UPC · Release
The Passenger
Weinberg, Amanda Majeski, Gyula Orendt, Daveda Karanas, Nikolai Schukoff, Orquesta, Coro Del Teatro Real De Madrid, Mirga Gražinytė‐Tyla
00028948663149
47 tracksReleased 2025-01-24
Last verified:
00028948663149 is the Universal Product Code (UPC barcode) for the release “The Passenger” by Weinberg, Amanda Majeski, Gyula Orendt, Daveda Karanas, Nikolai Schukoff, Orquesta, Coro Del Teatro Real De Madrid, Mirga Gražinytė‐Tyla, released 2025-01-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 47 tracks, each with its own ISRC.
Format
0Indicator
002GS1 prefix
8948Company prefix
66314Product
9Check digit
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Track List (47)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Passenger, Act I Scene 1: Prelude | — | ||
| 2 | The Passenger, Act I Scene 1: Das Ufer in der Ferne ist nicht mehr zu sehn | — | ||
| 3 | The Passenger, Act I Scene 1: Drei Jahre sind im Nu vorbei | — | ||
| 4 | The Passenger, Act I Scene 1: Was ist los mit Ihnen, Aufseherin Franz? | — | ||
| 5 | The Passenger, Act I Scene 1: Marta? Kann das Marta sein? | — | ||
| 6 | The Passenger, Act I Scene 1: Negro paredón | — | ||
| 7 | The Passenger, Act I Scene 1: Das ist alles Unsinn! | — | ||
| 8 | The Passenger, Act I Scene 1: Sei still, sei still | — | ||
| 9 | The Passenger, Act I Scene 1: Angst hat mir nachts die Kehle zugeschnürt | — | ||
| 10 | The Passenger, Act I Scene 1: Für ein schweres Vergehen, da kam sie in den "Todesblock" | — | ||
| 11 | The Passenger, Act I Scene 1: Fort, Gespenster der Vergangenheit! | — | ||
| 12 | The Passenger, Act I Scene 2: Appell | — | ||
| 13 | The Passenger, Act I Scene 2: Wie langweilig ist’s hier, Hans! | — | ||
| 14 | The Passenger, Act I Scene 2: Ty ukryt ot nyeba reshyotkoy | — | ||
| 15 | The Passenger, Act I Scene 2: Du hast gut gelernt, mein Kindchen | — | ||
| 16 | The Passenger, Act I Scene 2: Ta Niemka patrzy na mnie tak badawczo | — | ||
| 17 | The Passenger, Act I Scene 3: Novenkiye, novenkiye, kha, kha, kha! | — | ||
| 18 | The Passenger, Act I Scene 3: Prokhodite, ustawaytes, podrugi! | — | ||
| 19 | The Passenger, Act I Scene 3: Moi, je m’appelle Yvette | — | ||
| 20 | The Passenger, Act I Scene 3: Další den minul, uplynul | — | ||
| 21 | The Passenger, Act I Scene 3: Vspomnyat li nas kogda-nibud lyudi? | — | ||
| 22 | The Passenger, Act I Scene 3: Święty Boże, Jezu Chryste! | — | ||
| 23 | The Passenger, Act I Scene 3: Mais pourqoui tant de rage dans ta voix? | — | ||
| 24 | The Passenger, Act I Scene 3: Skoreye, vody! | — | ||
| 25 | The Passenger, Act I Scene 3: „Geliebter, mein geliebter Tadek!“ | — | ||
| 26 | The Passenger, Act I Scene 3: Spasibo. Vyruchila. | — | ||
| 27 | The Passenger, Act II Scene 4: Heil! Du kennst dich mit Geigen aus, verdammte Dinger! | — | ||
| 28 | The Passenger, Act II Scene 4: Ty żyjesz? | — | ||
| 29 | The Passenger, Act II Scene 4: Ach, ihr kennt euch? | — | ||
| 30 | The Passenger, Act II Scene 4: Beregites! | — | ||
| 31 | The Passenger, Act II Scene 5: Twój raport dotarł na czas do Krakowa | — | ||
| 32 | The Passenger, Act II Scene 6: Pozdravlyayu, Marta! | — | ||
| 33 | The Passenger, Act II Scene 6: Jeśliby zawezwał mnie do siebie Bóg | — | ||
| 34 | The Passenger, Act II Scene 6: Du vest lebn, dos iz emes | — | ||
| 35 | The Passenger, Act II Scene 6: Hör mal, Marta, wenn du möchtest, besucht dich morgen hier dein Tadeusz | — | ||
| 36 | The Passenger, Act II Scene 6: Tiene razón, Tadeusz tiene razón | — | ||
| 37 | The Passenger, Act II Scene 6: Bon, après moi répète: je vis | — | ||
| 38 | The Passenger, Act II Scene 6: Ty, dolinushka dolina, razdolye shirokoye | — | ||
| 39 | The Passenger, Act II Scene 6: Ne zabyvayte nas! | — | ||
| 40 | The Passenger, Act II Scene 7: Es ist hier so schön, und du bleibst in der Kabine | — | ||
| 41 | The Passenger, Act II Scene 7: Walter, du denkst nur voll Sorge an deine Karriere | — | ||
| 42 | The Passenger, Act II Scene 7: Your Good Health, Sir | — | ||
| 43 | The Passenger, Act II Scene 7: Was ist los, Lisa? | — | ||
| 44 | The Passenger, Act II Scene 8: Spiel tüchtig auf, Geiger! | — | ||
| 45 | The Passenger, Act II Scene 8: J. S. Bach: Chaconne in D Minor | — | ||
| 46 | The Passenger, Act II Scene 8: Negro paredón | — | ||
| 47 | The Passenger, Act II Epilogue: Jak cicho wokół mnie! | — |
The Passenger, Act I Scene 1: Prelude
—
The Passenger, Act I Scene 1: Das Ufer in der Ferne ist nicht mehr zu sehn
—
The Passenger, Act I Scene 1: Drei Jahre sind im Nu vorbei
—
The Passenger, Act I Scene 1: Was ist los mit Ihnen, Aufseherin Franz?
—
The Passenger, Act I Scene 1: Marta? Kann das Marta sein?
—
The Passenger, Act I Scene 1: Negro paredón
—
The Passenger, Act I Scene 1: Das ist alles Unsinn!
—
The Passenger, Act I Scene 1: Sei still, sei still
—
The Passenger, Act I Scene 1: Angst hat mir nachts die Kehle zugeschnürt
—
The Passenger, Act I Scene 1: Für ein schweres Vergehen, da kam sie in den "Todesblock"
—
The Passenger, Act I Scene 1: Fort, Gespenster der Vergangenheit!
—
The Passenger, Act I Scene 2: Appell
—
The Passenger, Act I Scene 2: Wie langweilig ist’s hier, Hans!
—
The Passenger, Act I Scene 2: Ty ukryt ot nyeba reshyotkoy
—
The Passenger, Act I Scene 2: Du hast gut gelernt, mein Kindchen
—
The Passenger, Act I Scene 2: Ta Niemka patrzy na mnie tak badawczo
—
The Passenger, Act I Scene 3: Novenkiye, novenkiye, kha, kha, kha!
—
The Passenger, Act I Scene 3: Prokhodite, ustawaytes, podrugi!
—
The Passenger, Act I Scene 3: Moi, je m’appelle Yvette
—
The Passenger, Act I Scene 3: Další den minul, uplynul
—
The Passenger, Act I Scene 3: Vspomnyat li nas kogda-nibud lyudi?
—
The Passenger, Act I Scene 3: Święty Boże, Jezu Chryste!
—
The Passenger, Act I Scene 3: Mais pourqoui tant de rage dans ta voix?
—
The Passenger, Act I Scene 3: Skoreye, vody!
—
The Passenger, Act I Scene 3: „Geliebter, mein geliebter Tadek!“
—
The Passenger, Act I Scene 3: Spasibo. Vyruchila.
—
The Passenger, Act II Scene 4: Heil! Du kennst dich mit Geigen aus, verdammte Dinger!
—
The Passenger, Act II Scene 4: Ty żyjesz?
—
The Passenger, Act II Scene 4: Ach, ihr kennt euch?
—
The Passenger, Act II Scene 4: Beregites!
—
The Passenger, Act II Scene 5: Twój raport dotarł na czas do Krakowa
—
The Passenger, Act II Scene 6: Pozdravlyayu, Marta!
—
The Passenger, Act II Scene 6: Jeśliby zawezwał mnie do siebie Bóg
—
The Passenger, Act II Scene 6: Du vest lebn, dos iz emes
—
The Passenger, Act II Scene 6: Hör mal, Marta, wenn du möchtest, besucht dich morgen hier dein Tadeusz
—
The Passenger, Act II Scene 6: Tiene razón, Tadeusz tiene razón
—
The Passenger, Act II Scene 6: Bon, après moi répète: je vis
—
The Passenger, Act II Scene 6: Ty, dolinushka dolina, razdolye shirokoye
—
The Passenger, Act II Scene 6: Ne zabyvayte nas!
—
The Passenger, Act II Scene 7: Es ist hier so schön, und du bleibst in der Kabine
—
The Passenger, Act II Scene 7: Walter, du denkst nur voll Sorge an deine Karriere
—
The Passenger, Act II Scene 7: Your Good Health, Sir
—
The Passenger, Act II Scene 7: Was ist los, Lisa?
—
The Passenger, Act II Scene 8: Spiel tüchtig auf, Geiger!
—
The Passenger, Act II Scene 8: J. S. Bach: Chaconne in D Minor
—
The Passenger, Act II Scene 8: Negro paredón
—
The Passenger, Act II Epilogue: Jak cicho wokół mnie!
—
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What is UPC 00028948663149?
00028948663149 is a Universal Product Code (UPC) assigned to The Passenger by Weinberg, Amanda Majeski, Gyula Orendt, Daveda Karanas, Nikolai Schukoff, Orquesta, Coro Del Teatro Real De Madrid, Mirga Gražinytė‐Tyla. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 47 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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