UPC · Release
D’espairsRay
Last verified:
The UPC for “MONSTERS” by D’espairsRay is 00044002016799. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. This release contains 10 tracks, each with its own ISRC. Tracks include JPPO01070960, JPPO01070970, JPPO01070980.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Human-clad monster | D'espairsRay | T-905.742.562-4 | |
| 2 | DEATH POINT | D'espairsRay | T-905.742.524-8 | |
| 3 | 13 -Thirteen- | D'espairsRay | T-905.742.655-8 | |
| 4 | LOVE IS DEAD | D'espairsRay | — | |
| 5 | DEVILS' PARADE | D'espairsRay | T-905.742.527-1 | |
| 6 | dope | D'espairsRay | T-905.742.531-7 | |
| 7 | FALLING | D'espairsRay | T-905.742.538-4 | |
| 8 | PROGRESS | D'espairsRay | T-905.742.612-7 | |
| 9 | FINAL CALL | D'espairsRay | T-905.700.444-1 | |
| 10 | abyss | D'espairsRay | T-905.742.496-1 |
Identifier Graph
00044002016799 is a Universal Product Code (UPC) assigned to MONSTERS by D’espairsRay. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “MONSTERS” by D’espairsRay is 00044002016799. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. This release contains 10 tracks, each with its own ISRC. Tracks include JPPO01070960, JPPO01070970, JPPO01070980.
