UPC · Release
Various Artists
Last verified:
The UPC for “Classics for Lovers” by Various Artists is 0015095584427. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. This release contains 44 tracks, each with its own ISRC. Tracks include USCMG0301552, US2TL0932814, USCMG0303097.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Canon in D major | Collegium Aureum, The English Philharmonic Orchestra, London Festival Orchestra, Simon Addison | — | |
| 2 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | T-921.530.950-5 | |
| 3 | Vesti la giubba from ‘Pagliacci’ | — | ||
| 4 | Madame Butterfly: Un bel di | — | ||
| 5 | ‘Romeo and Juliet’ Fantasy Overture | — | ||
| 6 | Prince Igor: Polovstian Dances 8 and 17 | — | ||
| 7 | Overture to ‘Tristan and Isolde’ | — | ||
| 8 | Symphony no. 3 in C minor, op. 78 “Organ Symphony” | — | ||
| 2-1 | Orchestral Suite No. 3: Air on the G string | The English Philharmonic Orchestra, London Festival Orchestra, Philharmonic Orchestra London, Simon Addison | T-914.248.874-2 | |
| 2-2 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 2-3 | Enchanted Lake from "Swan Lake" Suite | London Festival Orchestra, New Philharmonic Orchestra, Symphonic Festival Orchestra, Henry Adolph, Alberto Lizzio, Laurence Siegel | — | |
| 2-4 | Piano Concerto no. 2 | — | ||
| 2-5 | Clair de lune | [unknown] | — | |
| 2-6 | Aida | — | ||
| 2-7 | La Bohème | — | ||
| 2-8 | The New World (Symphony no. 9) | — | ||
| 2-9 | Martha | — | ||
| 2-10 | The Planets: Venus, the Bringer of Peace | — | ||
| 2-11 | Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | — | |
| 3-1 | Peer Gynt Suite no. 1, op. 46: I. Morning Song | — | ||
| 3-2 | Xerxes: Largo | London Festival Orchestra | — | |
| 3-3 | Piano Concerto no. 20 in D minor, K. 466: II. Romanze | Angela Giulini, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — | |
| 3-4 | ‘The Nutcracker’ Suite - Arabian Dance | — | ||
| 3-5 | Pavan | — | ||
| 3-6 | Prelude to ‘The Afternoon of a Faun’ | — | ||
| 3-7 | Giselle - Adagio; Waltz | — | ||
| 3-8 | The Carnival of the Animals - The Swan | — | ||
| 3-9 | Eine kleine Nachtmusik - Romanze: Andante | — | ||
| 3-10 | The Tales of Hoffmann: Barcarolle | — | ||
| 3-11 | Cavalleria rusticana: Intermezzo | — | ||
| 3-12 | Daphnis and Chloe | — | ||
| 4-1 | “The Sleeping Beauty” Suite - Pas d’action: Andante | — | ||
| 4-2 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | — | ||
| 4-3 | Clarinet Concerto in A major, K. 622: II. Adagio | — | ||
| 4-4 | On the Beautiful, Blue Danube, op. 314 | Strauss-Orchestra Wien, Joseph Francek | T-309.829.056-9 | |
| 4-5 | La Mer. Trois esquisses symphoniques: I. De l'aube jusqu'à midi sur la mer | Orchestre philharmonique de l’ORTF, Philharmonia Slavonica, ORF-Symphonic Orchestra, Loic Bertrand, Milan Horvat, Alexander von Pitamic, Alfred Scholz | — | |
| 4-6 | “Carmen”: Intermezzo | — | ||
| 4-7 | “Carmen”: Sequidilla | — | ||
| 4-8 | Carmen suite no. 2 : II. Habanera | Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio-symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor | T-928.635.317-1 | |
| 4-9 | “Carmen”: Nocturne | — | ||
| 4-10 | “Carmina Burana”: Omnia Sol temperat | — | ||
| 4-11 | “Carmina Burana”: Amor volat undique | — | ||
| 4-12 | “Carmina Burana”: Dies, nox et omina | — | ||
| 4-13 | Symphony no. 6 in B minor, op. 74 “Pathétique”: Adagio lamentoso; Andante | — |
Identifier Graph
0015095584427 is a Universal Product Code (UPC) assigned to Classics for Lovers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — |
| Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | T-003.006.377-4 |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-925.881.218-9 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Classics for Lovers” by Various Artists is 0015095584427. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. This release contains 44 tracks, each with its own ISRC. Tracks include USCMG0301552, US2TL0932814, USCMG0303097.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Canon in D major | Collegium Aureum, The English Philharmonic Orchestra, London Festival Orchestra, Simon Addison | — | |
| 2 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | T-921.530.950-5 | |
| 3 | Vesti la giubba from ‘Pagliacci’ | — | ||
| 4 | Madame Butterfly: Un bel di | — | ||
| 5 | ‘Romeo and Juliet’ Fantasy Overture | — | ||
| 6 | Prince Igor: Polovstian Dances 8 and 17 | — | ||
| 7 | Overture to ‘Tristan and Isolde’ | — | ||
| 8 | Symphony no. 3 in C minor, op. 78 “Organ Symphony” | — | ||
| 2-1 | Orchestral Suite No. 3: Air on the G string | The English Philharmonic Orchestra, London Festival Orchestra, Philharmonic Orchestra London, Simon Addison | T-914.248.874-2 | |
| 2-2 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 2-3 | Enchanted Lake from "Swan Lake" Suite | London Festival Orchestra, New Philharmonic Orchestra, Symphonic Festival Orchestra, Henry Adolph, Alberto Lizzio, Laurence Siegel | — | |
| 2-4 | Piano Concerto no. 2 | — | ||
| 2-5 | Clair de lune | [unknown] | — | |
| 2-6 | Aida | — | ||
| 2-7 | La Bohème | — | ||
| 2-8 | The New World (Symphony no. 9) | — | ||
| 2-9 | Martha | — | ||
| 2-10 | The Planets: Venus, the Bringer of Peace | — | ||
| 2-11 | Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | — | |
| 3-1 | Peer Gynt Suite no. 1, op. 46: I. Morning Song | — | ||
| 3-2 | Xerxes: Largo | London Festival Orchestra | — | |
| 3-3 | Piano Concerto no. 20 in D minor, K. 466: II. Romanze | Angela Giulini, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — | |
| 3-4 | ‘The Nutcracker’ Suite - Arabian Dance | — | ||
| 3-5 | Pavan | — | ||
| 3-6 | Prelude to ‘The Afternoon of a Faun’ | — | ||
| 3-7 | Giselle - Adagio; Waltz | — | ||
| 3-8 | The Carnival of the Animals - The Swan | — | ||
| 3-9 | Eine kleine Nachtmusik - Romanze: Andante | — | ||
| 3-10 | The Tales of Hoffmann: Barcarolle | — | ||
| 3-11 | Cavalleria rusticana: Intermezzo | — | ||
| 3-12 | Daphnis and Chloe | — | ||
| 4-1 | “The Sleeping Beauty” Suite - Pas d’action: Andante | — | ||
| 4-2 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | — | ||
| 4-3 | Clarinet Concerto in A major, K. 622: II. Adagio | — | ||
| 4-4 | On the Beautiful, Blue Danube, op. 314 | Strauss-Orchestra Wien, Joseph Francek | T-309.829.056-9 | |
| 4-5 | La Mer. Trois esquisses symphoniques: I. De l'aube jusqu'à midi sur la mer | Orchestre philharmonique de l’ORTF, Philharmonia Slavonica, ORF-Symphonic Orchestra, Loic Bertrand, Milan Horvat, Alexander von Pitamic, Alfred Scholz | — | |
| 4-6 | “Carmen”: Intermezzo | — | ||
| 4-7 | “Carmen”: Sequidilla | — | ||
| 4-8 | Carmen suite no. 2 : II. Habanera | Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio-symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor | T-928.635.317-1 | |
| 4-9 | “Carmen”: Nocturne | — | ||
| 4-10 | “Carmina Burana”: Omnia Sol temperat | — | ||
| 4-11 | “Carmina Burana”: Amor volat undique | — | ||
| 4-12 | “Carmina Burana”: Dies, nox et omina | — | ||
| 4-13 | Symphony no. 6 in B minor, op. 74 “Pathétique”: Adagio lamentoso; Andante | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — |
| Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | T-003.006.377-4 |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-925.881.218-9 |
