War Requiem

UPC · Release

War Requiem

Benjamin Britten

00028948537730
31 tracksReleased 1963-01-01

Last verified:

00028948537730 is the Universal Product Code (UPC barcode) for the release War Requiem by Benjamin Britten, released 1963-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 31 tracks, each with its own ISRC. Tracks include GBBBC2300943, GBBBC2300944, GBBBC2300945.

Format

0Indicator
002GS1 prefix
8948Company prefix
53773Product
0Check digit
Indicator:
Packaging-level digit (0 = base item, 1-8 = larger packs).
GS1 prefix:
Country/region prefix assigned by GS1.
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit.

Credit Chain

UPCWar Requiem
ISRC31 recordings
IPI3 songwriters

Track List (31)

War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam
War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle?
War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle?
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: II. Dies irae: Dies irae
War Requiem, op. 66: II. Dies irae: Dies irae
Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air
War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air
Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur
War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death
War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death
Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: II. Dies irae: Recordare Jesu pie
War Requiem, op. 66: II. Dies irae: Recordare Jesu pie
Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: II. Dies irae: Be slowly lifted up
War Requiem, op. 66: II. Dies irae: Be slowly lifted up
Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: II. Dies irae: Confutatis
War Requiem, op. 66: II. Dies irae: Confutatis
Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa
War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: II. Dies irae: Move him into the sun
War Requiem, op. 66: II. Dies irae: Move him into the sun
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: III. Offertorium: Domine Jesu Christe
War Requiem, op. 66: III. Offertorium: Domine Jesu Christe
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood
War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood
Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus
War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East
War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East
Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part
War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: VI. Libera me: Libera me, Domine
War Requiem, op. 66: VI. Libera me: Libera me, Domine
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped
War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped
Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum
War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum
Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
Rehearsing War Requiem: Requiem Aeternam (rehearsal)
Rehearsing War Requiem: Requiem Aeternam (rehearsal)
Benjamin Britten
Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section
Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section
Benjamin Britten
Rehearsing War Requiem: Dies Irae: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya
Rehearsing War Requiem: Dies Irae: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya
[dialogue]
Rehearsing War Requiem: Dies Irae: Rehearsal of end of movement
Rehearsing War Requiem: Dies Irae: Rehearsal of end of movement
Benjamin Britten
Rehearsing War Requiem: Offertorium (rehearsal)
Rehearsing War Requiem: Offertorium (rehearsal)
Benjamin Britten
Rehearsing War Requiem: Sanctus (rehearsal)
Rehearsing War Requiem: Sanctus (rehearsal)
Benjamin Britten
Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter)
Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter)
[dialogue]
Rehearsing War Requiem: Agnus Dei: Discussion in the control room between Britten, Peter Pears and John Culshaw
Rehearsing War Requiem: Agnus Dei: Discussion in the control room between Britten, Peter Pears and John Culshaw
[dialogue]
Rehearsing War Requiem: Libera Me: Discussion in the control room between Britten and John Culshaw
Rehearsing War Requiem: Libera Me: Discussion in the control room between Britten and John Culshaw
[dialogue]
Rehearsing War Requiem: Libera Me (rehearsal)
Rehearsing War Requiem: Libera Me (rehearsal)
Benjamin Britten
Rehearsing War Requiem: Libera Me: Rehearsal of closing page
Rehearsing War Requiem: Libera Me: Rehearsal of closing page
Benjamin Britten
Closing Speech
Closing Speech
Benjamin Britten

Identifier Graph

UPCWar RequiemISRCWar Requiem, op…ISRCWar Requiem, op…ISRCWar Requiem, op…ISRCWar Requiem, op…ISRCWar Requiem, op…

People also ask

What is UPC 00028948537730?
UPC 00028948537730 is the Universal Product Code (barcode) for "War Requiem" by Benjamin Britten.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 00028948537730?
UPC 00028948537730 contains 31 tracks, each with its own ISRC.
SourcesMLCMusicBrainzApple Music3 sources

Verified on

What is UPC 00028948537730?

00028948537730 is a Universal Product Code (UPC) assigned to War Requiem by Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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