UPC · Release
Pollini Plays Beethoven
Maurizio Pollini
00028947972044
35 tracksReleased 2016-12-28
Last verified:
00028947972044 is the Universal Product Code (UPC barcode) for the release “Pollini Plays Beethoven” by Maurizio Pollini, released 2016-12-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 35 tracks, each with its own ISRC. Tracks include DEF057500712, DEF057601781, DEF057601782.
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UPCPollini Plays Beethoven
ISRC7 recordings
ISWC16 works
Track List (35)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo – Adagio espressivo – Tempo I | — | ||
| 2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Maurizio Pollini | — | |
| 3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressi) | — | ||
| 4 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio (live) | — | ||
| 5 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione (Adagio molto) (live) | — | ||
| 6 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo (Allegretto moderato – Prestissimo) (live) | — | ||
| 7 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio | — | ||
| 8 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 9 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo (Allegro) | — | ||
| 10 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 12 | Piano Concerto no. 4 in G major, op. 58: III. Rondo (Vivace) | — | ||
| 13 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 14 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 15 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | — | ||
| 16 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Maurizio Pollini | T-070.160.313-5 | |
| 17 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Maurizio Pollini | — | |
| 18 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo (Allegro assai) | — | ||
| 19 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | — | ||
| 20 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto | — | ||
| 21 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro ma non troppo | — | ||
| 22 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 23 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 24 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | — | ||
| 25 | Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio – Allegro | — | ||
| 26 | Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: II. Abwesenheit. Andante espressivo | — | ||
| 27 | Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen. Vivacissimamente | — | ||
| 28 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato | — | ||
| 29 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta – Adagio molto semplice e cantabile | — | ||
| 30 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 31 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 32 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro) | — | ||
| 33 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: I. Largo – Allegro | — | ||
| 34 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: II. Adagio | — | ||
| 35 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: III. Allegretto | — |
Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo – Adagio espressivo – Tempo I
—
Piano Sonata no. 30 in E major, op. 109: II. Prestissimo
Maurizio Pollini
—
Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressi)
—
Piano Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio (live)
—
Piano Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione (Adagio molto) (live)
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Piano Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo (Allegretto moderato – Prestissimo) (live)
—
Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio
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Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
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Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo (Allegro)
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Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
—
Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
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Piano Concerto no. 4 in G major, op. 58: III. Rondo (Vivace)
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Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
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Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto
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Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato
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Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante
Maurizio Pollini
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Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo (Allegro assai)
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Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro
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Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto
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Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro ma non troppo
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Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai
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Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto
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Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo
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Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio – Allegro
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Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: II. Abwesenheit. Andante espressivo
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Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen. Vivacissimamente
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Piano Sonata no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato
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Piano Sonata no. 32 in C minor, op. 111: II. Arietta – Adagio molto semplice e cantabile
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Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
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Piano Concerto no. 3 in C minor, op. 37: II. Largo
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
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Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro)
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Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: I. Largo – Allegro
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Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: II. Adagio
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Piano Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: III. Allegretto
—
Additional database matches (28)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | Maurizio Pollini | — |
| Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | Maurizio Pollini | — |
| Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-909.876.873-1 |
| Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — |
| Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | Maurizio Pollini | — |
| Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | Maurizio Pollini | — |
| Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-070.161.055-0 |
| Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: II. Adagio un poco mosso (attacca) | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — |
| Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-700.095.171-5 |
| 1. DAS LEBEWOHL (ADAGIO - ALLEGRO) | — | |
| 2. ABWESENHEIT (ANDANTE ESPRESSIVO) | — | |
| "BEETHOVEN: PIANO SONATA NO.26 IN E FLAT, OP.81A -""LES ADIEUX"" - 3. DAS WIEDERSEHN (VIVACISSIMAMENTE)" | — | |
| Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto – attacca | Maurizio Pollini | T-915.981.383-9 |
| Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto – attacca: | Maurizio Pollini | T-915.981.383-9 |
| Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Maurizio Pollini | T-915.981.383-9 |
| Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato – Prestissimo | Maurizio Pollini | — |
| Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto - attacca | Maurizio Pollini | — |
| 3. RONDO (ALLEGRETTO MODERATO - PRESTISSIMO) | T-312.439.094-5 | |
| Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | Maurizio Pollini | T-306.395.786-4 |
| Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto - attacca: | Maurizio Pollini | — |
| Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Maurizio Pollini | T-031.682.208-8 |
| "PIANO SONATA NO.8 IN C MINOR, OP.13 -""PATHÉTIQUE"": 1. GRAVE - ALLEGRO DI MOLTO E CON BRIO" | T-915.723.669-6 | |
| 2. ADAGIO CANTABILE | T-001.397.158-8 | |
| 3. RONDO (ALLEGRO) | — | |
| Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Maurizio Pollini | — |
| "PIANO SONATA NO.17 IN D MINOR, OP.31 NO.2 -""TEMPEST"": 1. LARGO - ALLEGRO" | T-310.769.687-3 | |
| 2. ADAGIO | T-001.397.158-8 | |
| "BEETHOVEN: PIANO SONATA NO.17 IN D MINOR, OP.31 NO.2 -""TEMPEST"" - 3. ALLEGRETTO" | T-310.769.687-3 |
Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I
Maurizio Pollini
—
Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo)
Maurizio Pollini
—
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
—
Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato
Maurizio Pollini
—
Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile)
Maurizio Pollini
—
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: II. Adagio un poco mosso (attacca)
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
—
Maurizio Pollini, Wiener Philharmoniker, Karl Böhm
1. DAS LEBEWOHL (ADAGIO - ALLEGRO)
—
2. ABWESENHEIT (ANDANTE ESPRESSIVO)
—
"BEETHOVEN: PIANO SONATA NO.26 IN E FLAT, OP.81A -""LES ADIEUX"" - 3. DAS WIEDERSEHN (VIVACISSIMAMENTE)"
—
Maurizio Pollini
Maurizio Pollini
Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato – Prestissimo
Maurizio Pollini
—
Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto - attacca
Maurizio Pollini
—
Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto - attacca:
Maurizio Pollini
—
Maurizio Pollini
3. RONDO (ALLEGRO)
—
Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai
Maurizio Pollini
—
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What is UPC 00028947972044?
00028947972044 is a Universal Product Code (UPC) assigned to Pollini Plays Beethoven by Maurizio Pollini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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