UPC · Release
Jazz Styles: History and Analysis
Various Artists
001301269349
98 tracksReleased 2000-01-01Sony Music Special Products
Last verified:
001301269349 is the Universal Product Code (UPC barcode) for the release “Jazz Styles: History and Analysis” by Various Artists, released 2000-01-01 on Sony Music Special Products. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 98 tracks, each with its own ISRC. Tracks include DEU240800160, USBJN0920094.
Format
0Number system
01301Manufacturer
26934Product
9Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCJazz Styles: History and Analysis
ISRC2 recordings
ISWC5 works
IPI19 songwriters
Track List (98)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Street Cries of Charleston | — | ||
| 2 | Fishermen, Strawberry, and Devil Crab | — | ||
| 3 | Hunter's Dance | — | ||
| 4 | One Day | — | ||
| 5 | One O'Clock Jump | — | ||
| 6 | Birdland | — | ||
| 7 | Dixie Jass Band One‐Step (introducing “That Teasin’ Rag”) | Original Dixieland ‘Jass’ Band | T-070.242.789-1 | |
| 8 | West End Blues: Intro | — | ||
| 9 | West End Blues: Second Chorus | — | ||
| 10 | West End Blues: Third Chorus | — | ||
| 11 | West End Blues: Fourth Chorus | — | ||
| 12 | West End Blues: Fifth Chorus | — | ||
| 13 | You've Got to Be Modernistic | — | ||
| 14 | Cottontail: First Chorus | — | ||
| 15 | Cottontail: Four-Measure Interlude | — | ||
| 16 | Cottontail: Second Chorus | — | ||
| 17 | Cottontail: Fourth Chorus | — | ||
| 18 | Cottontail: Fifth Chorus | — | ||
| 19 | Cottontail: Sixth Chorus | — | ||
| 20 | Harlem Airshaft: Intro | — | ||
| 21 | Harlem Airshaft: First Chorus | — | ||
| 22 | Harlem Airshaft: Second Chorus | — | ||
| 23 | Harlem Airshaft: Second Chorus (Second Four Measures of A-Section) | — | ||
| 24 | Harlem Airshaft: Third Chorus | — | ||
| 25 | Harlem Airshaft: Fourth Chorus | — | ||
| 26 | Transblucency: Intro | — | ||
| 27 | Transblucency: First Chorus | — | ||
| 28 | Transblucency: Second Chorus | — | ||
| 29 | Transblucency: Third Chorus | — | ||
| 30 | Transblucency: Fourth Chorus | — | ||
| 31 | Transblucency: Ending | — | ||
| 32 | Prelude to a Kiss | — | ||
| 33 | Taxi War Dance: Intro | — | ||
| 34 | Taxi War Dance: First Chorus | — | ||
| 35 | Taxi War Dance: Second Chorus | — | ||
| 36 | Taxi War Dance: Third Chorus | — | ||
| 37 | Taxi War Dance: Fourth Chorus | — | ||
| 38 | Taxi War Dance: Ending | — | ||
| 39 | Shaw 'Nuff: Intro | — | ||
| 40 | Shaw 'Nuff: First Chorus | — | ||
| 41 | Shaw 'Nuff: Second Chorus | — | ||
| 42 | Shaw 'Nuff: Third Chorus | — | ||
| 43 | Shaw 'Nuff: Fourth Chorus | — | ||
| 44 | Shaw 'Nuff: Fifth Chorus | — | ||
| 45 | Shaw 'Nuff: Ending | — | ||
| 46 | No Figs: Theme | — | ||
| 47 | No Figs: Lee Konitz Alto Sax Improvisation | — | ||
| 48 | No Figs: Stan Getz Tenor Sax Improvisation | — | ||
| 49 | No Figs: Kai Winding Trombone Improvisation | — | ||
| 50 | No Figs: Buddy Defranco Clarinet Improvisation | — | ||
| 51 | No Figs: Serge Chalhoff Baritone Sax Improvisation | — | ||
| 52 | No Figs: Lennie Tristano Piano Improvisation | — | ||
| 54 | No Figs: Ending | — | ||
| 55 | Flamenco Sketches: Intro | — | ||
| 56 | Flamenco Sketches: Miles Davis Muted Trumpet Improvisation | — | ||
| 57 | Flamenco Sketches: John Coltrane Tenor Sax Improvisation | — | ||
| 58 | Flamenco Sketches: Cannonball Adderley Alto Sax Improvisation | — | ||
| 59 | Flamenco Sketches: Bill Evans Piano Improvisation | — | ||
| 60 | Flamenco Sketches: Miles David Muted Trumpet Improvisation | — | ||
| 61 | Solar: First Chorus | — | ||
| 62 | Solar: Second Chorus | — | ||
| 63 | Solar: Third Chorus | — | ||
| 64 | Solar: Fifth Chorus | — | ||
| 65 | Solar: Ninth Chorus | — | ||
| 66 | Solar: Eleventh Chorus | — | ||
| 67 | Solar: Sixteenth Chorus | — | ||
| 68 | The Promise: First Chorus | — | ||
| 69 | The Promise: Second Chorus | — | ||
| 70 | The Promise: Third Chorus | — | ||
| 71 | The Promise: Fourth Chorus | — | ||
| 72 | The Promise: Fifth Chorus | — | ||
| 73 | The Promise: Sixth Chorus | — | ||
| 74 | The Promise: Seventh Chorus | — | ||
| 75 | The Promise: Eighth Chorus | — | ||
| 76 | The Promise: Ninth Chorus | — | ||
| 77 | Jitney No. 2 | Cecil Taylor | — | |
| 78 | Masqualero: Intro | — | ||
| 79 | Masqualero: First Statement of Theme | — | ||
| 80 | Masqualero: First Chorus of Miles Davis Trumpet Solo | — | ||
| 81 | Masqualero: Second Solo Chorus for Miles Davis | — | ||
| 82 | Masqualero: Third Chorus of Miles Davis Solo | — | ||
| 83 | Masqualero: Fourth Chorus of Miles Davis Solo | — | ||
| 84 | Masqualero: Wayne Shorter Sax Solo | — | ||
| 85 | Masqualero: Second Chorus of Wayne Shorter Sax Solo | — | ||
| 86 | Masqualero: Third Chorus of Wayne Shorter Sax Solo | — | ||
| 87 | Masqualero: Fourth Chorus of Wayne Shorter Sax Solo | — | ||
| 88 | Masqualero: Herbie Hancock Piano Solo | — | ||
| 89 | Masqualero: Second Chorus of Herbie Hancock Piano Solo | — | ||
| 90 | Masqualero: Final Melody Statement | — | ||
| 91 | Masqualero: Ending | — | ||
| 92 | Steps: Intro | — | ||
| 93 | Steps: First Statement of Theme | — | ||
| 94 | Steps: First Solo Chorus | — | ||
| 95 | Steps: Nineteenth Chorus | — | ||
| 96 | Steps: Twenty-Second Solo Chorus | — | ||
| 97 | Steps: Theme Statement | — | ||
| 98 | Steps: Coda | — | ||
| 99 | Surucucu | — |
Street Cries of Charleston
—
Fishermen, Strawberry, and Devil Crab
—
Hunter's Dance
—
One Day
—
One O'Clock Jump
—
Birdland
—
Original Dixieland ‘Jass’ Band
West End Blues: Intro
—
West End Blues: Second Chorus
—
West End Blues: Third Chorus
—
West End Blues: Fourth Chorus
—
West End Blues: Fifth Chorus
—
You've Got to Be Modernistic
—
Cottontail: First Chorus
—
Cottontail: Four-Measure Interlude
—
Cottontail: Second Chorus
—
Cottontail: Fourth Chorus
—
Cottontail: Fifth Chorus
—
Cottontail: Sixth Chorus
—
Harlem Airshaft: Intro
—
Harlem Airshaft: First Chorus
—
Harlem Airshaft: Second Chorus
—
Harlem Airshaft: Second Chorus (Second Four Measures of A-Section)
—
Harlem Airshaft: Third Chorus
—
Harlem Airshaft: Fourth Chorus
—
Transblucency: Intro
—
Transblucency: First Chorus
—
Transblucency: Second Chorus
—
Transblucency: Third Chorus
—
Transblucency: Fourth Chorus
—
Transblucency: Ending
—
Prelude to a Kiss
—
Taxi War Dance: Intro
—
Taxi War Dance: First Chorus
—
Taxi War Dance: Second Chorus
—
Taxi War Dance: Third Chorus
—
Taxi War Dance: Fourth Chorus
—
Taxi War Dance: Ending
—
Shaw 'Nuff: Intro
—
Shaw 'Nuff: First Chorus
—
Shaw 'Nuff: Second Chorus
—
Shaw 'Nuff: Third Chorus
—
Shaw 'Nuff: Fourth Chorus
—
Shaw 'Nuff: Fifth Chorus
—
Shaw 'Nuff: Ending
—
No Figs: Theme
—
No Figs: Lee Konitz Alto Sax Improvisation
—
No Figs: Stan Getz Tenor Sax Improvisation
—
No Figs: Kai Winding Trombone Improvisation
—
No Figs: Buddy Defranco Clarinet Improvisation
—
No Figs: Serge Chalhoff Baritone Sax Improvisation
—
No Figs: Lennie Tristano Piano Improvisation
—
No Figs: Ending
—
Flamenco Sketches: Intro
—
Flamenco Sketches: Miles Davis Muted Trumpet Improvisation
—
Flamenco Sketches: John Coltrane Tenor Sax Improvisation
—
Flamenco Sketches: Cannonball Adderley Alto Sax Improvisation
—
Flamenco Sketches: Bill Evans Piano Improvisation
—
Flamenco Sketches: Miles David Muted Trumpet Improvisation
—
Solar: First Chorus
—
Solar: Second Chorus
—
Solar: Third Chorus
—
Solar: Fifth Chorus
—
Solar: Ninth Chorus
—
Solar: Eleventh Chorus
—
Solar: Sixteenth Chorus
—
The Promise: First Chorus
—
The Promise: Second Chorus
—
The Promise: Third Chorus
—
The Promise: Fourth Chorus
—
The Promise: Fifth Chorus
—
The Promise: Sixth Chorus
—
The Promise: Seventh Chorus
—
The Promise: Eighth Chorus
—
The Promise: Ninth Chorus
—
Jitney No. 2
Cecil Taylor
—
Masqualero: Intro
—
Masqualero: First Statement of Theme
—
Masqualero: First Chorus of Miles Davis Trumpet Solo
—
Masqualero: Second Solo Chorus for Miles Davis
—
Masqualero: Third Chorus of Miles Davis Solo
—
Masqualero: Fourth Chorus of Miles Davis Solo
—
Masqualero: Wayne Shorter Sax Solo
—
Masqualero: Second Chorus of Wayne Shorter Sax Solo
—
Masqualero: Third Chorus of Wayne Shorter Sax Solo
—
Masqualero: Fourth Chorus of Wayne Shorter Sax Solo
—
Masqualero: Herbie Hancock Piano Solo
—
Masqualero: Second Chorus of Herbie Hancock Piano Solo
—
Masqualero: Final Melody Statement
—
Masqualero: Ending
—
Steps: Intro
—
Steps: First Statement of Theme
—
Steps: First Solo Chorus
—
Steps: Nineteenth Chorus
—
Steps: Twenty-Second Solo Chorus
—
Steps: Theme Statement
—
Steps: Coda
—
Surucucu
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Jitney No. 2 | Cecil Taylor | — |
Jitney No. 2
Cecil Taylor
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
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What is UPC 001301269349?
001301269349 is a Universal Product Code (UPC) assigned to Jazz Styles: History and Analysis by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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