UPC · Release
Classics at the Movies II: Classical Music From the World of Cinema
Various Artists
0028947628972
17 tracksReleased 2005-01-01
Last verified:
0028947628972 is the Universal Product Code (UPC barcode) for the release “Classics at the Movies II: Classical Music From the World of Cinema” by Various Artists, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include AUABO8750043, AUABO9050001, AUAB00150095.
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002GS1 prefix
8947Company prefix
62897Product
2Check digit
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- Company prefix:
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Credit Chain
UPCClassics at the Movies II: Classical Music From the World of Cinema
ISRC17 recordings
ISWC6 works
IPI1 songwriter
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Caucasian Sketches, Suite no. 1, op. 10: Procession of the Sardar | Tasmanian Symphony Orchestra, Shalom Ronly-Riklis | — | |
| 2-2 | The Marriage of Figaro, K492: Non più andrai | John Pringle, Queensland Symphony Orchestra, Richard Bonynge | — | |
| 2-3 | String Quartet no. 2 in D major: Notturno | Queensland Symphony Orchestra, Wilfred Lehmann | — | |
| 2-4 | Suite no. 1 in G major for solo cello, BWV1007: Prelude | Daniel Yeadon | — | |
| 2-5 | Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": 2. Adagio cantabile | Gerard Willems | T0013971588 | |
| 2-6 | Finlandia, op. 26 | Melbourne Symphony Orchestra, Hiroyuki Iwaki | — | |
| 2-7 | String Quintet in C major, D956: Adagio (excerpt) | Alexander Ivashkin, Theodore Kuchar, Mark Lubotsky, Julian Smiles, Michele Walsh | — | |
| 2-8 | Les sons et les parfums tournent dans láir du soir | Duncan Gifford | — | |
| 2-9 | Tosca: Vissi d’arte | Rita Hunter, Tasmanian Symphony Orchestra, Dobbs Franks | — | |
| 2-10 | The Hebrides, op. 26 "Fingal's Cave": Overture | Sydney Symphony Orchestra, Stuart Challender | — | |
| 2-11 | Lohengrin: Act III Prelude | Sydney Symphony Orchestra, Edo de Waart | — | |
| 2-12 | Pomp and Circumstance March No. 1 in D major, op. 39 | Queensland Symphony Orchestra, Patrick Thomas | — | |
| 2-13 | William Tell: Overture (excerpt) | West Australian Symphony Orchestra, David Measham | — | |
| 2-14 | The Love for Three Oranges, op. 33: March | Queensland Symphony Orchestra, Patrick Thomas | — | |
| 2-15 | Tale of Tsar Saltan: Flight of the Bumble Bee | Tasmanian Symphony Orchestra, Shalom Ronly-Riklis | — | |
| 2-16 | The Wasps (Aristophanic Suite): March Past of the Kitchen Utensils | Queensland Symphony Orchestra, Patrick Thomas | — | |
| 2-17 | Perpetuum Mobile, op. 257 | Sydney Symphony Orchestra, Richard Mills | — |
Caucasian Sketches, Suite no. 1, op. 10: Procession of the Sardar
Tasmanian Symphony Orchestra, Shalom Ronly-Riklis
—
The Marriage of Figaro, K492: Non più andrai
John Pringle, Queensland Symphony Orchestra, Richard Bonynge
—
String Quartet no. 2 in D major: Notturno
Queensland Symphony Orchestra, Wilfred Lehmann
—
Suite no. 1 in G major for solo cello, BWV1007: Prelude
Daniel Yeadon
—
Finlandia, op. 26
Melbourne Symphony Orchestra, Hiroyuki Iwaki
—
String Quintet in C major, D956: Adagio (excerpt)
Alexander Ivashkin, Theodore Kuchar, Mark Lubotsky, Julian Smiles, Michele Walsh
—
Les sons et les parfums tournent dans láir du soir
Duncan Gifford
—
Tosca: Vissi d’arte
Rita Hunter, Tasmanian Symphony Orchestra, Dobbs Franks
—
The Hebrides, op. 26 "Fingal's Cave": Overture
Sydney Symphony Orchestra, Stuart Challender
—
Lohengrin: Act III Prelude
Sydney Symphony Orchestra, Edo de Waart
—
Pomp and Circumstance March No. 1 in D major, op. 39
Queensland Symphony Orchestra, Patrick Thomas
—
William Tell: Overture (excerpt)
West Australian Symphony Orchestra, David Measham
—
The Love for Three Oranges, op. 33: March
Queensland Symphony Orchestra, Patrick Thomas
—
Tale of Tsar Saltan: Flight of the Bumble Bee
Tasmanian Symphony Orchestra, Shalom Ronly-Riklis
—
The Wasps (Aristophanic Suite): March Past of the Kitchen Utensils
Queensland Symphony Orchestra, Patrick Thomas
—
Perpetuum Mobile, op. 257
Sydney Symphony Orchestra, Richard Mills
—
Additional database matches (26)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Rondine: Chi il bel sogno di Doretta | Shu-Cheen Yu, Sinfonia Australis, Antony Walker | — |
| Ave verum corpus, KV 618 | Sydney Philharmonia Orchestra, Antony Walker | T0318531984 |
| The Skaters’ Waltz, op. 183 | West Australian Symphony Orchestra, David Measham | T9000523182 |
| Oboe Concerto in D minor: II. Adagio | Diana Doherty, Sinfonia Australis | — |
| Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint » | David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods | T0717254255 |
| The Barber of Seville: Overture | Tasmanian Symphony Orchestra, Ola Rudner | T-306482271-1 |
| Largo (excerpt): Symphony no. 9 'From the New World' | Sydney Symphony Orchestra, José Serebrier | T9220652664 |
| Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Gerard Willems | — |
| La Rondine: Chi il bel sogno di Doretta | Shu-Cheen Yu, Sinfonia Australis, Antony Walker | — |
| Ave verum corpus | Sydney Philharmonia Motet Choir, Sydney Philharmonia, Antony Walker | — |
| The Skaters’ Waltz, op. 183 | West Australian Symphony Orchestra, David Measham | — |
| String Quartet no. 2 in D major: Notturno | Queensland Symphony Orchestra, Wilfred Lehmann | — |
| Peer Gynt Suite no. 1, op. 46: The Death of Äse | Tasmanian Symphony Orchestra, David Stanhope | — |
| Aida: Triumphal March | Queensland Symphony Orchestra, Patrick Thomas | — |
| Symphony no. 6 in F major, op. 68 “Pastoral”: Allegretto | Sydney Symphony Orchestra, Willem van Otterloo | — |
| Largo (excerpt): Symphony no. 9 'From the New World' | Sydney Symphony Orchestra, José Serebrier | — |
| The Carnival of the Animals: XIII. The Swan | Queensland Symphony Orchestra, Bernard Heinze | — |
| Oboe Concerto in D minor: II. Adagio | Diana Doherty, Sinfonia Australis | — |
| Don Giovanni, K. 527, Act 1: Madamina! Il catalogo è questo (Catalogue Aria) | Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Ola Rudner | — |
| Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint » | David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods | — |
| The Barber of Seville: Overture | Tasmanian Symphony Orchestra, Ola Rudner | — |
| Pictures at an Exhibition: The Great Gate of Kiev | West Australian Symphony Orchestra, David Measham | — |
| Bagatelle in A minor "Für Elise" | David Stanhope | — |
| Hungarian Dance no. 5 | Sydney Symphony Orchestra, Stuart Challender | — |
| Brandenburg Concerto no. 3 in G major, BWV1048: First movement | Tasmanian Symphony Chamber Players, Geoffrey Lancaster | — |
| Pomp and Circumstance March No. 1 in D major, op. 39 | Queensland Symphony Orchestra, Patrick Thomas | — |
La Rondine: Chi il bel sogno di Doretta
Shu-Cheen Yu, Sinfonia Australis, Antony Walker
—
Sydney Philharmonia Orchestra, Antony Walker
West Australian Symphony Orchestra, David Measham
Oboe Concerto in D minor: II. Adagio
Diana Doherty, Sinfonia Australis
—
David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods
Tasmanian Symphony Orchestra, Ola Rudner
Sydney Symphony Orchestra, José Serebrier
Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile
Gerard Willems
—
La Rondine: Chi il bel sogno di Doretta
Shu-Cheen Yu, Sinfonia Australis, Antony Walker
—
Ave verum corpus
Sydney Philharmonia Motet Choir, Sydney Philharmonia, Antony Walker
—
The Skaters’ Waltz, op. 183
West Australian Symphony Orchestra, David Measham
—
String Quartet no. 2 in D major: Notturno
Queensland Symphony Orchestra, Wilfred Lehmann
—
Peer Gynt Suite no. 1, op. 46: The Death of Äse
Tasmanian Symphony Orchestra, David Stanhope
—
Aida: Triumphal March
Queensland Symphony Orchestra, Patrick Thomas
—
Symphony no. 6 in F major, op. 68 “Pastoral”: Allegretto
Sydney Symphony Orchestra, Willem van Otterloo
—
Largo (excerpt): Symphony no. 9 'From the New World'
Sydney Symphony Orchestra, José Serebrier
—
The Carnival of the Animals: XIII. The Swan
Queensland Symphony Orchestra, Bernard Heinze
—
Oboe Concerto in D minor: II. Adagio
Diana Doherty, Sinfonia Australis
—
Don Giovanni, K. 527, Act 1: Madamina! Il catalogo è questo (Catalogue Aria)
Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Ola Rudner
—
Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint »
David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods
—
The Barber of Seville: Overture
Tasmanian Symphony Orchestra, Ola Rudner
—
Pictures at an Exhibition: The Great Gate of Kiev
West Australian Symphony Orchestra, David Measham
—
Bagatelle in A minor "Für Elise"
David Stanhope
—
Hungarian Dance no. 5
Sydney Symphony Orchestra, Stuart Challender
—
Brandenburg Concerto no. 3 in G major, BWV1048: First movement
Tasmanian Symphony Chamber Players, Geoffrey Lancaster
—
Pomp and Circumstance March No. 1 in D major, op. 39
Queensland Symphony Orchestra, Patrick Thomas
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000063018831000000006304124900000000631251510000000064117778000000006434468X000000007839122500000000784044600000000079094476000000007982298X0000000081730224
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00000000828329510000000083492864000000008413423300000000899128070000000102323805000000010663026300000001100890270000000110124662000000011027992000000001145022610000000114506983000000011453156400000001146848350000000115119301000000011571337800000001176636500000000119555952000000040724033000000004491609370000000466258768
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What is UPC 0028947628972?
0028947628972 is a Universal Product Code (UPC) assigned to Classics at the Movies II: Classical Music From the World of Cinema by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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