UPC · Release
The Very Best of Relaxing Classics
Various Artists
0028947386223
33 tracks
Last verified:
0028947386223 is the Universal Product Code (UPC barcode) for the release “The Very Best of Relaxing Classics” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include NLA509710802, NLA508109310, NLA508208907.
Format
002GS1 prefix
8947Company prefix
38622Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Very Best of Relaxing Classics
ISRC29 recordings
ISWC30 works
IPI3 songwriters
Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gianni Schicchi: "O mio babbino caro" | BBC Concert Orchestra, Barry Wordsworth | T-901.222.501-3 | |
| 2 | Intermezzo From “Cavelleria rusticina” | — | ||
| 3 | Rhapsody on a Theme by Paganini: 18th Variation (excerpt) | Bella Davidovich, Concertgebouw Orchestra Amsterdam, Neeme Järvi | T-902.858.745-3 | |
| 4 | Canon | I Musici | T-071.541.764-3 | |
| 5 | Barcarolle From “Les Contes d’Hoffmann” | — | ||
| 6 | Cavatina | John Williams | T-011.221.528-7 | |
| 7 | Adagio for Strings, op. 11 | Baltimore Symphony Orchestra, David Zinman | T-070.000.199-5 | |
| 8 | Orchestral Suite no. 3 in D major: Air on a G String | Stuttgarter Kammerorchester, Karl Münchinger | T-914.248.874-2 | |
| 9 | Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-011.275.282-5 | |
| 10 | Symphony no. 9 in E minor From “The New World”: II. Largo (excerpt) | — | ||
| 11 | Prelude - Morning Mood From “Peer Gynt” | — | ||
| 12 | Dances With Wolves: John Dunbar Theme | Hollywood Bowl Orchestra, John Mauceri | — | |
| 13 | The Lamb | Monteverdi Choir, John Eliot Gardiner | T-900.217.085-6 | |
| 14 | La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin) | New Symphony Orchestra of London, Raymond Agoult | — | |
| 15 | Prelude á l’ares midi d’un faune (excerpt) | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 16 | Consolation no. 3 | Rhondda Gillespie | T-911.159.003-5 | |
| 17 | Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | Vladimir Ashkenazy | — | |
| 18 | Symphony no. 2: III. Adagio (conclusion) | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 2-1 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Jean-Yves Thibaudet, The Cleveland Orchestra, Vladimir Ashkenazy | T-071.926.821-9 | |
| 2-2 | Adagio in G minor | Martin Haselböck, Stuttgarter Kammerorchester, Karl Münchinger | T-005.001.197-6 | |
| 2-3 | Deux Gymnopédies: I. Lent et grave | Orchestre symphonique de Montréal, Charles Dutoit | T-003.010.186-0 | |
| 2-4 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 2-5 | Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato) | Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-6 | Carmen Suite no. 1: Intermezzo | Orchestre symphonique de Montréal, Charles Dutoit | T-010.194.849-5 | |
| 2-7 | Baïléro (excerpt) From “Chants d’Auvergne” | Kiri Te Kanawa, English Chamber Orchestra, Charles Dutoit | T-004.013.305-8 | |
| 2-8 | Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.613.873-8 | |
| 2-9 | Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | — | |
| 2-10 | String Quintet in C major, D. 956: II. Adagio (excerpt) | Miklós Perényi, Takács Quartet | T-312.439.091-2 | |
| 2-11 | Oboe Concerto in D minor: II. Adagio | Heinz Holliger, I Musici | T-001.439.586-8 | |
| 2-12 | Guitar Concerto in D major, RV 93: II. Largo | Eduardo Fernández, English Chamber Orchestra, George Malcolm | T-911.640.005-6 | |
| 2-13 | The Gadfly, Op. 97: 3. Youth (Romance) | Alexander Kerr, Koninklijk Concertgebouworkest, Riccardo Chailly | T-011.363.920-5 | |
| 2-14 | Fantasía para un gentilhombre: II. Españoleta e fanfare de la caballería de Nápoles | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | T-041.489.067-7 | |
| 2-15 | Gianni Schicchi: “O mio babbino caro” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T-901.222.501-3 |
Intermezzo From “Cavelleria rusticina”
—
Bella Davidovich, Concertgebouw Orchestra Amsterdam, Neeme Järvi
Barcarolle From “Les Contes d’Hoffmann”
—
Stuttgarter Kammerorchester, Karl Münchinger
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
Symphony no. 9 in E minor From “The New World”: II. Largo (excerpt)
—
Prelude - Morning Mood From “Peer Gynt”
—
Dances With Wolves: John Dunbar Theme
Hollywood Bowl Orchestra, John Mauceri
—
La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin)
New Symphony Orchestra of London, Raymond Agoult
—
Prelude á l’ares midi d’un faune (excerpt)
Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit
—
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio
Vladimir Ashkenazy
—
Symphony no. 2: III. Adagio (conclusion)
Koninklijk Concertgebouworkest, Vladimir Ashkenazy
—
Jean-Yves Thibaudet, The Cleveland Orchestra, Vladimir Ashkenazy
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
—
Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato)
Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kiri Te Kanawa, English Chamber Orchestra, Charles Dutoit
Academy of St Martin in the Fields, Sir Neville Marriner
Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt)
György Sebök, János Starker
—
Miklós Perényi, Takács Quartet
Eduardo Fernández, English Chamber Orchestra, George Malcolm
Alexander Kerr, Koninklijk Concertgebouworkest, Riccardo Chailly
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
Additional database matches (11)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | — |
| Adagio from “Españoleta e Fanfare de la Caballeria de Nápoles” | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato) | Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Symphony no. 2: III. Adagio (conclusion) | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — |
| Prelude á l’ares midi d’un faune (excerpt) | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | — |
| String Quintet in C major, D. 956: II. Adagio (excerpt) | Miklós Perényi, Takács Quartet | — |
| String Quintet in C major, D. 956: II. Adagio (excerpt) | Miklós Perényi, Takács Quartet | — |
| Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | T-309.901.323-3 |
| Canon | I Musici | — |
Géza Anda, Camerata Academica des Salzburger Mozarteums
Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus)
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
—
Adagio from “Españoleta e Fanfare de la Caballeria de Nápoles”
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
—
Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato)
Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner
—
Symphony no. 2: III. Adagio (conclusion)
Koninklijk Concertgebouworkest, Vladimir Ashkenazy
—
Prelude á l’ares midi d’un faune (excerpt)
Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit
—
String Quintet in C major, D. 956: II. Adagio (excerpt)
Miklós Perényi, Takács Quartet
—
String Quintet in C major, D. 956: II. Adagio (excerpt)
Miklós Perényi, Takács Quartet
—
Sospiri for Strings, Harp and Organ, op. 70
Academy of St Martin in the Fields, Sir Neville Marriner
—
György Sebök, János Starker
Canon
I Musici
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-001.439.586-8T-003.010.186-0T-003.010.186-0T-005.001.197-6T-010.194.849-5T-011.221.528-7T-011.221.528-7T-011.275.282-5T-070.000.199-5T-070.000.199-5
+20 more
T-071.926.821-9T-071.541.764-3T-071.926.821-9T-312.439.091-2T-900.217.085-6T-900.017.894-9T-900.217.085-6T-901.134.571-4T-901.222.501-3T-902.858.745-3T-902.858.745-3T-911.640.005-6T-914.248.874-2T-914.248.874-2T-915.711.225-9T-001.439.586-8T-004.013.305-8T-005.001.197-6T-010.194.849-5T-010.194.871-3
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000073585397000000007838141400000000783982160000000080653757000000008379004400000000841337590000000097553701000000010729317400000001086536370000000108694084
+20 more
00000001087540750000000109028462000000010914421X00000001094067770000000109444722000000010970204X000000011016525300000001102039180000000110328710000000011057410200000001106334830000000110928740000000011297410X00000001145076790000000114542036000000011470539200000001147122500000000114725481000000011476865X0000000118334381
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What is UPC 0028947386223?
0028947386223 is a Universal Product Code (UPC) assigned to The Very Best of Relaxing Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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