UPC · Release
The Great Master
Andrés Segovia
Last verified:
0028947496120 is the Universal Product Code (UPC barcode) for the release “The Great Master” by Andrés Segovia, released 2004-09-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (54)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Platero y yo, op. 190: I. Platero | — | ||
| 2 | Platero y yo, op. 190: II. Melancolía | — | ||
| 3 | Platero y yo, op. 190: III. Angelus | — | ||
| 4 | Platero y yo, op. 190: IV. Golondrinas | — | ||
| 5 | Platero y yo, op. 190: V. La arrulladora | — | ||
| 6 | Quintet for Guitar and String Quartet, op. 143: I. Allegro, vivo e schietto | — | ||
| 7 | Quintet for Guitar and String Quartet, op. 143: II. Andante mesto | — | ||
| 8 | Quintet for Guitar and String Quartet, op. 143: III. Scherzo: Allegro con spirito alla marcia | — | ||
| 9 | Quintet for Guitar and String Quartet, op. 143: IV. Finale: Allegro con fuoco | — | ||
| 10 | 12 Etudes for Guitar, A. 235 - Etude no. 8 in C-sharp minor (Modéré) | — | ||
| 11 | 12 Etudes for Guitar, A. 235 - Etude no. 1 in E minor (Allegro non troppo) | — | ||
| 12 | Piezas características: Albada | — | ||
| 13 | Sonatina for Guitar in A: Allegretto | — | ||
| 14 | Sonatina for Guitar in A: Andante | — | ||
| 15 | Sonatina for Guitar in A: Allegro | — | ||
| 16 | Dos impressiones Levantinas: 1. Andante | — | ||
| 17 | Dos impressiones Levantinas: 2. Andante | — | ||
| 18 | Venezuelan Waltzes: 3. Valse Criollo “Natalia” | — | ||
| 19 | Tres Canciones Populares Mexicanas: 2. Canción | — | ||
| 20 | Canción y paisage | — | ||
| 2-1 | Pavana no. 6 from El Maestro | — | ||
| 2-2 | Pavana no. 5 from El Maestro | — | ||
| 2-3 | Passacaille | — | ||
| 2-4 | Cancion del Emperador (sobre “Mille Regretz” de Josquin des Prez) | — | ||
| 2-5 | Variations on “Guardame las vacas” | — | ||
| 2-6 | Song (Captain Digorie Piper’s Galliard) | — | ||
| 2-7 | Allemande | — | ||
| 2-8 | Preambulo | — | ||
| 2-9 | Gavotta | — | ||
| 2-10 | Sonata in G major, K. 391/L. 79 | — | ||
| 2-11 | Fantasie | — | ||
| 2-12 | Prelude | — | ||
| 2-13 | Ballet | — | ||
| 2-14 | Gigue | — | ||
| 2-15 | Allegretto grazioso (Menuet I and II from: Suite in G minor, HWV 453) | — | ||
| 2-16 | Gavotte in G major, HWV 491 | — | ||
| 2-17 | Minuet in G major, HWV 531 | — | ||
| 2-18 | Branle | — | ||
| 2-19 | Gaillarde | — | ||
| 2-20 | Kujawiak | — | ||
| 2-21 | Polonaise | — | ||
| 2-22 | Kolisanka no. 1 | — | ||
| 2-23 | Mazurka | — | ||
| 2-24 | Reverie | — | ||
| 2-25 | Alla Polacca | — | ||
| 2-26 | Kolisanka no. 2 | — | ||
| 2-27 | Oberek | — | ||
| 2-28 | Preludes: No. 1. in A major | — | ||
| 2-29 | Preludes: No. 2 in A minor | — | ||
| 2-30 | Preludes: No. 3 in E major | — | ||
| 2-31 | Preludes: No. 4 in F-sharp minor | — | ||
| 2-32 | Preludes: No. 5 in F-sharp major | — | ||
| 2-33 | Preludes: No. 6 in B major | — | ||
| 2-34 | Valse | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 0028947496120?
0028947496120 is a Universal Product Code (UPC) assigned to The Great Master by Andrés Segovia. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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