UPC · Release
Classics For Playtime
Various Artists
Last verified:
00028948075379 is the Universal Product Code (UPC barcode) for the release “Classics For Playtime” by Various Artists, released 2013-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include DEF057930800, DEF058631013, GBF077840215.
Format
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — | |
| 2 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 | |
| 3 | Prelude in D‐flat major, op. 28 no. 15 “Raindrop” | Vladimir Ashkenazy | T9305393537 | |
| 4 | Symphonie no. 9, op. 95 « Du nouveau monde » : Allegro Con Fuoco (extrait) | Berliner Philharmoniker, Rafael Kubelík | — | |
| 5 | Amazing Grace | The Royal Scots Dragoon Guards | T9060285758 | |
| 6 | Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | T9027955277 | |
| 7 | Orphée aux enfers : Cancan | Wiener Philharmoniker, Lorin Maazel | T-071088112-1 | |
| 8 | Canon in D major | Stuttgarter Chamber Orchestra, Karl Münchinger | T-923834635-5 | |
| 9 | Carmina Burana: Uf dem anger: 7. Floret silva nobilis | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | T3063785508 | |
| 10 | Fantasia on Greensleeves | William Bennett, Academy of St Martin in the Fields, Neville Marriner | — | |
| 11 | Le Carnaval des animaux: VII. Aquarium | Joseph Emil Villa, Patricia Prattis Jennings, Pittsburgh Symphony Orchestra, André Previn | T0049767169 | |
| 12 | Le Carnaval des animaux: V. L’Éléphant | Robin McGee, Cristina Ortiz, Pascal Rogé, London Sinfonietta, Charles Dutoit | T-004976716-9 | |
| 13 | Sinfonie G-dur, Hob. I:94 "Mit dem Paukenschlag": II. Andante | Berliner Philharmoniker, Herbert von Karajan | T-802445410-3 | |
| 14 | Piano Sonata no. 11 in A major (“Alla Turca”) K. 331 #K. 300i#: Rondo alla turca | James Galway, Lady Jeanne Galway, Sinfonia Varsovia | T9037217508 | |
| 15 | The Flight Of The Bumble Bee From Rimsky-Korsakov "Scheherazade" | Vladimir Ashkenazy, Christopher Warren-Green, London Philharmonic Orchestra | T9027999208 | |
| 16 | "VARIATIONS ON ""I GOT RHYTHM"" FOR PIANO AND ORCHESTRA" | David Parkhouse, London Festival Recording Ensemble, Bernard Herrmann | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318237508-8 |
| Fantasia on Greensleeves | William Bennett, Academy of St Martin in the Fields, Neville Marriner | — |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 00028948075379?
00028948075379 is a Universal Product Code (UPC) assigned to Classics For Playtime by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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