UPC · Album
The Very Best of Relaxing Classics
Various Artists
0028947386223
33 tracks
Last verified:
0028947386223 is the Universal Product Code (UPC barcode) for the release “The Very Best of Relaxing Classics” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include DEF056100240, DEF056100241, DEF058104600.
Format
002GS1 prefix
8947Company prefix
38622Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Very Best of Relaxing Classics
ISRC41 recordings
ISWC32 works
IPI1 songwriter
Track List (41)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | DEF056100240 |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | DEF056100241 |
| Cavatina | John Williams | DEF058104600 |
| Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | GBBBA6350640 |
| Symphony no. 2: III. Adagio (conclusion) | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | GBBBA8150260 |
| Baïléro (excerpt) From “Chants d’Auvergne” | Kiri Te Kanawa, English Chamber Orchestra, Charles Dutoit | GBBBA8250050 |
| Prelude á l’ares midi d’un faune (excerpt) | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | GBBBA8950100 |
| String Quintet in C major, D. 956: II. Adagio (excerpt) | Miklós Perényi, Takács Quartet | GBBBA9150050 |
| Gianni Schicchi: “O mio babbino caro” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | GBBBB1400001 |
| La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin) | New Symphony Orchestra of London, Raymond Agoult | GBF075910900 |
| Orchestral Suite no. 3 in D major: Air on a G String | Stuttgarter Kammerorchester, Karl Münchinger | GBF076610300 |
| Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | GBF076710290 |
| Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | Vladimir Ashkenazy | GBF076710772 |
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | GBF077440530 |
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | GBF077440543 |
| Consolation no. 3 | Rhondda Gillespie | GBF077610450 |
| Fantasía para un gentilhombre: II. Españoleta e fanfare de la caballería de Nápoles | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | GBF078000042 |
| Adagio from “Españoleta e Fanfare de la Caballeria de Nápoles” | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | GBF078011490 |
| Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato) | Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner | GBF078100330 |
| Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato) | Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner | GBF078100333 |
| Symphony no. 2: III. Adagio (conclusion) | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | GBF078111120 |
| Adagio in G minor | Martin Haselböck, Stuttgarter Kammerorchester, Karl Münchinger | GBF078430507 |
| Orchestral Suite no. 3 in D major: Air on a G String | Stuttgarter Kammerorchester, Karl Münchinger | GBF078430508 |
| Guitar Concerto in D major, RV 93: II. Largo | Eduardo Fernández, English Chamber Orchestra, George Malcolm | GBF078610792 |
| Carmen Suite no. 1: Intermezzo | Orchestre symphonique de Montréal, Charles Dutoit | GBF078611352 |
| Deux Gymnopédies: I. Lent et grave | Orchestre symphonique de Montréal, Charles Dutoit | GBF078711211 |
| Prelude á l’ares midi d’un faune (excerpt) | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | GBF078911770 |
| Adagio for Strings, op. 11 | Baltimore Symphony Orchestra, David Zinman | GBF079110300 |
| String Quintet in C major, D. 956: II. Adagio (excerpt) | Miklós Perényi, Takács Quartet | GBF079110932 |
| String Quintet in C major, D. 956: II. Adagio (excerpt) | Miklós Perényi, Takács Quartet | GBF079112210 |
| Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Jean-Yves Thibaudet, The Cleveland Orchestra, Vladimir Ashkenazy | GBF079310662 |
| The Gadfly, Op. 97: 3. Youth (Romance) | Alexander Kerr, Koninklijk Concertgebouworkest, Riccardo Chailly | GBF079812944 |
| Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | GBFO76710290 |
| Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | NLA506300545 |
| Rhapsody on a Theme by Paganini: 18th Variation (excerpt) | Bella Davidovich, Concertgebouw Orchestra Amsterdam, Neeme Järvi | NLA508109310 |
| Canon | I Musici | NLA508208907 |
| Oboe Concerto in D minor: II. Adagio | Heinz Holliger, I Musici | NLA508534602 |
| Dances With Wolves: John Dunbar Theme | Hollywood Bowl Orchestra, John Mauceri | NLA509105714 |
| Gianni Schicchi: "O mio babbino caro" | BBC Concert Orchestra, Barry Wordsworth | NLA509710802 |
| The Lamb | Monteverdi Choir, John Eliot Gardiner | NLA509803925 |
| Canon | I Musici | NLF058200360 |
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
Concerto pour piano et orchestre No. 21, KV 467: Andante
Géza Anda, Camerata Academica des Salzburger Mozarteums
Cavatina
John Williams
Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt)
György Sebök, János Starker
Symphony no. 2: III. Adagio (conclusion)
Koninklijk Concertgebouworkest, Vladimir Ashkenazy
Baïléro (excerpt) From “Chants d’Auvergne”
Kiri Te Kanawa, English Chamber Orchestra, Charles Dutoit
Prelude á l’ares midi d’un faune (excerpt)
Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit
String Quintet in C major, D. 956: II. Adagio (excerpt)
Miklós Perényi, Takács Quartet
Gianni Schicchi: “O mio babbino caro”
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin)
New Symphony Orchestra of London, Raymond Agoult
Orchestral Suite no. 3 in D major: Air on a G String
Stuttgarter Kammerorchester, Karl Münchinger
Sospiri for Strings, Harp and Organ, op. 70
Academy of St Martin in the Fields, Sir Neville Marriner
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio
Vladimir Ashkenazy
Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus)
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus)
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
Consolation no. 3
Rhondda Gillespie
Fantasía para un gentilhombre: II. Españoleta e fanfare de la caballería de Nápoles
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
Adagio from “Españoleta e Fanfare de la Caballeria de Nápoles”
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato)
Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner
Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato)
Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner
Symphony no. 2: III. Adagio (conclusion)
Koninklijk Concertgebouworkest, Vladimir Ashkenazy
Adagio in G minor
Martin Haselböck, Stuttgarter Kammerorchester, Karl Münchinger
Orchestral Suite no. 3 in D major: Air on a G String
Stuttgarter Kammerorchester, Karl Münchinger
Guitar Concerto in D major, RV 93: II. Largo
Eduardo Fernández, English Chamber Orchestra, George Malcolm
Carmen Suite no. 1: Intermezzo
Orchestre symphonique de Montréal, Charles Dutoit
Deux Gymnopédies: I. Lent et grave
Orchestre symphonique de Montréal, Charles Dutoit
Prelude á l’ares midi d’un faune (excerpt)
Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit
Adagio for Strings, op. 11
Baltimore Symphony Orchestra, David Zinman
String Quintet in C major, D. 956: II. Adagio (excerpt)
Miklós Perényi, Takács Quartet
String Quintet in C major, D. 956: II. Adagio (excerpt)
Miklós Perényi, Takács Quartet
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Jean-Yves Thibaudet, The Cleveland Orchestra, Vladimir Ashkenazy
The Gadfly, Op. 97: 3. Youth (Romance)
Alexander Kerr, Koninklijk Concertgebouworkest, Riccardo Chailly
Sospiri for Strings, Harp and Organ, op. 70
Academy of St Martin in the Fields, Sir Neville Marriner
Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt)
György Sebök, János Starker
Rhapsody on a Theme by Paganini: 18th Variation (excerpt)
Bella Davidovich, Concertgebouw Orchestra Amsterdam, Neeme Järvi
Canon
I Musici
Oboe Concerto in D minor: II. Adagio
Heinz Holliger, I Musici
Dances With Wolves: John Dunbar Theme
Hollywood Bowl Orchestra, John Mauceri
Gianni Schicchi: "O mio babbino caro"
BBC Concert Orchestra, Barry Wordsworth
The Lamb
Monteverdi Choir, John Eliot Gardiner
Canon
I Musici
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What is UPC 0028947386223?
0028947386223 is a Universal Product Code (UPC) assigned to The Very Best of Relaxing Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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