UPC · Release
Owen Wingrave / 6 Hölderlin Fragments / The Poet's Echo
Benjamin Britten, Benjamin Luxon, Janet Baker and 7 more
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00028948346745 is the Universal Product Code (UPC barcode) for the release “Owen Wingrave / 6 Hölderlin Fragments / The Poet's Echo” by Benjamin Britten, Benjamin Luxon, Janet Baker, Jennifer Vyvyan, Heather Harper, Sylvia Fisher, Peter Pears, John Shirley-Quirk, Nigel Douglas, English Chamber Orchestra. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBF077140701, GBF077140702, GBF077140703.
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- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
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- Label/distributor identifier assigned by the local GS1 office.
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- Check digit:
- Modulo-10 check digit.
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Track List (28)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Owen Wingrave, op. 85: Act 1. Prelude | English Chamber Orchestra, Benjamin Britten | — | |
| 2 | Owen Wingrave, op. 85: Act 1. You've got your maps there? | John Shirley-Quirk, Nigel Douglas, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 3 | Owen Wingrave, op. 85: Act 1. At last it's out | Benjamin Luxon, Sylvia Fisher, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 4 | Owen Wingrave, op. 85: Act 1. Your sherry, Mrs. Coyle | Nigel Douglas, Heather Harper, John Shirley-Quirk, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 5 | Owen Wingrave, op. 85: Act 1. Oh, how unforeseen | Jennifer Vyvyan, Janet Baker, Sylvia Fisher, Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 6 | Owen Wingrave, op. 85: Act 1. Sirrah! How dare you! | Peter Pears, Janet Baker, Jennifer Vyvyan, Sylvia Fisher, English Chamber Orchestra, Benjamin Britten | — | |
| 7 | Owen Wingrave, op. 85: Act 1. Coyle, I wish I had not come | Heather Harper, John Shirley-Quirk, Benjamin Luxon, Nigel Douglas, English Chamber Orchestra, Benjamin Britten | — | |
| 8 | Owen Wingrave, op. 85: Act 1. May God bless the Queen | Peter Pears, Heather Harper, Sylvia Fisher, Janet Baker, Nigel Douglas, John Shirley-Quirk, Benjamin Luxon, Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | — | |
| 9 | Owen Wingrave, op. 85: Act 2. There was a boy, a Wingrave born | Peter Pears, Benjamin Luxon, John Shirley-Quirk, Wandsworth School Boys Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 10 | Owen Wingrave, op. 85: Act 2. I envy you, this fine old house | Nigel Douglas, Jennifer Vyvyan, Heather Harper, John Shirley-Quirk, Sylvia Fisher, Benjamin Luxon, Janet Baker, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 11 | Owen Wingrave, op. 85: Act 2. Paramore shall welcome woe! | John Shirley-Quirk, Peter Pears, Janet Baker, Sylvia Fisher, Nigel Douglas, Benjamin Luxon, Jennifer Vyvyan, Heather Harper, English Chamber Orchestra, Benjamin Britten | — | |
| 12 | Owen Wingrave, op. 85: Act 2. And with his friend young Lechmere played | Benjamin Luxon, Sylvia Fisher, Heather Harper, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 13 | Owen Wingrave, op. 85: Act 2. Now you may save your scornful looks | Benjamin Luxon, English Chamber Orchestra, Benjamin Britten | — | |
| 14 | Owen Wingrave, op. 85: Act 2. Ah, Owen, what shall I do? | Janet Baker, Benjamin Luxon, Nigel Douglas, English Chamber Orchestra, Benjamin Britten | — | |
| 15 | Owen Wingrave, op. 85: Act 2. Is that you, Coyle? | Heather Harper, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 16 | Owen Wingrave, op. 85: Act 2. Come in...It's me, Lechmere | John Shirley-Quirk, Nigel Douglas, Heather Harper, Janet Baker, Jennifer Vyvyan, Sylvia Fisher, Peter Pears, Wandsworth School Boys Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 17 | 6 Hölderlin Fragments, op. 61: I. Menschenbeifall | Peter Pears, Benjamin Britten | — | |
| 18 | 6 Hölderlin Fragments, op. 61: II. Die Heimat | Peter Pears, Benjamin Britten | — | |
| 19 | 6 Hölderlin Fragments, op. 61: III. Sokrates und Alcibiades | Peter Pears, Benjamin Britten | — | |
| 20 | 6 Hölderlin Fragments, op. 61: IV. Die Jugend | Peter Pears, Benjamin Britten | — | |
| 21 | 6 Hölderlin Fragments, op. 61: V. Hälfte des Lebens | Peter Pears, Benjamin Britten | — | |
| 22 | 6 Hölderlin Fragments, op. 61: VI. Die Linien des Lebens | Peter Pears, Benjamin Britten | — | |
| 23 | The Poet's Echo, op. 76: I. Echo ("Ekho") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 24 | The Poet's Echo, op. 76: II. My Heart ("Ya dumal, serdtse pozabilo") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 25 | The Poet's Echo, op. 76: III. Angel ("Angel") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 26 | The Poet's Echo, op. 76: IV. The Nightingale and the Rose ("Solovyei i roza") | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 27 | The Poet's Echo, op. 76: V. Epigram (Epigramma) | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 28 | The Poet's Echo, op. 76: VI. Lines Written During a Sleepless Night ("Stikhi sochinyonniye nochyu vo vremya bessonnitsi") | Galina Vishnevskaya, Mstislav Rostropovich | — |
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What is UPC 00028948346745?
00028948346745 is a Universal Product Code (UPC) assigned to Owen Wingrave / 6 Hölderlin Fragments / The Poet's Echo by Benjamin Britten, Benjamin Luxon, Janet Baker, Jennifer Vyvyan, Heather Harper, Sylvia Fisher, Peter Pears, John Shirley-Quirk, Nigel Douglas, English Chamber Orchestra, Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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