UPC · Release
Martha Argerich
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The UPC for “Argerich A-Z: Schumann – Tchaikovsky (Complete Recordings on Deutsche Grammophon)” by Martha Argerich is 00028948689927. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2026-05-30. Label: Deutsche Grammophon (DG). This release contains 100 tracks, each with its own ISRC. Tracks include DEF057000831, DEF057000832, DEF057000833.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | T-010.194.845-1 |
| 2 | Piano Concerto no. 1 In B Flat Minor, op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | T-072.736.150-3 |
| 3 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — |
| 4 | Piano Sonata no. 2 In G Minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller | Martha Argerich | — |
| 5 | Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen | Martha Argerich | — |
| 6 | Piano Sonata no. 2 In G Minor, op. 22: 3. Scherzo (Sehr rasch und markiert) | Martha Argerich | — |
| 7 | Piano Sonata no. 2 In G Minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | Martha Argerich | — |
| 8 | "LES NOCES: PREMIER TABLEAU ""LA TRESSE" | — | |
| 9 | LES NOCES: DEUXIÈME TABLEAU: CHEZ LE MARIÉ | — | |
| 10 | LES NOCES, PT. 1: TROISIÈME TABLEAU ""\""LE DÉPART DE LA MARIÉE PAUL HUDSON, PATRICIA PARKER, MARTHA ARGERICH, LEONARD BERNSTEIN, KRYSTIAN ZIMERMAN, JOHN MITCHINSON, HOMERO FRANCESCH, ENGLISH BACH FESTIVAL PERCUSSION ENSEMBLE, ENGLISH BACH FESTIVAL CHORUS, CYPRIEN KATSARIS, ANNY MORY 177 232851172 applemusic true | — | |
| 11 | LES NOCES / DEUXIÈME PARTIE: QUATRIÈME TABLEAU: LE REPAS DE NOCES | — | |
| 12 | Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | T-909.264.262-1 |
| 13 | Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino - attacca: | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | T-909.264.262-1 |
| 14 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | T-909.264.262-1 |
| 15 | Adagio and Allegro for Cello and Piano in A-flat major, Op. 70 | Martha Argerich, Mstislav Rostropovich | — |
| 16 | Kreisleriana, op. 16: I. Äußerst bewegt. Agitatissimo | Martha Argerich | — |
| 17 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch. Con molta espressione, non troppo presto | Martha Argerich | — |
| 18 | Kreisleriana, op. 16: III. Sehr aufgeregt. Molto agitato | Martha Argerich | — |
| 19 | Kreisleriana, op. 16: IV. Sehr langsam. Lento assai | Martha Argerich | — |
| 20 | Kreisleriana, op. 16: V. Sehr lebhaft. Vivace assai | Martha Argerich | — |
| 21 | Kreisleriana, op. 16: VI. Sehr langsam. Lento assai | Martha Argerich | — |
| 22 | Kreisleriana, op. 16: VII. Sehr rasch. Molto presto | Martha Argerich | — |
| 23 | Kreisleriana, op. 16: VIII. Schnell und spielend. Vivace e scherzando | Martha Argerich | — |
| 24 | The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto | Martha Argerich, Nicolas Economou | T-312.199.363-9 |
| 25 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | Martha Argerich, Nicolas Economou | — |
| 26 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | Martha Argerich, Nicolas Economou | — |
| 27 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace | Martha Argerich, Nicolas Economou | — |
| 28 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | Martha Argerich, Nicolas Economou | — |
| 29 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | Martha Argerich, Nicolas Economou | — |
| 30 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | Martha Argerich, Nicolas Economou | — |
| 31 | The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse | Martha Argerich, Nicolas Economou | — |
| 32 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — |
| 33 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 |
| 34 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | T-913.873.556-5 |
| 35 | Kinderszenen, op. 15: III. Haschemann | Martha Argerich | T-913.870.630-6 |
| 36 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | T-001.216.772-4 |
| 37 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | T-330.120.791-6 |
| 38 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | T-001.110.774-6 |
| 39 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | T-913.871.548-7 |
| 40 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | T-913.871.486-0 |
| 41 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | T-913.870.570-1 |
| 42 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | T-330.117.411-4 |
| 43 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — |
| 44 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | T-001.098.318-2 |
| 45 | Sonata no. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck | Martha Argerich, Gidon Kremer | — |
| 46 | Sonata no. 1 in A minor, op. 105: II. Allegretto | Martha Argerich, Gidon Kremer | — |
| 47 | Sonata no. 1 in A minor, op. 105: III. Lebhaft | Martha Argerich, Gidon Kremer | — |
| 48 | Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft | Martha Argerich, Gidon Kremer | — |
| 49 | Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam – Lebhaft | Martha Argerich, Gidon Kremer | — |
| 50 | Sonata no. 2 in D minor, op. 121: III. Leise, einfach | Martha Argerich, Gidon Kremer | — |
| 51 | Sonata no. 2 in D minor, op. 121: IV. Bewegt | Martha Argerich, Gidon Kremer | — |
| 52 | Piano Concerto no. 1, op. 35: I. Allegro moderato | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | T-902.685.630-4 |
| 53 | Piano Concerto no. 1, op. 35: II. Lento | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — |
| 54 | Piano Concerto no. 1, op. 35: III. Moderato | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — |
| 55 | Piano Concerto no. 1, op. 35: IV. Allegro con brio | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — |
| 56 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | T-010.194.845-1 |
| 57 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — |
| 58 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — |
| 59 | Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato - Poco più mosso | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 60 | Piano Trio No. 2 in E minor, Op. 67: II. Allegro con brio | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 61 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gidon Kremer, Mischa Maisky | T-005.005.728-7 |
| 62 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto - Allegro | Martha Argerich, Gidon Kremer, Mischa Maisky | T-318.676.528-2 |
| 63 | Piano Trio in A minor, Op. 50: I. Pezzo elegiaco: Moderato assai - Allegro giusto - In tempo molto sostenuto - Adagio con duolo e ben sostenuto - Moderato assai - Allegro giusto | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 64 | Piano Trio in A minor, Op. 50: IIa. Tema con variazioni: Andante con moto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 65 | Piano Trio in A minor, Op. 50: IIb. Variation 1 - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 66 | Piano Trio in A minor, Op. 50: IIc. Variation 2: Più mosso - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 67 | Piano Trio in A minor, Op. 50: IId. Variation 3: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 68 | Piano Trio in A minor, Op. 50: IIe. Variation 4: L'istesso tempo (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 69 | Piano Trio in A minor, Op. 50: IIf. Variation 5: L'istesso tempo - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 70 | Piano Trio in A minor, Op. 50: IIg. Variation 6: Tempo di Valse - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 71 | Piano Trio in A minor, Op. 50: IIh. Variation 7: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 72 | Piano Trio in A minor, Op. 50: IIi. Variation 8: Fuga (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 73 | Piano Trio in A minor, Op. 50: IIj. Variation 9: Andante flebile, ma non tanto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 74 | Piano Trio in A minor, Op. 50: IIk. Variation 10: Tempo di Mazurka - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 75 | Piano Trio in A minor, Op. 50: IIl. Variation 11: Moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 76 | Piano Trio in A minor, Op. 50: IIm. Variation finale e Coda: Allegretto risoluto e con fuoco - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 77 | Piano Trio in A minor, Op. 50: IIn. [Coda]: Andante con moto - Lugubre | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 78 | Adagio und Allegro, op. 70: I. Langsam, mit innigem Ausdruck | Martha Argerich, Mischa Maisky | — |
| 79 | Adagio und Allegro, op. 70: II. Rasch und feurig | Martha Argerich, Mischa Maisky | — |
| 80 | Drei Fantasiestücke, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Mischa Maisky | — |
| 81 | Drei Fantasiestücke, op. 73: II. Lebhaft, leicht | Martha Argerich, Mischa Maisky | — |
| 82 | Drei Fantasiestücke, op. 73: III. Rasch und mit Feuer | Martha Argerich, Mischa Maisky | — |
| 83 | Drei Romanzen, op. 94: I. Nicht schnell | Martha Argerich, Mischa Maisky | T-312.439.214-5 |
| 84 | Fünf Stücke im Volkston, op. 102: I. Mit Humor "Vanitas vanitatum" | Martha Argerich, Mischa Maisky | — |
| 85 | Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Mischa Maisky | — |
| 86 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Mischa Maisky | — |
| 87 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Mischa Maisky | — |
| 88 | Fünf Stücke im Volkston, op. 102: V. Stark und markiert | Martha Argerich, Mischa Maisky | — |
| 89 | Märchenbilder, op. 113: I. Nicht schnell | Martha Argerich, Mischa Maisky | T-911.362.261-0 |
| 90 | Fantasiestücke, op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 91 | Fantasiestücke, op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 92 | Fantasiestücke, op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 93 | Fantasiestücke, op. 88: IV. Finale: Im Marschtempo | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 94 | "Suite italienne" from Pulcinella: I. Introduzione. Allegro moderato | Martha Argerich, Mischa Maisky | — |
| 95 | "Suite italienne" from Pulcinella: II. Serenata. Larghetto | Martha Argerich, Mischa Maisky | — |
| 96 | "Suite italienne" from Pulcinella: III. Aria. Allegro ala breve - Largo | Martha Argerich, Mischa Maisky | — |
| 97 | "Suite italienne" from Pulcinella: IV. Tarantella. Vivace | Martha Argerich, Mischa Maisky | — |
| 98 | "Suite italienne" from Pulcinella: V. Minuetto e Finale. Moderato - Molto vivace | Martha Argerich, Mischa Maisky | — |
| 99 | Sonata for Cello and Piano in D minor, Op. 40: I. Allegro non troppo | Martha Argerich, Mischa Maisky | — |
| 100 | Sonata for Cello and Piano in D minor, Op. 40: II. Allegro | Martha Argerich, Mischa Maisky | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
00028948689927 is a Universal Product Code (UPC) assigned to Argerich A-Z: Schumann – Tchaikovsky (Complete Recordings on Deutsche Grammophon) by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Argerich A-Z: Schumann – Tchaikovsky (Complete Recordings on Deutsche Grammophon)” by Martha Argerich is 00028948689927. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2026-05-30. Label: Deutsche Grammophon (DG). This release contains 100 tracks, each with its own ISRC. Tracks include DEF057000831, DEF057000832, DEF057000833.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | T-010.194.845-1 |
| 2 | Piano Concerto no. 1 In B Flat Minor, op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | T-072.736.150-3 |
| 3 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — |
| 4 | Piano Sonata no. 2 In G Minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller | Martha Argerich | — |
| 5 | Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen | Martha Argerich | — |
| 6 | Piano Sonata no. 2 In G Minor, op. 22: 3. Scherzo (Sehr rasch und markiert) | Martha Argerich | — |
| 7 | Piano Sonata no. 2 In G Minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | Martha Argerich | — |
| 8 | "LES NOCES: PREMIER TABLEAU ""LA TRESSE" | — | |
| 9 | LES NOCES: DEUXIÈME TABLEAU: CHEZ LE MARIÉ | — | |
| 10 | LES NOCES, PT. 1: TROISIÈME TABLEAU ""\""LE DÉPART DE LA MARIÉE PAUL HUDSON, PATRICIA PARKER, MARTHA ARGERICH, LEONARD BERNSTEIN, KRYSTIAN ZIMERMAN, JOHN MITCHINSON, HOMERO FRANCESCH, ENGLISH BACH FESTIVAL PERCUSSION ENSEMBLE, ENGLISH BACH FESTIVAL CHORUS, CYPRIEN KATSARIS, ANNY MORY 177 232851172 applemusic true | — | |
| 11 | LES NOCES / DEUXIÈME PARTIE: QUATRIÈME TABLEAU: LE REPAS DE NOCES | — | |
| 12 | Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | T-909.264.262-1 |
| 13 | Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino - attacca: | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | T-909.264.262-1 |
| 14 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | T-909.264.262-1 |
| 15 | Adagio and Allegro for Cello and Piano in A-flat major, Op. 70 | Martha Argerich, Mstislav Rostropovich | — |
| 16 | Kreisleriana, op. 16: I. Äußerst bewegt. Agitatissimo | Martha Argerich | — |
| 17 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch. Con molta espressione, non troppo presto | Martha Argerich | — |
| 18 | Kreisleriana, op. 16: III. Sehr aufgeregt. Molto agitato | Martha Argerich | — |
| 19 | Kreisleriana, op. 16: IV. Sehr langsam. Lento assai | Martha Argerich | — |
| 20 | Kreisleriana, op. 16: V. Sehr lebhaft. Vivace assai | Martha Argerich | — |
| 21 | Kreisleriana, op. 16: VI. Sehr langsam. Lento assai | Martha Argerich | — |
| 22 | Kreisleriana, op. 16: VII. Sehr rasch. Molto presto | Martha Argerich | — |
| 23 | Kreisleriana, op. 16: VIII. Schnell und spielend. Vivace e scherzando | Martha Argerich | — |
| 24 | The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto | Martha Argerich, Nicolas Economou | T-312.199.363-9 |
| 25 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | Martha Argerich, Nicolas Economou | — |
| 26 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | Martha Argerich, Nicolas Economou | — |
| 27 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace | Martha Argerich, Nicolas Economou | — |
| 28 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | Martha Argerich, Nicolas Economou | — |
| 29 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | Martha Argerich, Nicolas Economou | — |
| 30 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | Martha Argerich, Nicolas Economou | — |
| 31 | The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse | Martha Argerich, Nicolas Economou | — |
| 32 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — |
| 33 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 |
| 34 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | T-913.873.556-5 |
| 35 | Kinderszenen, op. 15: III. Haschemann | Martha Argerich | T-913.870.630-6 |
| 36 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | T-001.216.772-4 |
| 37 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | T-330.120.791-6 |
| 38 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | T-001.110.774-6 |
| 39 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | T-913.871.548-7 |
| 40 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | T-913.871.486-0 |
| 41 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | T-913.870.570-1 |
| 42 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | T-330.117.411-4 |
| 43 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — |
| 44 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | T-001.098.318-2 |
| 45 | Sonata no. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck | Martha Argerich, Gidon Kremer | — |
| 46 | Sonata no. 1 in A minor, op. 105: II. Allegretto | Martha Argerich, Gidon Kremer | — |
| 47 | Sonata no. 1 in A minor, op. 105: III. Lebhaft | Martha Argerich, Gidon Kremer | — |
| 48 | Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft | Martha Argerich, Gidon Kremer | — |
| 49 | Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam – Lebhaft | Martha Argerich, Gidon Kremer | — |
| 50 | Sonata no. 2 in D minor, op. 121: III. Leise, einfach | Martha Argerich, Gidon Kremer | — |
| 51 | Sonata no. 2 in D minor, op. 121: IV. Bewegt | Martha Argerich, Gidon Kremer | — |
| 52 | Piano Concerto no. 1, op. 35: I. Allegro moderato | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | T-902.685.630-4 |
| 53 | Piano Concerto no. 1, op. 35: II. Lento | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — |
| 54 | Piano Concerto no. 1, op. 35: III. Moderato | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — |
| 55 | Piano Concerto no. 1, op. 35: IV. Allegro con brio | Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | — |
| 56 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | T-010.194.845-1 |
| 57 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — |
| 58 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Berliner Philharmoniker, Claudio Abbado | — |
| 59 | Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato - Poco più mosso | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 60 | Piano Trio No. 2 in E minor, Op. 67: II. Allegro con brio | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 61 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gidon Kremer, Mischa Maisky | T-005.005.728-7 |
| 62 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto - Allegro | Martha Argerich, Gidon Kremer, Mischa Maisky | T-318.676.528-2 |
| 63 | Piano Trio in A minor, Op. 50: I. Pezzo elegiaco: Moderato assai - Allegro giusto - In tempo molto sostenuto - Adagio con duolo e ben sostenuto - Moderato assai - Allegro giusto | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 64 | Piano Trio in A minor, Op. 50: IIa. Tema con variazioni: Andante con moto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 65 | Piano Trio in A minor, Op. 50: IIb. Variation 1 - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 66 | Piano Trio in A minor, Op. 50: IIc. Variation 2: Più mosso - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 67 | Piano Trio in A minor, Op. 50: IId. Variation 3: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 68 | Piano Trio in A minor, Op. 50: IIe. Variation 4: L'istesso tempo (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 69 | Piano Trio in A minor, Op. 50: IIf. Variation 5: L'istesso tempo - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 70 | Piano Trio in A minor, Op. 50: IIg. Variation 6: Tempo di Valse - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 71 | Piano Trio in A minor, Op. 50: IIh. Variation 7: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 72 | Piano Trio in A minor, Op. 50: IIi. Variation 8: Fuga (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 73 | Piano Trio in A minor, Op. 50: IIj. Variation 9: Andante flebile, ma non tanto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 74 | Piano Trio in A minor, Op. 50: IIk. Variation 10: Tempo di Mazurka - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 75 | Piano Trio in A minor, Op. 50: IIl. Variation 11: Moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 76 | Piano Trio in A minor, Op. 50: IIm. Variation finale e Coda: Allegretto risoluto e con fuoco - | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 77 | Piano Trio in A minor, Op. 50: IIn. [Coda]: Andante con moto - Lugubre | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 78 | Adagio und Allegro, op. 70: I. Langsam, mit innigem Ausdruck | Martha Argerich, Mischa Maisky | — |
| 79 | Adagio und Allegro, op. 70: II. Rasch und feurig | Martha Argerich, Mischa Maisky | — |
| 80 | Drei Fantasiestücke, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Mischa Maisky | — |
| 81 | Drei Fantasiestücke, op. 73: II. Lebhaft, leicht | Martha Argerich, Mischa Maisky | — |
| 82 | Drei Fantasiestücke, op. 73: III. Rasch und mit Feuer | Martha Argerich, Mischa Maisky | — |
| 83 | Drei Romanzen, op. 94: I. Nicht schnell | Martha Argerich, Mischa Maisky | T-312.439.214-5 |
| 84 | Fünf Stücke im Volkston, op. 102: I. Mit Humor "Vanitas vanitatum" | Martha Argerich, Mischa Maisky | — |
| 85 | Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Mischa Maisky | — |
| 86 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Mischa Maisky | — |
| 87 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Mischa Maisky | — |
| 88 | Fünf Stücke im Volkston, op. 102: V. Stark und markiert | Martha Argerich, Mischa Maisky | — |
| 89 | Märchenbilder, op. 113: I. Nicht schnell | Martha Argerich, Mischa Maisky | T-911.362.261-0 |
| 90 | Fantasiestücke, op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 91 | Fantasiestücke, op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 92 | Fantasiestücke, op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 93 | Fantasiestücke, op. 88: IV. Finale: Im Marschtempo | Martha Argerich, Gidon Kremer, Mischa Maisky | — |
| 94 | "Suite italienne" from Pulcinella: I. Introduzione. Allegro moderato | Martha Argerich, Mischa Maisky | — |
| 95 | "Suite italienne" from Pulcinella: II. Serenata. Larghetto | Martha Argerich, Mischa Maisky | — |
| 96 | "Suite italienne" from Pulcinella: III. Aria. Allegro ala breve - Largo | Martha Argerich, Mischa Maisky | — |
| 97 | "Suite italienne" from Pulcinella: IV. Tarantella. Vivace | Martha Argerich, Mischa Maisky | — |
| 98 | "Suite italienne" from Pulcinella: V. Minuetto e Finale. Moderato - Molto vivace | Martha Argerich, Mischa Maisky | — |
| 99 | Sonata for Cello and Piano in D minor, Op. 40: I. Allegro non troppo | Martha Argerich, Mischa Maisky | — |
| 100 | Sonata for Cello and Piano in D minor, Op. 40: II. Allegro | Martha Argerich, Mischa Maisky | — |
