UPC · Release
Bartók, Pierre Boulez
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00028948670291 is the Universal Product Code (UPC barcode) for the release “Boulez A‐Z: Bartók” by Bartók, Pierre Boulez, released 2025-02-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 87 tracks, each with its own ISRC. Tracks include DEF059204141, DEF059204142, DEF059204143.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato | Chicago Symphony Orchestra, Pierre Boulez | — |
| 2 | Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro | Chicago Symphony Orchestra, Pierre Boulez | — |
| 3 | Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato | Chicago Symphony Orchestra, Pierre Boulez | — |
| 4 | Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso | Chicago Symphony Orchestra, Pierre Boulez | — |
| 5 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I | Chicago Symphony Orchestra, Pierre Boulez | — |
| 6 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando | Chicago Symphony Orchestra, Pierre Boulez | — |
| 7 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | Chicago Symphony Orchestra, Pierre Boulez | — |
| 8 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | Chicago Symphony Orchestra, Pierre Boulez | — |
| 9 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto | Chicago Symphony Orchestra, Pierre Boulez | — |
| 10 | Dance Suite, Sz 77: I. Moderato | Chicago Symphony Orchestra, Pierre Boulez | — |
| 11 | Dance Suite, Sz 77: II. Allegro molto | Chicago Symphony Orchestra, Pierre Boulez | — |
| 12 | Dance Suite, Sz 77: III. Allegro vivace | Chicago Symphony Orchestra, Pierre Boulez | — |
| 13 | Dance Suite, Sz 77: IV. Molto tranquillo | Chicago Symphony Orchestra, Pierre Boulez | — |
| 14 | Dance Suite, Sz 77: V. Comodo | Chicago Symphony Orchestra, Pierre Boulez | — |
| 15 | Dance Suite, Sz 77: VI. Finale: Allegro | Chicago Symphony Orchestra, Pierre Boulez | T-802.326.793-9 |
| 16 | Deux Images, Op 10, Sz 46: I. In Full Flower | Chicago Symphony Orchestra, Pierre Boulez | — |
| 17 | Deux Images, Op 10, Sz 46: II. Village Dance | Chicago Symphony Orchestra, Pierre Boulez | — |
| 18 | Hungarian Sketches, Sz 97: I. An Evening with the Szekely | Chicago Symphony Orchestra, Pierre Boulez | T-007.183.790-5 |
| 19 | Hungarian Sketches, Sz 97: II. Bear Dance | Chicago Symphony Orchestra, Pierre Boulez | — |
| 20 | Hungarian Sketches, Sz 97: III. Melody | Chicago Symphony Orchestra, Pierre Boulez | — |
| 21 | Hungarian Sketches, Sz 97: IV. Slightly Tipsy | Chicago Symphony Orchestra, Pierre Boulez | T-923.649.130-8 |
| 22 | Hungarian Sketches, Sz 97: V. Swineherd's Dance | Chicago Symphony Orchestra, Pierre Boulez | — |
| 23 | Divertimento, Sz 113: I. Allegro non troppo | Chicago Symphony Orchestra, Pierre Boulez | — |
| 24 | Divertimento, Sz 113: II. Molto adagio | Chicago Symphony Orchestra, Pierre Boulez | — |
| 25 | Divertimento, Sz 113: III. Allegro assai | Chicago Symphony Orchestra, Pierre Boulez | — |
| 26 | The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 27 | The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 28 | The Miraculous Mandarin, op. 19, Sz 73: Second seduction game | Chicago Symphony Orchestra, Pierre Boulez | — |
| 29 | The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 30 | The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 31 | The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 32 | The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo | Chicago Symphony Orchestra, Pierre Boulez | — |
| 33 | The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 34 | The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 35 | The Miraculous Mandarin, op. 19, Sz 73: The body of the Mandarin begins to glow with a greenish blue light. (Molto moderato) | Chicago Symphony Chorus, Chicago Symphony Orchestra, Pierre Boulez | — |
| 36 | The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 37 | Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo | Chicago Symphony Orchestra, Pierre Boulez | T-061.693.281-0 |
| 38 | Music for Strings, Percussion and Celesta, Sz 106: Allegro | Chicago Symphony Orchestra, Pierre Boulez | — |
| 39 | Music for Strings, Percussion and Celesta, Sz 106: Adagio | Chicago Symphony Orchestra, Pierre Boulez | — |
| 40 | Music for Strings, Percussion and Celesta, Sz 106: Allegro molto | Chicago Symphony Orchestra, Pierre Boulez | — |
| 41 | Cantata Profana “The Enchanted Stags”, Sz. 94: I. There was once an old man | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | — |
| 42 | Cantata Profana “The Enchanted Stags”, Sz. 94: II. But their father grew impatient | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | — |
| 43 | Cantata Profana “The Enchanted Stags”, Sz. 94: III. There was once an old man | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | — |
| 44 | The Wooden Prince: Introduction | Chicago Symphony Orchestra, Pierre Boulez | — |
| 45 | The Wooden Prince: First Dance: Dance of the Princess in the Forest | Chicago Symphony Orchestra, Pierre Boulez | — |
| 46 | The Wooden Prince: Second Dance: Dance of the Trees | Chicago Symphony Orchestra, Pierre Boulez | — |
| 47 | The Wooden Prince: Third Dance: Dance of the Waves | Chicago Symphony Orchestra, Pierre Boulez | — |
| 48 | The Wooden Prince: Fourth Dance: Dance of the Princess With the Wooden Prince | Chicago Symphony Orchestra, Pierre Boulez | — |
| 49 | The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince | Chicago Symphony Orchestra, Pierre Boulez | — |
| 50 | The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing | Chicago Symphony Orchestra, Pierre Boulez | — |
| 51 | The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way | Chicago Symphony Orchestra, Pierre Boulez | — |
| 52 | Piano Concerto No. 1: I. Allegro moderato - Allegro | Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 53 | Piano Concerto No. 1: II. Andante - | Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 54 | Piano Concerto No. 1: II. Allegro - attacca: / Piano Concerto No. 1: III. Allegro molto | Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 55 | Piano Concerto No. 2: I. Allegro | Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez | T-070.160.313-5 |
| 56 | Piano Concerto No. 2: II. Adagio - Presto - Adagio | Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez | — |
| 57 | Piano Concerto No. 2: III. Allegro molto | Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez | — |
| 58 | Piano Concerto No. 3: I. Allegretto | Hélène Grimaud, London Symphony Orchestra, Pierre Boulez | T-070.160.313-5 |
| 59 | Piano Concerto No. 3: II. Adagio religioso | Hélène Grimaud, London Symphony Orchestra, Pierre Boulez | — |
| 60 | Piano Concerto No. 3: III. Allegro vivace | Hélène Grimaud, London Symphony Orchestra, Pierre Boulez | — |
| 61 | Concerto for Two Pianos, Percussion and Orchestra: I. Assai lento | Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez | — |
| 62 | Concerto for Two Pianos, Percussion and Orchestra: II. Lento, ma non troppo | Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez | — |
| 63 | Concerto for Two Pianos, Percussion and Orchestra: III. Allegro non troppo | Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez | — |
| 64 | Concerto for Violin and Orchestra No. 1: I. Andante sostenuto | Gidon Kremer, Berliner Philharmoniker, Pierre Boulez | — |
| 65 | Concerto for Violin and Orchestra No. 1: II. Allegro giocoso | Gidon Kremer, Berliner Philharmoniker, Pierre Boulez | — |
| 66 | Concerto for Viola and Orchestra: I. Moderato | Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez | — |
| 67 | Concerto for Viola and Orchestra: II. Adagio religioso | Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez | — |
| 68 | Concerto for Viola and Orchestra: III. Allegro vivace | Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez | — |
| 69 | Concerto for Violin and Orchestra no. 2, Sz. 112: I. Allegro non troppo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 70 | Concerto for Violin and Orchestra no. 2, Sz. 112: II. Andante tranquillo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 71 | Concerto for Violin and Orchestra no. 2, Sz. 112: III. Allegro molto | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 72 | Rhapsody for Violin and Orchestra no. 1, Sz.87: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 73 | Rhapsody for Violin and Orchestra no. 1, Sz.87: II. Friss: Allegretto moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 74 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 75 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. Friss: Allegro moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 76 | Bluebeard's Castle, Sz. 48 (op. 11): Prologue - Opening Scene. "Megérkeztünk" | Chicago Symphony Orchestra, Pierre Boulez | — |
| 77 | Bluebeard's Castle, Sz. 48 (op. 11): "Ez a Kékszakállú véra?" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | T-310.323.915-8 |
| 78 | Bluebeard's Castle, Sz. 48 (op. 11): "Nagy csukott ajtókat" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 79 | Bluebeard's Castle, Sz. 48 (op. 11): Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 80 | Bluebeard's Castle, Sz. 48 (op. 11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | — |
| 81 | Bluebeard's Castle, Sz. 48 (op. 11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 82 | Bluebeard's Castle, Sz. 48 (op. 11): Door 4. "Oh! virágok! Oh! ilatoskert!" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 83 | Bluebeard's Castle, Sz. 48 (op. 11): Door 5. Kékszakállú: "Nézd hogy derül már a váram" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | — |
| 84 | Bluebeard's Castle, Sz. 48 (op. 11): Door 6. "Csendes fehér tavat látok" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 85 | Bluebeard's Castle, Sz. 48 (op. 11): "Az utolsót nem nyitom ki" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | — |
| 86 | Bluebeard's Castle, Sz. 48 (op. 11): "Tudom, tudom, Kékszakállú" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | T-007.183.961-6 |
| 87 | Bluebeard's Castle, Sz. 48 (op. 11): Door 7. "Lásd a régi aszszonyokat" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
00028948670291 is a Universal Product Code (UPC) assigned to Boulez A‐Z: Bartók by Bartók, Pierre Boulez. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 87 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
00028948670291 is the Universal Product Code (UPC barcode) for the release “Boulez A‐Z: Bartók” by Bartók, Pierre Boulez, released 2025-02-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 87 tracks, each with its own ISRC. Tracks include DEF059204141, DEF059204142, DEF059204143.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato | Chicago Symphony Orchestra, Pierre Boulez | — |
| 2 | Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro | Chicago Symphony Orchestra, Pierre Boulez | — |
| 3 | Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato | Chicago Symphony Orchestra, Pierre Boulez | — |
| 4 | Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso | Chicago Symphony Orchestra, Pierre Boulez | — |
| 5 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I | Chicago Symphony Orchestra, Pierre Boulez | — |
| 6 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando | Chicago Symphony Orchestra, Pierre Boulez | — |
| 7 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | Chicago Symphony Orchestra, Pierre Boulez | — |
| 8 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | Chicago Symphony Orchestra, Pierre Boulez | — |
| 9 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto | Chicago Symphony Orchestra, Pierre Boulez | — |
| 10 | Dance Suite, Sz 77: I. Moderato | Chicago Symphony Orchestra, Pierre Boulez | — |
| 11 | Dance Suite, Sz 77: II. Allegro molto | Chicago Symphony Orchestra, Pierre Boulez | — |
| 12 | Dance Suite, Sz 77: III. Allegro vivace | Chicago Symphony Orchestra, Pierre Boulez | — |
| 13 | Dance Suite, Sz 77: IV. Molto tranquillo | Chicago Symphony Orchestra, Pierre Boulez | — |
| 14 | Dance Suite, Sz 77: V. Comodo | Chicago Symphony Orchestra, Pierre Boulez | — |
| 15 | Dance Suite, Sz 77: VI. Finale: Allegro | Chicago Symphony Orchestra, Pierre Boulez | T-802.326.793-9 |
| 16 | Deux Images, Op 10, Sz 46: I. In Full Flower | Chicago Symphony Orchestra, Pierre Boulez | — |
| 17 | Deux Images, Op 10, Sz 46: II. Village Dance | Chicago Symphony Orchestra, Pierre Boulez | — |
| 18 | Hungarian Sketches, Sz 97: I. An Evening with the Szekely | Chicago Symphony Orchestra, Pierre Boulez | T-007.183.790-5 |
| 19 | Hungarian Sketches, Sz 97: II. Bear Dance | Chicago Symphony Orchestra, Pierre Boulez | — |
| 20 | Hungarian Sketches, Sz 97: III. Melody | Chicago Symphony Orchestra, Pierre Boulez | — |
| 21 | Hungarian Sketches, Sz 97: IV. Slightly Tipsy | Chicago Symphony Orchestra, Pierre Boulez | T-923.649.130-8 |
| 22 | Hungarian Sketches, Sz 97: V. Swineherd's Dance | Chicago Symphony Orchestra, Pierre Boulez | — |
| 23 | Divertimento, Sz 113: I. Allegro non troppo | Chicago Symphony Orchestra, Pierre Boulez | — |
| 24 | Divertimento, Sz 113: II. Molto adagio | Chicago Symphony Orchestra, Pierre Boulez | — |
| 25 | Divertimento, Sz 113: III. Allegro assai | Chicago Symphony Orchestra, Pierre Boulez | — |
| 26 | The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 27 | The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 28 | The Miraculous Mandarin, op. 19, Sz 73: Second seduction game | Chicago Symphony Orchestra, Pierre Boulez | — |
| 29 | The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 30 | The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 31 | The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 32 | The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo | Chicago Symphony Orchestra, Pierre Boulez | — |
| 33 | The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 34 | The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 35 | The Miraculous Mandarin, op. 19, Sz 73: The body of the Mandarin begins to glow with a greenish blue light. (Molto moderato) | Chicago Symphony Chorus, Chicago Symphony Orchestra, Pierre Boulez | — |
| 36 | The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo) | Chicago Symphony Orchestra, Pierre Boulez | — |
| 37 | Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo | Chicago Symphony Orchestra, Pierre Boulez | T-061.693.281-0 |
| 38 | Music for Strings, Percussion and Celesta, Sz 106: Allegro | Chicago Symphony Orchestra, Pierre Boulez | — |
| 39 | Music for Strings, Percussion and Celesta, Sz 106: Adagio | Chicago Symphony Orchestra, Pierre Boulez | — |
| 40 | Music for Strings, Percussion and Celesta, Sz 106: Allegro molto | Chicago Symphony Orchestra, Pierre Boulez | — |
| 41 | Cantata Profana “The Enchanted Stags”, Sz. 94: I. There was once an old man | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | — |
| 42 | Cantata Profana “The Enchanted Stags”, Sz. 94: II. But their father grew impatient | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | — |
| 43 | Cantata Profana “The Enchanted Stags”, Sz. 94: III. There was once an old man | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | — |
| 44 | The Wooden Prince: Introduction | Chicago Symphony Orchestra, Pierre Boulez | — |
| 45 | The Wooden Prince: First Dance: Dance of the Princess in the Forest | Chicago Symphony Orchestra, Pierre Boulez | — |
| 46 | The Wooden Prince: Second Dance: Dance of the Trees | Chicago Symphony Orchestra, Pierre Boulez | — |
| 47 | The Wooden Prince: Third Dance: Dance of the Waves | Chicago Symphony Orchestra, Pierre Boulez | — |
| 48 | The Wooden Prince: Fourth Dance: Dance of the Princess With the Wooden Prince | Chicago Symphony Orchestra, Pierre Boulez | — |
| 49 | The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince | Chicago Symphony Orchestra, Pierre Boulez | — |
| 50 | The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing | Chicago Symphony Orchestra, Pierre Boulez | — |
| 51 | The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way | Chicago Symphony Orchestra, Pierre Boulez | — |
| 52 | Piano Concerto No. 1: I. Allegro moderato - Allegro | Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 53 | Piano Concerto No. 1: II. Andante - | Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 54 | Piano Concerto No. 1: II. Allegro - attacca: / Piano Concerto No. 1: III. Allegro molto | Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 55 | Piano Concerto No. 2: I. Allegro | Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez | T-070.160.313-5 |
| 56 | Piano Concerto No. 2: II. Adagio - Presto - Adagio | Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez | — |
| 57 | Piano Concerto No. 2: III. Allegro molto | Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez | — |
| 58 | Piano Concerto No. 3: I. Allegretto | Hélène Grimaud, London Symphony Orchestra, Pierre Boulez | T-070.160.313-5 |
| 59 | Piano Concerto No. 3: II. Adagio religioso | Hélène Grimaud, London Symphony Orchestra, Pierre Boulez | — |
| 60 | Piano Concerto No. 3: III. Allegro vivace | Hélène Grimaud, London Symphony Orchestra, Pierre Boulez | — |
| 61 | Concerto for Two Pianos, Percussion and Orchestra: I. Assai lento | Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez | — |
| 62 | Concerto for Two Pianos, Percussion and Orchestra: II. Lento, ma non troppo | Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez | — |
| 63 | Concerto for Two Pianos, Percussion and Orchestra: III. Allegro non troppo | Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez | — |
| 64 | Concerto for Violin and Orchestra No. 1: I. Andante sostenuto | Gidon Kremer, Berliner Philharmoniker, Pierre Boulez | — |
| 65 | Concerto for Violin and Orchestra No. 1: II. Allegro giocoso | Gidon Kremer, Berliner Philharmoniker, Pierre Boulez | — |
| 66 | Concerto for Viola and Orchestra: I. Moderato | Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez | — |
| 67 | Concerto for Viola and Orchestra: II. Adagio religioso | Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez | — |
| 68 | Concerto for Viola and Orchestra: III. Allegro vivace | Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez | — |
| 69 | Concerto for Violin and Orchestra no. 2, Sz. 112: I. Allegro non troppo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 70 | Concerto for Violin and Orchestra no. 2, Sz. 112: II. Andante tranquillo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 71 | Concerto for Violin and Orchestra no. 2, Sz. 112: III. Allegro molto | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 72 | Rhapsody for Violin and Orchestra no. 1, Sz.87: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 73 | Rhapsody for Violin and Orchestra no. 1, Sz.87: II. Friss: Allegretto moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 74 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 75 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. Friss: Allegro moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | — |
| 76 | Bluebeard's Castle, Sz. 48 (op. 11): Prologue - Opening Scene. "Megérkeztünk" | Chicago Symphony Orchestra, Pierre Boulez | — |
| 77 | Bluebeard's Castle, Sz. 48 (op. 11): "Ez a Kékszakállú véra?" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | T-310.323.915-8 |
| 78 | Bluebeard's Castle, Sz. 48 (op. 11): "Nagy csukott ajtókat" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 79 | Bluebeard's Castle, Sz. 48 (op. 11): Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 80 | Bluebeard's Castle, Sz. 48 (op. 11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | — |
| 81 | Bluebeard's Castle, Sz. 48 (op. 11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 82 | Bluebeard's Castle, Sz. 48 (op. 11): Door 4. "Oh! virágok! Oh! ilatoskert!" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 83 | Bluebeard's Castle, Sz. 48 (op. 11): Door 5. Kékszakállú: "Nézd hogy derül már a váram" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | — |
| 84 | Bluebeard's Castle, Sz. 48 (op. 11): Door 6. "Csendes fehér tavat látok" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | — |
| 85 | Bluebeard's Castle, Sz. 48 (op. 11): "Az utolsót nem nyitom ki" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | — |
| 86 | Bluebeard's Castle, Sz. 48 (op. 11): "Tudom, tudom, Kékszakállú" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | T-007.183.961-6 |
| 87 | Bluebeard's Castle, Sz. 48 (op. 11): Door 7. "Lásd a régi aszszonyokat" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | — |
