UPC · Album
Classics at the Movies II: Classical Music From the World of Cinema
Various Artists
0028947628972
33 tracksReleased 2005-01-01
Last verified:
0028947628972 is the Universal Product Code (UPC barcode) for the release “Classics at the Movies II: Classical Music From the World of Cinema” by Various Artists, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include AUAB00050043, AUAB00150029, AUAB00150063.
Format
002GS1 prefix
8947Company prefix
62897Product
2Check digit
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
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- Check digit:
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Credit Chain
UPCClassics at the Movies II: Classical Music From the World of Cinema
ISRC43 recordings
ISWC6 works
IPI1 songwriter
Track List (43)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": 2. Adagio cantabile | Gerard Willems | AUAB00050043 |
| La Rondine: Chi il bel sogno di Doretta | Shu-Cheen Yu, Sinfonia Australis, Antony Walker | AUAB00150029 |
| Ave verum corpus, KV 618 | Sydney Philharmonia Orchestra, Antony Walker | AUAB00150063 |
| The Skaters’ Waltz, op. 183 | West Australian Symphony Orchestra, David Measham | AUAB00150093 |
| String Quartet no. 2 in D major: Notturno | Queensland Symphony Orchestra, Wilfred Lehmann | AUAB00150095 |
| Oboe Concerto in D minor: II. Adagio | Diana Doherty, Sinfonia Australis | AUAB00350194 |
| Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint » | David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods | AUAB00450329 |
| The Barber of Seville: Overture | Tasmanian Symphony Orchestra, Ola Rudner | AUAB00450754 |
| Largo (excerpt): Symphony no. 9 'From the New World' | Sydney Symphony Orchestra, José Serebrier | AUAB00550904 |
| Pomp and Circumstance March No. 1 in D major, op. 39 | Queensland Symphony Orchestra, Patrick Thomas | AUAB01150468 |
| Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Gerard Willems | AUABO0050043 |
| La Rondine: Chi il bel sogno di Doretta | Shu-Cheen Yu, Sinfonia Australis, Antony Walker | AUABO0150029 |
| Ave verum corpus | Sydney Philharmonia Motet Choir, Sydney Philharmonia, Antony Walker | AUABO0150063 |
| The Skaters’ Waltz, op. 183 | West Australian Symphony Orchestra, David Measham | AUABO0150093 |
| String Quartet no. 2 in D major: Notturno | Queensland Symphony Orchestra, Wilfred Lehmann | AUABO0150095 |
| Peer Gynt Suite no. 1, op. 46: The Death of Äse | Tasmanian Symphony Orchestra, David Stanhope | AUABO0250018 |
| Aida: Triumphal March | Queensland Symphony Orchestra, Patrick Thomas | AUABO0250031 |
| Symphony no. 6 in F major, op. 68 “Pastoral”: Allegretto | Sydney Symphony Orchestra, Willem van Otterloo | AUABO0250033 |
| Largo (excerpt): Symphony no. 9 'From the New World' | Sydney Symphony Orchestra, José Serebrier | AUABO0250041 |
| The Carnival of the Animals: XIII. The Swan | Queensland Symphony Orchestra, Bernard Heinze | AUABO0350042 |
| Oboe Concerto in D minor: II. Adagio | Diana Doherty, Sinfonia Australis | AUABO0350194 |
| Don Giovanni, K. 527, Act 1: Madamina! Il catalogo è questo (Catalogue Aria) | Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Ola Rudner | AUABO0350266 |
| Les sons et les parfums tournent dans láir du soir | Duncan Gifford | AUABO0450215 |
| Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint » | David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods | AUABO0450329 |
| The Barber of Seville: Overture | Tasmanian Symphony Orchestra, Ola Rudner | AUABO0450754 |
| Suite no. 1 in G major for solo cello, BWV1007: Prelude | Daniel Yeadon | AUABO0450816 |
| Pictures at an Exhibition: The Great Gate of Kiev | West Australian Symphony Orchestra, David Measham | AUABO0550001 |
| Finlandia, op. 26 | Melbourne Symphony Orchestra, Hiroyuki Iwaki | AUABO0550002 |
| Bagatelle in A minor "Für Elise" | David Stanhope | AUABO0550003 |
| The Love for Three Oranges, op. 33: March | Queensland Symphony Orchestra, Patrick Thomas | AUABO0550815 |
| String Quintet in C major, D956: Adagio (excerpt) | Alexander Ivashkin, Theodore Kuchar, Mark Lubotsky, Julian Smiles, Michele Walsh | AUABO0551068 |
| William Tell: Overture (excerpt) | West Australian Symphony Orchestra, David Measham | AUABO0551069 |
| Tale of Tsar Saltan: Flight of the Bumble Bee | Tasmanian Symphony Orchestra, Shalom Ronly-Riklis | AUABO8750041 |
| Caucasian Sketches, Suite no. 1, op. 10: Procession of the Sardar | Tasmanian Symphony Orchestra, Shalom Ronly-Riklis | AUABO8750043 |
| Hungarian Dance no. 5 | Sydney Symphony Orchestra, Stuart Challender | AUABO8950004 |
| Tosca: Vissi d’arte | Rita Hunter, Tasmanian Symphony Orchestra, Dobbs Franks | AUABO8950040 |
| The Marriage of Figaro, K492: Non più andrai | John Pringle, Queensland Symphony Orchestra, Richard Bonynge | AUABO9050001 |
| Brandenburg Concerto no. 3 in G major, BWV1048: First movement | Tasmanian Symphony Chamber Players, Geoffrey Lancaster | AUABO9050223 |
| Perpetuum Mobile, op. 257 | Sydney Symphony Orchestra, Richard Mills | AUABO9250040 |
| The Wasps (Aristophanic Suite): March Past of the Kitchen Utensils | Queensland Symphony Orchestra, Patrick Thomas | AUABO9450210 |
| Pomp and Circumstance March No. 1 in D major, op. 39 | Queensland Symphony Orchestra, Patrick Thomas | AUABO9550016 |
| The Hebrides, op. 26 "Fingal's Cave": Overture | Sydney Symphony Orchestra, Stuart Challender | AUABO9550351 |
| Lohengrin: Act III Prelude | Sydney Symphony Orchestra, Edo de Waart | AUABO9650319 |
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": 2. Adagio cantabile
Gerard Willems
La Rondine: Chi il bel sogno di Doretta
Shu-Cheen Yu, Sinfonia Australis, Antony Walker
Ave verum corpus, KV 618
Sydney Philharmonia Orchestra, Antony Walker
The Skaters’ Waltz, op. 183
West Australian Symphony Orchestra, David Measham
String Quartet no. 2 in D major: Notturno
Queensland Symphony Orchestra, Wilfred Lehmann
Oboe Concerto in D minor: II. Adagio
Diana Doherty, Sinfonia Australis
Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint »
David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods
The Barber of Seville: Overture
Tasmanian Symphony Orchestra, Ola Rudner
Largo (excerpt): Symphony no. 9 'From the New World'
Sydney Symphony Orchestra, José Serebrier
Pomp and Circumstance March No. 1 in D major, op. 39
Queensland Symphony Orchestra, Patrick Thomas
Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile
Gerard Willems
La Rondine: Chi il bel sogno di Doretta
Shu-Cheen Yu, Sinfonia Australis, Antony Walker
Ave verum corpus
Sydney Philharmonia Motet Choir, Sydney Philharmonia, Antony Walker
The Skaters’ Waltz, op. 183
West Australian Symphony Orchestra, David Measham
String Quartet no. 2 in D major: Notturno
Queensland Symphony Orchestra, Wilfred Lehmann
Peer Gynt Suite no. 1, op. 46: The Death of Äse
Tasmanian Symphony Orchestra, David Stanhope
Aida: Triumphal March
Queensland Symphony Orchestra, Patrick Thomas
Symphony no. 6 in F major, op. 68 “Pastoral”: Allegretto
Sydney Symphony Orchestra, Willem van Otterloo
Largo (excerpt): Symphony no. 9 'From the New World'
Sydney Symphony Orchestra, José Serebrier
The Carnival of the Animals: XIII. The Swan
Queensland Symphony Orchestra, Bernard Heinze
Oboe Concerto in D minor: II. Adagio
Diana Doherty, Sinfonia Australis
Don Giovanni, K. 527, Act 1: Madamina! Il catalogo è questo (Catalogue Aria)
Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Ola Rudner
Les sons et les parfums tournent dans láir du soir
Duncan Gifford
Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint »
David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods
The Barber of Seville: Overture
Tasmanian Symphony Orchestra, Ola Rudner
Suite no. 1 in G major for solo cello, BWV1007: Prelude
Daniel Yeadon
Pictures at an Exhibition: The Great Gate of Kiev
West Australian Symphony Orchestra, David Measham
Finlandia, op. 26
Melbourne Symphony Orchestra, Hiroyuki Iwaki
Bagatelle in A minor "Für Elise"
David Stanhope
The Love for Three Oranges, op. 33: March
Queensland Symphony Orchestra, Patrick Thomas
String Quintet in C major, D956: Adagio (excerpt)
Alexander Ivashkin, Theodore Kuchar, Mark Lubotsky, Julian Smiles, Michele Walsh
William Tell: Overture (excerpt)
West Australian Symphony Orchestra, David Measham
Tale of Tsar Saltan: Flight of the Bumble Bee
Tasmanian Symphony Orchestra, Shalom Ronly-Riklis
Caucasian Sketches, Suite no. 1, op. 10: Procession of the Sardar
Tasmanian Symphony Orchestra, Shalom Ronly-Riklis
Hungarian Dance no. 5
Sydney Symphony Orchestra, Stuart Challender
Tosca: Vissi d’arte
Rita Hunter, Tasmanian Symphony Orchestra, Dobbs Franks
The Marriage of Figaro, K492: Non più andrai
John Pringle, Queensland Symphony Orchestra, Richard Bonynge
Brandenburg Concerto no. 3 in G major, BWV1048: First movement
Tasmanian Symphony Chamber Players, Geoffrey Lancaster
Perpetuum Mobile, op. 257
Sydney Symphony Orchestra, Richard Mills
The Wasps (Aristophanic Suite): March Past of the Kitchen Utensils
Queensland Symphony Orchestra, Patrick Thomas
Pomp and Circumstance March No. 1 in D major, op. 39
Queensland Symphony Orchestra, Patrick Thomas
The Hebrides, op. 26 "Fingal's Cave": Overture
Sydney Symphony Orchestra, Stuart Challender
Lohengrin: Act III Prelude
Sydney Symphony Orchestra, Edo de Waart
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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What is UPC 0028947628972?
0028947628972 is a Universal Product Code (UPC) assigned to Classics at the Movies II: Classical Music From the World of Cinema by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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