UPC · Release
Le nozze di Figaro (Querschnitt)
Mozart, Orchester der Deutschen Oper Berlin, Karl Böhm
0028942311527
18 tracksReleased 1987-11-02
Last verified:
0028942311527 is the Universal Product Code (UPC barcode) for the release “Le nozze di Figaro (Querschnitt)” by Mozart, Orchester der Deutschen Oper Berlin, Karl Böhm, released 1987-11-02. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include DEF056830101, DEF056830103, DEF056830124.
Format
002GS1 prefix
8942Company prefix
31152Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCLe nozze di Figaro (Querschnitt)
ISRC18 recordings
ISWC12 works
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le nozze di Figaro, K. 492: Overture | Orchester der Deutschen Oper Berlin, Karl Böhm | T-900.133.397-7 | |
| 2 | Le nozze di Figaro, K. 492: Act I. no. 2. Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) | Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 3 | Le nozze di Figaro, K. 492: Act I. no. 3. Cavatina "Se vuol ballare, signor Contino" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | T-900.134.079-0 | |
| 4 | Le nozze di Figaro, K. 492: Act I. no. 4. Aria "La vendetta, oh, la vendetta" (Bartolo) | Peter Lagger, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 5 | Le nozze di Figaro, K. 492: Act I. no. 6. Aria "Non so più cosa son, cosa faccio" (Cherubino) | Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | T-915.310.099-3 | |
| 6 | Le nozze di Figaro, K. 492: Act I. no. 9. Aria "Non più andrai, farfallone amoroso" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | T-009.157.866-3 | |
| 7 | Le nozze di Figaro, K. 492, no. 11: “Porgi, amore, qualche ristoro” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | T-306.482.540-3 | |
| 8 | Le nozze di Figaro, K. 492: Act II. no. 11. Canzona "Voi che sapete" (Cherubino) | Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | T-031.862.676-4 | |
| 9 | Le nozze di Figaro, K. 492: Act II. no. 12. Aria "Venite … inginocchiatevi" (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 10 | Le nozze di Figaro, K. 492: Act III. no. 17. Aria "Vedrò, mentr'io sospiro" (Conte) | Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 11 | Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa) | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 12 | Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 13 | Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa) | Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-900.134.451-0 | |
| 14 | Le nozze di Figaro, K. 492: Act IV. no. 23. Cavatina “L’ho perduta” (Barbarina) | Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 15 | Le nozze di Figaro, K. 492: Act IV. no. 26. Aria "Aprite un po' quegli occhi" (Figaro) | Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 16 | Le nozze di Figaro, K. 492: Act IV. no. 27. Recitativo “Giunse alfin il momento” (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | — | |
| 17 | Le nozze di Figaro, K. 492: Act IV. no. 27. Aria "Deh vieni, non tardar" (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-001.424.370-9 | |
| 18 | Le nozze di Figaro, K. 492: Act IV. no. 28. Finale "Gente, gente, all'armi, all'armi" (Conte, Tutti) | Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
Le nozze di Figaro, K. 492: Act I. no. 2. Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna)
Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act I. no. 4. Aria "La vendetta, oh, la vendetta" (Bartolo)
Peter Lagger, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm
Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act II. no. 12. Aria "Venite … inginocchiatevi" (Susanna)
Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492: Act III. no. 17. Aria "Vedrò, mentr'io sospiro" (Conte)
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa)
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti”
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act IV. no. 23. Cavatina “L’ho perduta” (Barbarina)
Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492: Act IV. no. 26. Aria "Aprite un po' quegli occhi" (Figaro)
Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492: Act IV. no. 27. Recitativo “Giunse alfin il momento” (Susanna)
Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act IV. no. 28. Finale "Gente, gente, all'armi, all'armi" (Conte, Tutti)
Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa) | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti” | Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | — |
| Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa) | Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-011.696.191-1 |
Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa)
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti”
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
—
Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
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What is UPC 0028942311527?
0028942311527 is a Universal Product Code (UPC) assigned to Le nozze di Figaro (Querschnitt) by Mozart, Orchester der Deutschen Oper Berlin, Karl Böhm. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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