UPC · Release
Ultimate Classical Masterpieces: Mozart, Verdi, Vivaldi
Wolfgang Amadeus Mozart, Giuseppe Verdi, Antonio Vivaldi
00028948764556
57 tracks
Last verified:
00028948764556 is the Universal Product Code (UPC barcode) for the release “Ultimate Classical Masterpieces: Mozart, Verdi, Vivaldi” by Wolfgang Amadeus Mozart, Giuseppe Verdi, Antonio Vivaldi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include USTE10801698, USTE10303256, USTE10409364.
Format
0Indicator
002GS1 prefix
8948Company prefix
76455Product
6Check digit
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
UPCUltimate Classical Masterpieces: Mozart, Verdi, Vivaldi
ISRC57 recordings
ISWC12 works
IPI1 songwriter
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Primavera (Spring) Concerto no. 1 in E major: I. Allegro | Christina Day Martinson, Boston Baroque, Martin Pearlman | — | |
| 2 | Symphony no. 1 in E-flat major, K. 16: III. Presto | Prague Chamber Orchestra, Charles Mackerras | T-900.140.821-5 | |
| 3 | La traviata: Act I: “Libiamo ne' lieti calici” (Brindisi) | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 4 | Concerto Grosso no. 4 in F major: III. Vivace | Boston Baroque, Martin Pearlman | — | |
| 5 | La traviata: Act I: “Dell'invito trascorsa è già l'ora” (Introduction) | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 6 | Allegro from Eine kleine Nachtmusik (Amadeus, The Witches of Eastwick) | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 7 | La traviata: Act I: “Sempre libera degg'io” | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 8 | Verdi: Otello: Ave Maria (From "O") | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 9 | Symphony no. 1 in E-flat major, K. 16: I. Allegro molto | Prague Chamber Orchestra, Charles Mackerras | — | |
| 10 | Il trovatore: Act III: “Di quella pira l'orrendo foco” | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 11 | Le Nozze Di Figaro, K. 492 - Overture | Scottish Chamber Orchestra, Charles Mackerras | T-306.482.252-8 | |
| 12 | Verdi: Rigoletto: La Donna È Mobile | Fernando de la Mora, Orchestra of the Welsh National Opera, Charles Mackerras | T-912.866.624-0 | |
| 13 | L'Inverno (Winter) Concerto no. 4 in F minor: II. Largo | Christina Day Martinson, Boston Baroque, Martin Pearlman | — | |
| 14 | Verdi: La Traviata: Di Provenza Il Mar, Il Suol (Orch. & Arr. E. Kunzel & C. Beck) | Cincinnati Pops Orchestra, Erich Kunzel | T-928.635.557-5 | |
| 15 | Verdi: Otello, Act IV: Ave Maria, Piena di Grazia | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 16 | Mozart: Flute Concerto No. 2 in D major, K. 314: III. Allegro | Jacques Zoon, Boston Baroque, Martin Pearlman | — | |
| 17 | Mozart: Piano Sonata No. 16 in C major, K. 545: I. Allegro | John O’Conor | T-301.694.697-3 | |
| 18 | Rigoletto: Act I: “Questa o quella” | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 19 | Symphony no. “46,” K. 111b (K.96): IV. Allegro molto | Prague Chamber Orchestra, Charles Mackerras | T-902.781.050-0 | |
| 20 | Symphony no. 19 in E-flat major, K. 132: II. Andantino grazioso (alternate) | Prague Chamber Orchestra, Charles Mackerras | — | |
| 21 | Verdi: Rigoletto: Zitti, Zitti (Conspirators' Chorus) | Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw | — | |
| 22 | Symphony no. “46,” K. 111b (K.96): III. Menuetto; Trio | Prague Chamber Orchestra, Charles Mackerras | — | |
| 23 | Symphony no. 24 in B-flat major, K. 173dA/K3 166c/182: II. Andantino grazioso | Prague Chamber Orchestra, Sir Charles Mackerras | T-335.909.870-3 | |
| 24 | L'Estate (Summer) Concerto no. 2 in G minor: II. Adagio | Christina Day Martinson, Boston Baroque, Martin Pearlman | — | |
| 25 | Symphony no. 23 in D major, K. 181: II. Andantino grazioso | Prague Chamber Orchestra, Charles Mackerras | T-335.909.870-3 | |
| 26 | Symphony in F major, K. 19a: III. Presto | Prague Chamber Orchestra, Charles Mackerras | — | |
| 27 | Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto - Trio | Prague Chamber Orchestra, Charles Mackerras | — | |
| 28 | Verdi: Rigoletto: La Donna È Mobile | Richard Leech, London Symphony Orchestra, John Fiore | — | |
| 29 | Le Nozze Di Figaro, K. 492 - Act Four - Recitativo: Giunse alfin il momento | Nuccia Focile, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 30 | Rondo alla Turca (from Sonata in A major, K. 331) | John O’Conor | — | |
| 31 | Serenade for 13 Winds, K.361 / 370a: III. Adagio | Orchestra of St. Luke’s, Charles Mackerras | — | |
| 32 | Rigoletto: Act III: “La donna è mobile” | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 33 | La Primavera (Spring) Concerto no. 1 in E major: II. Largo | Christina Day Martinson, Boston Baroque, Martin Pearlman | — | |
| 34 | Verdi: Requiem: IV. Sanctus | Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw | — | |
| 35 | L'Autunno (Autumn) Concerto no. 3 in F major: II. Adagio ubriachi dormienti | Christina Day Martinson, Boston Baroque, Martin Pearlman | — | |
| 36 | La traviata: Act I: “Un dì felice, eterea” | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 37 | Verdi: II Trovatore: Vedi! Le Fosche Notturne Spoglie (Anvil Chorus) | Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw | — | |
| 38 | L'Estate (Summer) Concerto no. 2 in G minor: III. Presto tempo impestuoso d'estate | Christina Day Martinson, Boston Baroque, Martin Pearlman | — | |
| 39 | Il trovatore: Act II: “Vedi! Le fosche notturne spoglie” (Anvil Chorus) | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 40 | L'Inverno (Winter) Concerto no. 4 in F minor: I. Allegro non molto | Christina Day Martinson, Boston Baroque, Martin Pearlman | — | |
| 41 | Rigoletto: Act I: “Caro nome” | Cincinnati Pops Orchestra, Erich Kunzel | T-913.242.186-4 | |
| 42 | Falstaff: Act III: “Tutto nel mondo è burla” (Finale) | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 43 | L'Autunno (Autumn) Concerto no. 3 in F major: III. Allegro la caccia | Christina Day Martinson, Boston Baroque, Martin Pearlman | — | |
| 44 | L'Inverno (Winter) Concerto no. 4 in F minor: III. Allegro | Christina Day Martinson, Boston Baroque, Martin Pearlman | T-902.836.120-8 | |
| 45 | La traviata: Act I: “Che è ciò?” (Waltz) | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 46 | Verdi: La Traviata: de' Miei Bollenti Spiriti | Fernando de la Mora, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 47 | La traviata: Act I: Prelude | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 48 | Verdi: Aïda: Triumphal March (Arr. R. Smedvig) | Empire Brass | — | |
| 49 | Aida: Act I: “Celeste Aida” | Cincinnati Pops Orchestra, Erich Kunzel | T-900.138.252-1 | |
| 50 | La Primavera (Spring) Concerto no. 1 in E major: III. Allegro, danza pastorale | Christina Day Martinson, Boston Baroque, Martin Pearlman | — | |
| 51 | Nabucco: Act III: “Va, pensiero” (Chorus of the Hebrew Slaves) | Cincinnati Pops Orchestra, Erich Kunzel | — | |
| 52 | Verdi: Macbeth: La Luce Langue | Dolora Zajick, Royal Philharmonic Orchestra, Charles Rosekrans | — | |
| 53 | L'Autunno (Autumn) Concerto no. 3 in F major: I. Allegro, ballo en canto de' villanelli | Christina Day Martinson, Boston Baroque, Martin Pearlman | — | |
| 54 | Verdi: Il Trovatore: Condotta Ell'Era in Ceppi | Piero Giuliacci, Dolora Zajick, Royal Philharmonic Orchestra, Charles Rosekrans | — | |
| 55 | Verdi: Quattro Pezzi Sacri: No. 1, Ave Maria | Atlanta Symphony Orchestra Chorus, Robert Shaw | — | |
| 56 | Verdi: Rigoletto: Ella Mi Fu Rapita! … Parmi Veder Le Lagrime | Fernando de la Mora, Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 57 | L'Estate (Summer) Concerto no. 2 in G minor: I. Allegro non molto | Christina Day Martinson, Boston Baroque, Martin Pearlman | — |
La Primavera (Spring) Concerto no. 1 in E major: I. Allegro
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
Prague Chamber Orchestra, Charles Mackerras
La traviata: Act I: “Libiamo ne' lieti calici” (Brindisi)
Cincinnati Pops Orchestra, Erich Kunzel
—
Concerto Grosso no. 4 in F major: III. Vivace
Boston Baroque, Martin Pearlman
—
La traviata: Act I: “Dell'invito trascorsa è già l'ora” (Introduction)
Cincinnati Pops Orchestra, Erich Kunzel
—
Allegro from Eine kleine Nachtmusik (Amadeus, The Witches of Eastwick)
Cincinnati Pops Orchestra, Erich Kunzel
—
La traviata: Act I: “Sempre libera degg'io”
Cincinnati Pops Orchestra, Erich Kunzel
—
Verdi: Otello: Ave Maria (From "O")
Cincinnati Pops Orchestra, Erich Kunzel
—
Symphony no. 1 in E-flat major, K. 16: I. Allegro molto
Prague Chamber Orchestra, Charles Mackerras
—
Il trovatore: Act III: “Di quella pira l'orrendo foco”
Cincinnati Pops Orchestra, Erich Kunzel
—
Fernando de la Mora, Orchestra of the Welsh National Opera, Charles Mackerras
L'Inverno (Winter) Concerto no. 4 in F minor: II. Largo
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
Cincinnati Pops Orchestra, Erich Kunzel
Verdi: Otello, Act IV: Ave Maria, Piena di Grazia
Cincinnati Pops Orchestra, Erich Kunzel
—
Mozart: Flute Concerto No. 2 in D major, K. 314: III. Allegro
Jacques Zoon, Boston Baroque, Martin Pearlman
—
Rigoletto: Act I: “Questa o quella”
Cincinnati Pops Orchestra, Erich Kunzel
—
Prague Chamber Orchestra, Charles Mackerras
Symphony no. 19 in E-flat major, K. 132: II. Andantino grazioso (alternate)
Prague Chamber Orchestra, Charles Mackerras
—
Verdi: Rigoletto: Zitti, Zitti (Conspirators' Chorus)
Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw
—
Symphony no. “46,” K. 111b (K.96): III. Menuetto; Trio
Prague Chamber Orchestra, Charles Mackerras
—
Prague Chamber Orchestra, Sir Charles Mackerras
L'Estate (Summer) Concerto no. 2 in G minor: II. Adagio
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
Prague Chamber Orchestra, Charles Mackerras
Symphony in F major, K. 19a: III. Presto
Prague Chamber Orchestra, Charles Mackerras
—
Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto - Trio
Prague Chamber Orchestra, Charles Mackerras
—
Verdi: Rigoletto: La Donna È Mobile
Richard Leech, London Symphony Orchestra, John Fiore
—
Le Nozze Di Figaro, K. 492 - Act Four - Recitativo: Giunse alfin il momento
Nuccia Focile, Scottish Chamber Orchestra, Charles Mackerras
—
Rondo alla Turca (from Sonata in A major, K. 331)
John O’Conor
—
Serenade for 13 Winds, K.361 / 370a: III. Adagio
Orchestra of St. Luke’s, Charles Mackerras
—
Rigoletto: Act III: “La donna è mobile”
Cincinnati Pops Orchestra, Erich Kunzel
—
La Primavera (Spring) Concerto no. 1 in E major: II. Largo
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
Verdi: Requiem: IV. Sanctus
Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw
—
L'Autunno (Autumn) Concerto no. 3 in F major: II. Adagio ubriachi dormienti
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
La traviata: Act I: “Un dì felice, eterea”
Cincinnati Pops Orchestra, Erich Kunzel
—
Verdi: II Trovatore: Vedi! Le Fosche Notturne Spoglie (Anvil Chorus)
Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw
—
L'Estate (Summer) Concerto no. 2 in G minor: III. Presto tempo impestuoso d'estate
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
Il trovatore: Act II: “Vedi! Le fosche notturne spoglie” (Anvil Chorus)
Cincinnati Pops Orchestra, Erich Kunzel
—
L'Inverno (Winter) Concerto no. 4 in F minor: I. Allegro non molto
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
Falstaff: Act III: “Tutto nel mondo è burla” (Finale)
Cincinnati Pops Orchestra, Erich Kunzel
—
L'Autunno (Autumn) Concerto no. 3 in F major: III. Allegro la caccia
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
Christina Day Martinson, Boston Baroque, Martin Pearlman
La traviata: Act I: “Che è ciò?” (Waltz)
Cincinnati Pops Orchestra, Erich Kunzel
—
Verdi: La Traviata: de' Miei Bollenti Spiriti
Fernando de la Mora, Orchestra of the Welsh National Opera, Charles Mackerras
—
La traviata: Act I: Prelude
Cincinnati Pops Orchestra, Erich Kunzel
—
Verdi: Aïda: Triumphal March (Arr. R. Smedvig)
Empire Brass
—
La Primavera (Spring) Concerto no. 1 in E major: III. Allegro, danza pastorale
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
Nabucco: Act III: “Va, pensiero” (Chorus of the Hebrew Slaves)
Cincinnati Pops Orchestra, Erich Kunzel
—
Verdi: Macbeth: La Luce Langue
Dolora Zajick, Royal Philharmonic Orchestra, Charles Rosekrans
—
L'Autunno (Autumn) Concerto no. 3 in F major: I. Allegro, ballo en canto de' villanelli
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
Verdi: Il Trovatore: Condotta Ell'Era in Ceppi
Piero Giuliacci, Dolora Zajick, Royal Philharmonic Orchestra, Charles Rosekrans
—
Verdi: Quattro Pezzi Sacri: No. 1, Ave Maria
Atlanta Symphony Orchestra Chorus, Robert Shaw
—
Verdi: Rigoletto: Ella Mi Fu Rapita! … Parmi Veder Le Lagrime
Fernando de la Mora, Orchestra of the Welsh National Opera, Charles Mackerras
—
L'Estate (Summer) Concerto no. 2 in G minor: I. Allegro non molto
Christina Day Martinson, Boston Baroque, Martin Pearlman
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto - Trio | Prague Chamber Orchestra, Charles Mackerras | — |
Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto - Trio
Prague Chamber Orchestra, Charles Mackerras
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
SourcesMLCMusicBrainz2 sources
Verified on
What is UPC 00028948764556?
00028948764556 is a Universal Product Code (UPC) assigned to Ultimate Classical Masterpieces: Mozart, Verdi, Vivaldi by Wolfgang Amadeus Mozart, Giuseppe Verdi, Antonio Vivaldi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm