UPC · Release
Benjamin Britten
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00028947857235 is the Universal Product Code (UPC barcode) for the release “The Masterpieces” by Benjamin Britten, released 2013-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 102 tracks, each with its own ISRC. Tracks include GBF076341901, GBF076341902, GBF076341903.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Theme - Allegro maestoso e largamente | London Symphony Orchestra, Benjamin Britten | — | |
| 2 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation A: Flutes and Piccolo - Presto | London Symphony Orchestra, Benjamin Britten | — | |
| 3 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation B: Oboes - Lento | London Symphony Orchestra, Benjamin Britten | — | |
| 4 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation C: Clarinets - Moderato | London Symphony Orchestra, Benjamin Britten | — | |
| 5 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation D: Bassoons - Allegro alla marcia | London Symphony Orchestra, Benjamin Britten | — | |
| 6 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation E: Violins - Brillante - alla polacca | London Symphony Orchestra, Benjamin Britten | — | |
| 7 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation F: Violas - Meno mosso | London Symphony Orchestra, Benjamin Britten | — | |
| 8 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation G: Cellos | London Symphony Orchestra, Benjamin Britten | — | |
| 9 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation H: Double Basses - Cominciando lento ma poco a poco accelerando | London Symphony Orchestra, Benjamin Britten | — | |
| 10 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation I: Harp - Maestoso | London Symphony Orchestra, Benjamin Britten | — | |
| 11 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation J: Horns - L'istesso tempo | London Symphony Orchestra, Benjamin Britten | — | |
| 12 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation K: Trumpets - Vivace | London Symphony Orchestra, Benjamin Britten | — | |
| 13 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation L: Trombones and Bass Tuba - Allegro pomposo | London Symphony Orchestra, Benjamin Britten | — | |
| 14 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation M: Percussion - Moderato | London Symphony Orchestra, Benjamin Britten | — | |
| 15 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Fugue - Allegro molto | London Symphony Orchestra, Benjamin Britten | T-900.107.459-5 | |
| 16 | Simple Symphony for String Orchestra, op. 4: I. Boisterous Bourrée. Allegro ritmico | English Chamber Orchestra, Benjamin Britten | — | |
| 17 | Simple Symphony for String Orchestra, op. 4: II. Playful Pizzicato. Presto possibile pizzicato sempre | English Chamber Orchestra, Benjamin Britten | — | |
| 18 | Simple Symphony for String Orchestra, op. 4: III. Sentimental Saraband. Poco lento e pesante | English Chamber Orchestra, Benjamin Britten | — | |
| 19 | Simple Symphony for String Orchestra, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco | English Chamber Orchestra, Benjamin Britten | — | |
| 20 | Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento | English Chamber Orchestra, Benjamin Britten | — | |
| 21 | Variations on a Theme of Frank Bridge, op. 10: Adagio | English Chamber Orchestra, Benjamin Britten | — | |
| 22 | Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia | English Chamber Orchestra, Benjamin Britten | — | |
| 23 | Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso | English Chamber Orchestra, Benjamin Britten | — | |
| 24 | Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante | English Chamber Orchestra, Benjamin Britten | T-905.380.384-2 | |
| 25 | Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante | English Chamber Orchestra, Benjamin Britten | — | |
| 26 | Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace | English Chamber Orchestra, Benjamin Britten | — | |
| 27 | Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto | English Chamber Orchestra, Benjamin Britten | — | |
| 28 | Variations on a theme of Frank Bridge, op. 10: IX. Funeral March | Benjamin Britten | T-321.421.851-2 | |
| 29 | Variations on a Theme of Frank Bridge, op. 10: Chant. Lento | English Chamber Orchestra, Benjamin Britten | — | |
| 30 | Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne | English Chamber Orchestra, Benjamin Britten | — | |
| 31 | Four Sea Interludes and Passacaglia: Dawn (Act I) | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 32 | Peter Grimes, op. 33, Act 1: Interlude II: The Storm | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 33 | Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 34 | Peter Grimes, op. 33, Act 3: Interlude V: Evening | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 2-1 | A Ceremony of Carols: Procession | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-2 | A Ceremony of Carols: Wolcum Yole! | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-3 | A Ceremony of Carols: There is no rose | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-4 | A Ceremony of Carols: That yonge child | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-5 | A Ceremony of Carols: Balulalow | Choir of King’s College, Cambridge, Peter Winn, Rachel Masters, Stephen Cleobury | T-900.143.711-2 | |
| 2-6 | A Ceremony of Carols, op. 28: V. As dew in Aprille | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-7 | A Ceremony of Carols: This little Babe | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-8 | A Ceremony of Carols: Interlude | Rachel Masters | T-900.188.459-9 | |
| 2-9 | A Ceremony of Carols: In freezing winter night | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | T-308.262.790-1 | |
| 2-10 | A Ceremony of Carols: Spring carol | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-11 | A Ceremony of Carols: Deo gracias - Adam lay ibounden | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-12 | A Ceremony of Carols: Recession | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-13 | A Boy was Born: Theme. A boy was born | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-14 | A Boy was Born: Variation I. Lullay, Jesu | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-15 | A Boy was Born: Variation II. Herod | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-16 | A Boy was Born: Variation III. Jesu, as Thou art our Saviour | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-17 | A Boy was Born: Variation IV. The three kings | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-18 | A Boy was Born: Variation V. In the bleak mid-winter | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-19 | A Boy was Born: Variation VI (Finale). Noel! | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-20 | A Hymn to the Virgin | The Choir of St John’s College, Cambridge, George Guest | T-900.010.952-4 | |
| 2-21 | Festival Te Deum, op. 32 | The Choir of St John’s College, Cambridge, George Guest | — | |
| 2-22 | Jubilate Deo | The Choir of St John’s College, Cambridge, George Guest | — | |
| 2-23 | Hymn to St. Cecilia (1942), op. 27: In a garden shady | London Symphony Chorus, George Malcolm | — | |
| 2-24 | Hymn to St. Cecilia (1942), op. 27: I cannot grow | London Symphony Chorus, George Malcolm | — | |
| 2-25 | Hymn to St. Cecilia (1942), op. 27: O ear whose creatures | London Symphony Chorus, George Malcolm | — | |
| 3-1 | Songs From "Friday Afternoons", op. 7: Begone, dull care | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.455.238-6 | |
| 3-2 | Songs From "Friday Afternoons", op. 7: A tragic story | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.011.973-3 | |
| 3-3 | Songs From "Friday Afternoons", op. 7: Cuckoo! | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.009.780-3 | |
| 3-4 | Songs From "Friday Afternoons", op. 7: A New Year carol | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-011.260.559-0 | |
| 3-5 | Songs From "Friday Afternoons", op. 7: I mun be married on Sunday | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.445.495-6 | |
| 3-6 | Songs From "Friday Afternoons", op. 7: There was a man of Newington | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 3-7 | Songs From "Friday Afternoons", op. 7: Fishing song | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 3-8 | Songs From "Friday Afternoons", op. 7: The useful plough | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 3-9 | Songs From "Friday Afternoons", op. 7: Jazz-man | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 3-10 | Songs From "Friday Afternoons", op. 7: There was a monkey | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 3-11 | Songs From "Friday Afternoons", op. 7: Old Abram Brown | Downside School Choir, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 3-12 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me | The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-13 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte | William Trevor Anthony, Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-14 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-15 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-16 | Noye’s Fludde, children’s opera, op. 59: 3 Noye, Noye, take thou thy company | Trevor Anthony, Owen Brannigan, David Pinto, Darien Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus of Animals, Merlin Channon, English Opera Group Orchestra, Norman Del Mar | — | |
| 3-17 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their? | Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-18 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes | Owen Brannigan, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, Chorus of Animals, The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-19 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone | Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-20 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone | William Trevor Anthony, Chorus of Animals, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 3-21 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste | Trevor Anthony, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 3-22 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high | David Pinto, Darian Angadi, Stephen Alexander, Owen Brannigan, Sheila Rex, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, William Trevor Anthony, Chorus of Animals, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | T-900.045.793-2 | |
| 4-1 | Les Illuminations, op. 18: I. Fanfare | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-2 | Les Illuminations, op. 18: II. Villes | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-3 | Les Illuminations, op. 18: IIIa. Phrase | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-4 | Les Illuminations, op. 18: IIIb. Antique | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-5 | Les Illuminations, op. 18: IV. Royauté | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-6 | Les Illuminations, op. 18: V. Marine | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-7 | Les Illuminations, op. 18: VI. Interlude | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-8 | Les Illuminations, op. 18: VII. Being beauteous | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-9 | Les Illuminations, op. 18: VIII. Parade | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-10 | Les Illuminations, op. 18: IX. Départ | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-11 | Serenade for Tenor, Horn & Strings, op. 31: Prologue | Barry Tuckwell | — | |
| 4-12 | Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-13 | Serenade, for tenor, horn & strings, op. 31: Nocturne | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-14 | Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-15 | Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-16 | Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-17 | Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-18 | Serenade for Tenor, Horn & Strings, op. 31: Epilogue | Barry Tuckwell | — | |
| 4-19 | Violin Concerto, op. 15: I. Moderato con moto | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — | |
| 4-20 | Violin Concerto, op. 15: II. Vivace - Cadenza - | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — | |
| 4-21 | Violin Concerto, op. 15: III. Passacaglia – Andante lento | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — |
Identifier Graph
00028947857235 is a Universal Product Code (UPC) assigned to The Masterpieces by Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 102 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
00028947857235 is the Universal Product Code (UPC barcode) for the release “The Masterpieces” by Benjamin Britten, released 2013-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 102 tracks, each with its own ISRC. Tracks include GBF076341901, GBF076341902, GBF076341903.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Theme - Allegro maestoso e largamente | London Symphony Orchestra, Benjamin Britten | — | |
| 2 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation A: Flutes and Piccolo - Presto | London Symphony Orchestra, Benjamin Britten | — | |
| 3 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation B: Oboes - Lento | London Symphony Orchestra, Benjamin Britten | — | |
| 4 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation C: Clarinets - Moderato | London Symphony Orchestra, Benjamin Britten | — | |
| 5 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation D: Bassoons - Allegro alla marcia | London Symphony Orchestra, Benjamin Britten | — | |
| 6 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation E: Violins - Brillante - alla polacca | London Symphony Orchestra, Benjamin Britten | — | |
| 7 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation F: Violas - Meno mosso | London Symphony Orchestra, Benjamin Britten | — | |
| 8 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation G: Cellos | London Symphony Orchestra, Benjamin Britten | — | |
| 9 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation H: Double Basses - Cominciando lento ma poco a poco accelerando | London Symphony Orchestra, Benjamin Britten | — | |
| 10 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation I: Harp - Maestoso | London Symphony Orchestra, Benjamin Britten | — | |
| 11 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation J: Horns - L'istesso tempo | London Symphony Orchestra, Benjamin Britten | — | |
| 12 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation K: Trumpets - Vivace | London Symphony Orchestra, Benjamin Britten | — | |
| 13 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation L: Trombones and Bass Tuba - Allegro pomposo | London Symphony Orchestra, Benjamin Britten | — | |
| 14 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation M: Percussion - Moderato | London Symphony Orchestra, Benjamin Britten | — | |
| 15 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Fugue - Allegro molto | London Symphony Orchestra, Benjamin Britten | T-900.107.459-5 | |
| 16 | Simple Symphony for String Orchestra, op. 4: I. Boisterous Bourrée. Allegro ritmico | English Chamber Orchestra, Benjamin Britten | — | |
| 17 | Simple Symphony for String Orchestra, op. 4: II. Playful Pizzicato. Presto possibile pizzicato sempre | English Chamber Orchestra, Benjamin Britten | — | |
| 18 | Simple Symphony for String Orchestra, op. 4: III. Sentimental Saraband. Poco lento e pesante | English Chamber Orchestra, Benjamin Britten | — | |
| 19 | Simple Symphony for String Orchestra, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco | English Chamber Orchestra, Benjamin Britten | — | |
| 20 | Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento | English Chamber Orchestra, Benjamin Britten | — | |
| 21 | Variations on a Theme of Frank Bridge, op. 10: Adagio | English Chamber Orchestra, Benjamin Britten | — | |
| 22 | Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia | English Chamber Orchestra, Benjamin Britten | — | |
| 23 | Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso | English Chamber Orchestra, Benjamin Britten | — | |
| 24 | Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante | English Chamber Orchestra, Benjamin Britten | T-905.380.384-2 | |
| 25 | Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante | English Chamber Orchestra, Benjamin Britten | — | |
| 26 | Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace | English Chamber Orchestra, Benjamin Britten | — | |
| 27 | Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto | English Chamber Orchestra, Benjamin Britten | — | |
| 28 | Variations on a theme of Frank Bridge, op. 10: IX. Funeral March | Benjamin Britten | T-321.421.851-2 | |
| 29 | Variations on a Theme of Frank Bridge, op. 10: Chant. Lento | English Chamber Orchestra, Benjamin Britten | — | |
| 30 | Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne | English Chamber Orchestra, Benjamin Britten | — | |
| 31 | Four Sea Interludes and Passacaglia: Dawn (Act I) | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 32 | Peter Grimes, op. 33, Act 1: Interlude II: The Storm | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 33 | Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 34 | Peter Grimes, op. 33, Act 3: Interlude V: Evening | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 2-1 | A Ceremony of Carols: Procession | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-2 | A Ceremony of Carols: Wolcum Yole! | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-3 | A Ceremony of Carols: There is no rose | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-4 | A Ceremony of Carols: That yonge child | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-5 | A Ceremony of Carols: Balulalow | Choir of King’s College, Cambridge, Peter Winn, Rachel Masters, Stephen Cleobury | T-900.143.711-2 | |
| 2-6 | A Ceremony of Carols, op. 28: V. As dew in Aprille | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-7 | A Ceremony of Carols: This little Babe | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-8 | A Ceremony of Carols: Interlude | Rachel Masters | T-900.188.459-9 | |
| 2-9 | A Ceremony of Carols: In freezing winter night | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | T-308.262.790-1 | |
| 2-10 | A Ceremony of Carols: Spring carol | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-11 | A Ceremony of Carols: Deo gracias - Adam lay ibounden | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-12 | A Ceremony of Carols: Recession | Choir of King’s College, Cambridge, Rachel Masters, Stephen Cleobury | — | |
| 2-13 | A Boy was Born: Theme. A boy was born | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-14 | A Boy was Born: Variation I. Lullay, Jesu | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-15 | A Boy was Born: Variation II. Herod | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-16 | A Boy was Born: Variation III. Jesu, as Thou art our Saviour | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-17 | A Boy was Born: Variation IV. The three kings | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-18 | A Boy was Born: Variation V. In the bleak mid-winter | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-19 | A Boy was Born: Variation VI (Finale). Noel! | Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir | — | |
| 2-20 | A Hymn to the Virgin | The Choir of St John’s College, Cambridge, George Guest | T-900.010.952-4 | |
| 2-21 | Festival Te Deum, op. 32 | The Choir of St John’s College, Cambridge, George Guest | — | |
| 2-22 | Jubilate Deo | The Choir of St John’s College, Cambridge, George Guest | — | |
| 2-23 | Hymn to St. Cecilia (1942), op. 27: In a garden shady | London Symphony Chorus, George Malcolm | — | |
| 2-24 | Hymn to St. Cecilia (1942), op. 27: I cannot grow | London Symphony Chorus, George Malcolm | — | |
| 2-25 | Hymn to St. Cecilia (1942), op. 27: O ear whose creatures | London Symphony Chorus, George Malcolm | — | |
| 3-1 | Songs From "Friday Afternoons", op. 7: Begone, dull care | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.455.238-6 | |
| 3-2 | Songs From "Friday Afternoons", op. 7: A tragic story | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.011.973-3 | |
| 3-3 | Songs From "Friday Afternoons", op. 7: Cuckoo! | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.009.780-3 | |
| 3-4 | Songs From "Friday Afternoons", op. 7: A New Year carol | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-011.260.559-0 | |
| 3-5 | Songs From "Friday Afternoons", op. 7: I mun be married on Sunday | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.445.495-6 | |
| 3-6 | Songs From "Friday Afternoons", op. 7: There was a man of Newington | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 3-7 | Songs From "Friday Afternoons", op. 7: Fishing song | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 3-8 | Songs From "Friday Afternoons", op. 7: The useful plough | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 3-9 | Songs From "Friday Afternoons", op. 7: Jazz-man | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 3-10 | Songs From "Friday Afternoons", op. 7: There was a monkey | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 3-11 | Songs From "Friday Afternoons", op. 7: Old Abram Brown | Downside School Choir, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 3-12 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me | The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-13 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte | William Trevor Anthony, Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-14 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-15 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-16 | Noye’s Fludde, children’s opera, op. 59: 3 Noye, Noye, take thou thy company | Trevor Anthony, Owen Brannigan, David Pinto, Darien Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus of Animals, Merlin Channon, English Opera Group Orchestra, Norman Del Mar | — | |
| 3-17 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their? | Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-18 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes | Owen Brannigan, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, Chorus of Animals, The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-19 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone | Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 3-20 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone | William Trevor Anthony, Chorus of Animals, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 3-21 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste | Trevor Anthony, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 3-22 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high | David Pinto, Darian Angadi, Stephen Alexander, Owen Brannigan, Sheila Rex, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, William Trevor Anthony, Chorus of Animals, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | T-900.045.793-2 | |
| 4-1 | Les Illuminations, op. 18: I. Fanfare | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-2 | Les Illuminations, op. 18: II. Villes | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-3 | Les Illuminations, op. 18: IIIa. Phrase | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-4 | Les Illuminations, op. 18: IIIb. Antique | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-5 | Les Illuminations, op. 18: IV. Royauté | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-6 | Les Illuminations, op. 18: V. Marine | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-7 | Les Illuminations, op. 18: VI. Interlude | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-8 | Les Illuminations, op. 18: VII. Being beauteous | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-9 | Les Illuminations, op. 18: VIII. Parade | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-10 | Les Illuminations, op. 18: IX. Départ | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 4-11 | Serenade for Tenor, Horn & Strings, op. 31: Prologue | Barry Tuckwell | — | |
| 4-12 | Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-13 | Serenade, for tenor, horn & strings, op. 31: Nocturne | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-14 | Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-15 | Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-16 | Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-17 | Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 4-18 | Serenade for Tenor, Horn & Strings, op. 31: Epilogue | Barry Tuckwell | — | |
| 4-19 | Violin Concerto, op. 15: I. Moderato con moto | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — | |
| 4-20 | Violin Concerto, op. 15: II. Vivace - Cadenza - | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — | |
| 4-21 | Violin Concerto, op. 15: III. Passacaglia – Andante lento | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — |
