UPC · Release
Back to the Future
Anne-Sophie Mutter
0028946379028
35 tracksReleased 2000-01-01Deutsche Grammophon
Last verified:
0028946379028 is the Universal Product Code (UPC barcode) for the release “Back to the Future” by Anne-Sophie Mutter, released 2000-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 35 tracks, each with its own ISRC. Tracks include DEF058802141, DEF058802142, DEF058802143.
Format
002GS1 prefix
8946Company prefix
37902Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBack to the Future
ISRC35 recordings
ISWC9 works
IPI3 songwriters
Track List (35)
| # | Track Title | Artist(s) | ISWC |
|---|---|---|---|
| 1 | Concerto en re for Violin and Orchestra: I. Toccata | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-002.139.790-9 |
| 2 | Concerto en re for Violin and Orchestra: II. Aria I | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-070.940.139-7 |
| 3 | Violin Concerto in D major: III. Aria II | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — |
| 4 | Concerto en re for Violin and Orchestra: IV. Capriccio | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — |
| 5 | LUTOSLAWSKI: PARTITA (FOR VIOLIN AND ORCHESTRA) - 1. ALLEGRO GIUSTO | T-318.588.465-1 | |
| 6 | PARTITA (FOR VIOLIN AND ORCHESTRA): 2. AD LIBITUM | — | |
| 7 | 3. LARGO | — | |
| 8 | PARTITA (FOR VIOLIN AND ORCHESTRA): 4. AD LIBITUM | — | |
| 9 | LUTOSLAWSKI PARTITA FOR VIOLIN AND ORCHESTRA 5 PRESTO | — | |
| 10 | 1. AD LIBITUM | T-905.972.159-4 | |
| 11 | 2. A BATTUTA | T-905.972.159-4 | |
| 12 | 3. AD LIBITUM | T-905.972.159-4 | |
| 13 | 4. A BATTUTA - AD LIBITUM - A BATTUTA | T-905.972.159-4 | |
| 14 | Violin Concerto no. 2, Sz. 112: I. Allegro non troppo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — |
| 15 | Violin Concerto no. 2, Sz. 112: II. Andante tranquillo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — |
| 16 | Violin Concerto no. 2, Sz. 112: III. Allegro molto | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — |
| 17 | EN RÊVE: I. LUMIÈRE VAPOREUSE | T-050.071.492-0 | |
| 18 | En reve: II. Dialogue avec l'Étoile | Seiji Ozawa, Boston Symphony Orchestra & Anne-Sophie Mutter | — |
| 19 | En reve: III. Azur fascinant (Sérénade tessinoise) | Seiji Ozawa, Boston Symphony Orchestra & Anne-Sophie Mutter | — |
| 20 | Violin Concerto "To the Memory of an Angel": I. Andante - Allegro | Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine | T-011.422.353-8 |
| 21 | Violin Concerto "To the Memory of An Angel": II. Allegro - Adagio | Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine | — |
| 22 | "Gesungene Zeit" Music for Violin and Orchestra: I. Beginning. Quasi senza | Anne-Sophie Mutter, James Levine & Chicago Symphony Orchestra | — |
| 23 | "Gesungene Zeit" Music for Violin and Orchestra: II. Takt 179. Meno mosso | James Levine, Chicago Symphony Orchestra & Anne-Sophie Mutter | — |
| 24 | Tzigane, M. 76 | Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | T-305.131.227-3 |
| 25 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | — |
| 26 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | — |
| 27 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | — |
| 28 | Sonata no. 2 for violin & piano, Sz.76: I. Molto moderato | Anne-Sophie Mutter, Lambert Orkis | — |
| 29 | Sonata no. 2 for violin & piano, Sz.76: II. Allegretto | Anne-Sophie Mutter, Lambert Orkis | — |
| 30 | Metamorphosen, Konzert für Violine und Orchester Nr. 2: I. Allegro ma non troppo | Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki | — |
| 31 | Metamorphosen, Konzert für Violine und Orchester Nr. 2: II. Allegretto | Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki | T-071.481.827-5 |
| 32 | Metamorphosen, Konzert für Violine und Orchester Nr. 2: III. Molto | Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki | — |
| 33 | Metamorphosen, Konzert für Violine und Orchester Nr. 2: IV. Vivace | Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki | T-312.542.381-2 |
| 34 | Metamorphosen, Konzert für Violine und Orchester Nr. 2: V. Scherzando | Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki | — |
| 35 | Metamorphosen, Konzert für Violine und Orchester Nr. 2: VI. Andante con moto | Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki | — |
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
Violin Concerto in D major: III. Aria II
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
—
Concerto en re for Violin and Orchestra: IV. Capriccio
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
—
PARTITA (FOR VIOLIN AND ORCHESTRA): 2. AD LIBITUM
—
3. LARGO
—
PARTITA (FOR VIOLIN AND ORCHESTRA): 4. AD LIBITUM
—
LUTOSLAWSKI PARTITA FOR VIOLIN AND ORCHESTRA 5 PRESTO
—
Violin Concerto no. 2, Sz. 112: I. Allegro non troppo
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto no. 2, Sz. 112: II. Andante tranquillo
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto no. 2, Sz. 112: III. Allegro molto
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
—
En reve: II. Dialogue avec l'Étoile
Seiji Ozawa, Boston Symphony Orchestra & Anne-Sophie Mutter
—
En reve: III. Azur fascinant (Sérénade tessinoise)
Seiji Ozawa, Boston Symphony Orchestra & Anne-Sophie Mutter
—
Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine
Violin Concerto "To the Memory of An Angel": II. Allegro - Adagio
Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine
—
"Gesungene Zeit" Music for Violin and Orchestra: I. Beginning. Quasi senza
Anne-Sophie Mutter, James Levine & Chicago Symphony Orchestra
—
"Gesungene Zeit" Music for Violin and Orchestra: II. Takt 179. Meno mosso
James Levine, Chicago Symphony Orchestra & Anne-Sophie Mutter
—
Anne-Sophie Mutter, Wiener Philharmoniker, James Levine
Violin Concerto in D minor, op. 47: I. Allegro moderato
Anne-Sophie Mutter, Staatskapelle Dresden, André Previn
—
Violin Concerto in D minor, op. 47: II. Adagio di molto
Anne-Sophie Mutter, Staatskapelle Dresden, André Previn
—
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Anne-Sophie Mutter, Staatskapelle Dresden, André Previn
—
Sonata no. 2 for violin & piano, Sz.76: I. Molto moderato
Anne-Sophie Mutter, Lambert Orkis
—
Sonata no. 2 for violin & piano, Sz.76: II. Allegretto
Anne-Sophie Mutter, Lambert Orkis
—
Metamorphosen, Konzert für Violine und Orchester Nr. 2: I. Allegro ma non troppo
Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
—
Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
Metamorphosen, Konzert für Violine und Orchester Nr. 2: III. Molto
Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
—
Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
Metamorphosen, Konzert für Violine und Orchester Nr. 2: V. Scherzando
Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
—
Metamorphosen, Konzert für Violine und Orchester Nr. 2: VI. Andante con moto
Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
—
What other identifiers does this connect to?
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Songwriters/Publishers (IPI)
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What is UPC 0028946379028?
0028946379028 is a Universal Product Code (UPC) assigned to Back to the Future by Anne-Sophie Mutter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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