Inge Borkh & Ljuba Welitsch: The Decca Recitals

UPC · Release

Inge Borkh & Ljuba Welitsch: The Decca Recitals

Inge Borkh, Ljuba Welitsch, London Symphony Orchestra and 4 more

00028948243426
22 tracksReleased 1951

Last verified:

00028948243426 is the Universal Product Code (UPC barcode) for the release Inge Borkh & Ljuba Welitsch: The Decca Recitals by Inge Borkh, Ljuba Welitsch, London Symphony Orchestra, Anatole Fistoulari, Vienna Philharmonic, Rudolf Moralt, Josef Krips & Orchestra of the Vienna State Opera, released 1951. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include GBF075711480, GBF075813430, GBF075010181.

Format

0Indicator
002GS1 prefix
8948Company prefix
24342Product
6Check digit
Indicator:
Packaging-level digit (0 = base item, 1-8 = larger packs).
GS1 prefix:
Country/region prefix assigned by GS1.
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit.

Credit Chain

UPCInge Borkh & Ljuba Welitsch: The Decca Recitals
ISRC5 recordings
ISWC7 works

Track List (22)

Rusalka, Op. 114, B. 203, Act I: Song to the Moon
Rusalka, Op. 114, B. 203, Act I: Song to the Moon
Alceste, Wq. 37, Act I: "Divinités du Styx"
Alceste, Wq. 37, Act I: "Divinités du Styx"
Inge Borkh, London Symphony Orchestra & Anatole Fistoulari
Cavalleria rusticana: "Voi lo sapete"
Cavalleria rusticana: "Voi lo sapete"
Macbeth, Act II: "La luce langue"
Macbeth, Act II: "La luce langue"
L'enfant prodigue, L.57: Air de Lia
L'enfant prodigue, L.57: Air de Lia
La forza del destino, Act II: "Son giunta.Madre pietosa vergine"
La forza del destino, Act II: "Son giunta.Madre pietosa vergine"
Un ballo in maschera, Act II: "Ecco l'orrido campo.Ma dall'arido stelo divulsa"
Un ballo in maschera, Act II: "Ecco l'orrido campo.Ma dall'arido stelo divulsa"
Macbeth, Act I: "Ambizioso spirto.Vieni t'affretta.Or tutti sorgete"
Macbeth, Act I: "Ambizioso spirto.Vieni t'affretta.Or tutti sorgete"
Inge Borkh, Vienna Philharmonic & Rudolf Moralt
Andrea Chénier, Act III: "La mamma morta"
Andrea Chénier, Act III: "La mamma morta"
Adriana Lecouvreur, Act I: "Io son l'umile ancella"
Adriana Lecouvreur, Act I: "Io son l'umile ancella"
Oberon, J.306, Act II: "Ozean! Du Ungeheuer!"
Oberon, J.306, Act II: "Ozean! Du Ungeheuer!"
Ah perfido!, Op. 65
Ah perfido!, Op. 65
Salome, Op. 54: Closing Scene (Du wolltest mich nicht deinen Mund)
Salome, Op. 54: Closing Scene (Du wolltest mich nicht deinen Mund)
Pique Dame (Pikovaya Dama), Op. 68, TH.10 - sung in German, Act I: "Ich muß am Fenster lehnen"
Pique Dame (Pikovaya Dama), Op. 68, TH.10 - sung in German, Act I: "Ich muß am Fenster lehnen"
Ljuba Welitsch, Orchestra of the Vienna State Opera & Rudolf Moralt
Pique Dame (Pikovaya Dama), Op. 68, TH.10 - sung in German, Act III: "Es geht auf Mitternacht"
Pique Dame (Pikovaya Dama), Op. 68, TH.10 - sung in German, Act III: "Es geht auf Mitternacht"
Rudolf Moralt, Orchestra of the Vienna State Opera & Ljuba Welitsch
Un ballo in maschera, Act II: "Ma dall'arido stelo divulsa"
Un ballo in maschera, Act II: "Ma dall'arido stelo divulsa"
Un ballo in maschera, Act III: "Morrò, ma prima in grazia"
Un ballo in maschera, Act III: "Morrò, ma prima in grazia"
Zigeunerliebe (Gipsy Love): Lied und Csárdas
Zigeunerliebe (Gipsy Love): Lied und Csárdas
The Merry Widow (Die lustige Witwe), Act II: Vilja-Lied
The Merry Widow (Die lustige Witwe), Act II: Vilja-Lied
Die Dubarry - operetta: "Ich schenk' mein Herz"
Die Dubarry - operetta: "Ich schenk' mein Herz"
Der Zarewitsch, Operetta in 3 Acts, Act I: "Einer wird kommen"
Der Zarewitsch, Operetta in 3 Acts, Act I: "Einer wird kommen"
Wien, Wien, nur du allein
Chor der Wiener Staatsoper, Ljuba Welitsch, Wiener Philharmoniker, Herbert von Karajan

Additional database matches (17)

UN BALLO IN MASCHERA (HIGHLIGHTS): MA DALL'ARIDO STELO DIVULSA
UN BALLO IN MASCHERA (HIGHLIGHTS): MORRÒ, MA PRIMA IN GRAZIA
VILJA-LIED
Unknown
AH PERFIDO!, OP.65
Unknown
"""""""VOI LO SAPETE"""""""
Inge Borkh, London Symphony Orchestra, Anatole Fistoulari
SONG TO THE MOON
"ADRIANA LECOUVREUR / ACT 1: ""IO SON L'UMILE ANCELLA"""
"""ECCO L'ORRIDO CAMPO...MA DALL'ARIDO STELO DIVULSA"""
"""ANDREA CHÉNIER / ACT 3: """"LA MAMMA MORTA"""""

Credits Graph

People also ask

What is UPC 00028948243426?
UPC 00028948243426 is the Universal Product Code (barcode) for "Inge Borkh & Ljuba Welitsch: The Decca Recitals" by Inge Borkh, Ljuba Welitsch, London Symphony Orchestra, Anatole Fistoulari, Vienna Philharmonic, Rudolf Moralt, Josef Krips & Orchestra of the Vienna State Opera.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 00028948243426?
UPC 00028948243426 contains 22 tracks, each with its own ISRC.
SourcesMusicBrainzApple Music2 sources

Verified on

What is UPC 00028948243426?

00028948243426 is a Universal Product Code (UPC) assigned to Inge Borkh & Ljuba Welitsch: The Decca Recitals by Inge Borkh, Ljuba Welitsch, London Symphony Orchestra, Anatole Fistoulari, Vienna Philharmonic, Rudolf Moralt, Josef Krips & Orchestra of the Vienna State Opera. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm