400001 |
| La Bohème: Atto II. “Quando men n’vo soletta” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | GBBBB1400003 |
| Tosca: Atto III. “E lucevan le stelle” | Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | GBF071301360 |
| Madama Butterfly: Atto II, Parte 1. “Un bel dì, vedremo levarsi un fil di fumo” (Butterfly) | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | GBF075840218 |
| Madama Butterfly: Atto II, Parte 1. Humming Chorus | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | GBF075840231 |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Tullio Serafin | GBF075940108 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Coro dell’Accademia di Santa Cecilia, Cesare Siepi, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Tullio Serafin | GBF075940109 |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Ettore Bastianini, Carlo Bergonzi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | GBF075940110 |
| Madama Butterfly: Atto II. “Una nave da guerra” … “Scuoti quella fronda” | Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | GBF075940247 |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | GBF077230809 |
| Turandot: Atto I. “Non piangere, Liù!” – “Ah! Per l’ultima volta!” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBF077230810 |
| Turandot: Atto I. “Ah! Per l’ultima volta” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBF077230811 |
| Turandot: Atto II, scena 2. “In questa reggia” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077230820 |
| Tosca: Atto III. “E lucevan le stelle” | Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | GBF077810201 |
| Suor Angelica: “Senza mamma, o bimbo, tu sei morto” (Suor Angelica) | Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | GBF077812260 |
| Tosca: Atto III. “E lucevan le stelle” | Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | GBF077813540 |
| Tosca: Atto III. “E lucevan le stelle” | Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | GBF077840625 |
| Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) | Kiri Te Kanawa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | GBF078740814 |
| La rondine: Atto I. Aria “Chi il bel sogno di Doretta” (Magda) | Renée Fleming, English Chamber Orchestra, Jeffrey Tate | GBF079710190 |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | GBFO77230809 |
| Turandot: Atto I. “Non piangere, Liù!” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBFO77230810 |
| Turandot: Atto I. “Ah! Per l’ultima volta” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBFO77230811 |
| Turandot: Atto II, scena 2. “In questa reggia” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBFO77230820 |
| Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) | José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507510604 |
| Tosca: Atto II. "Vissi d'arte" (Tosca) | Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507510625 |
| Turandot: “Nessun dorma” | José Carreras, London Philharmonic Orchestra, Jesús López Cobos | NLA507823405 |
Turandot: Atto I. “Non piangere, Liù!”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Gianni Schicchi: “O mio babbino caro”
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
La Bohème: Atto II. “Quando men n’vo soletta”
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
Tosca: Atto III. “E lucevan le stelle”
Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno
Madama Butterfly: Atto II, Parte 1. “Un bel dì, vedremo levarsi un fil di fumo” (Butterfly)
Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
Madama Butterfly: Atto II, Parte 1. Humming Chorus
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Tullio Serafin
La bohème: Atto I. “Sì, mi chiamano Mimì”
Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Coro dell’Accademia di Santa Cecilia, Cesare Siepi, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Tullio Serafin
La bohème: Atto I. “O soave fanciulla” (Rodolfo)
Ettore Bastianini, Carlo Bergonzi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin
Madama Butterfly: Atto II. “Una nave da guerra” … “Scuoti quella fronda”
Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Non piangere, Liù!” – “Ah! Per l’ultima volta!”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Ah! Per l’ultima volta”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto II, scena 2. “In questa reggia”
The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Tosca: Atto III. “E lucevan le stelle”
Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno
Suor Angelica: “Senza mamma, o bimbo, tu sei morto” (Suor Angelica)
Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge
Tosca: Atto III. “E lucevan le stelle”
Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno
Tosca: Atto III. “E lucevan le stelle”
Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
Kiri Te Kanawa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
La rondine: Atto I. Aria “Chi il bel sogno di Doretta” (Magda)
Renée Fleming, English Chamber Orchestra, Jeffrey Tate
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Non piangere, Liù!”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Ah! Per l’ultima volta”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto II, scena 2. “In questa reggia”
The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano)
José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Tosca: Atto II. "Vissi d'arte" (Tosca)
Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Turandot: “Nessun dorma”
José Carreras, London Philharmonic Orchestra, Jesús López Cobos
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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What is UPC 00028947840305?
00028947840305 is a Universal Product Code (UPC) assigned to Opera Arias by Giacomo Puccini, Renée Fleming, Luciano Pavarotti, José Carreras. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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